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IMDbPro

Basic

  • 2003
  • Tous publics avec avertissement
  • 1h 38min
NOTE IMDb
6,4/10
69 k
MA NOTE
Samuel L. Jackson and John Travolta in Basic (2003)
Home Video Trailer from Columbia Pictures
Lire trailer1:44
5 Videos
45 photos
CriminalitéDrameMystèreThriller

Un agent de la D. E. A. Enquête sur la disparition d'un légendaire sergent instructeur des Rangers de l'armée et de plusieurs de ses cadets au cours d'un exercice d'entraînement qui a mal to... Tout lireUn agent de la D. E. A. Enquête sur la disparition d'un légendaire sergent instructeur des Rangers de l'armée et de plusieurs de ses cadets au cours d'un exercice d'entraînement qui a mal tourné.Un agent de la D. E. A. Enquête sur la disparition d'un légendaire sergent instructeur des Rangers de l'armée et de plusieurs de ses cadets au cours d'un exercice d'entraînement qui a mal tourné.

  • Réalisation
    • John McTiernan
  • Scénario
    • James Vanderbilt
  • Casting principal
    • John Travolta
    • Samuel L. Jackson
    • Connie Nielsen
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    69 k
    MA NOTE
    • Réalisation
      • John McTiernan
    • Scénario
      • James Vanderbilt
    • Casting principal
      • John Travolta
      • Samuel L. Jackson
      • Connie Nielsen
    • 337avis d'utilisateurs
    • 116avis des critiques
    • 34Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 3 nominations au total

    Vidéos5

    Basic
    Trailer 1:44
    Basic
    Basic
    Trailer 1:45
    Basic
    Basic
    Trailer 1:45
    Basic
    Basic: Soundbites
    Clip 0:14
    Basic: Soundbites
    Basic: Scenes
    Clip 1:33
    Basic: Scenes
    Basic: B-Roll
    Featurette 0:54
    Basic: B-Roll

    Photos45

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 39
    Voir l'affiche

    Rôles principaux23

    Modifier
    John Travolta
    John Travolta
    • Hardy
    Samuel L. Jackson
    Samuel L. Jackson
    • West
    Connie Nielsen
    Connie Nielsen
    • Osborne
    Tim Daly
    Tim Daly
    • Styles
    Giovanni Ribisi
    Giovanni Ribisi
    • Kendall
    Brian Van Holt
    Brian Van Holt
    • Dunbar
    Taye Diggs
    Taye Diggs
    • Pike
    Dash Mihok
    Dash Mihok
    • Mueller
    Cristián de la Fuente
    Cristián de la Fuente
    • Castro
    Roselyn Sanchez
    Roselyn Sanchez
    • Nunez
    Harry Connick Jr.
    Harry Connick Jr.
    • Vilmer
    Georgia Hausserman
    • Pilot
    Margaret Travolta
    Margaret Travolta
    • Nurse #1
    Dena Johnston
    • Nurse #2
    Nick Loren
    Nick Loren
    • Helicopter Pilot
    Cliff Fleming
    Cliff Fleming
    • Helicopter Pilot
    Steven Maye
    • CID Officer
    Jonathan Rau
    • G.I. on the Tarmac
    • Réalisation
      • John McTiernan
    • Scénario
      • James Vanderbilt
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs337

    6,468.5K
    1
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    10

    Avis à la une

    TimeForLime

    Well I Liked Every Minute of it

    Recalling what John Travolta did WELL as the dogged investigator in THE GENERAL'S DAUGHTER (1999), he reprises that role in BASIC (2003). This is a more fun and less full-of-itself film.

    He starts slow as the alcoholic Don't-Tread-On-Me military misfit/drop-out but soon reveals both a lot of spit-and-polish, and a load of talent as an investigator/interrogator. And again he teams up with a female, although I'd rather have seen him pair with Maddy Stowe again.

    The film, for me, combined the best of RASHOMON (1950) wherein the same reality is seen differently by different participants in the same event.

    And COURAGE UNDER FIRE (1996), the Meg Ryan / Denzel Washington film, which required Denzel to overcome strong squad loyalty, get tight-lipped, hard-trained men (and a woman) to talk, to piece together "what really happened out there."

    Giovanni Ribisi as the wounded soldier in the hospital is so good -- he reminds me of Vincent D'Onofrio in SALTON SEA (2002): you have to look very closely to see that it REALLY IS Ribisi.

    So the plot trips over itself. So what? I never said the film was perfect. I'm just telling you it's a hunk of fun.
    x111b3825

    I liked it...

    There's a whole lot of deep analysis going on here, but in the end, since so many others have analyzed this to death, I would recommend just watching it with an open mind and seeing if you find it entertaining.

    I thought it original to a point, well acted out, and while predictable on a couple points, for the most part, leaving me wondering when we would find out the absolute truth of what the heck was going on...

    Maybe later I will put something more in depth here, but for now, beware of the critics and their "plot holes," because in the end, aside from a couple very small glitches, this was pretty well done.
    7philip_vanderveken

    Not the best movie in the genre, but it could have been a lot worse

    Even though I had some doubts about this movie before watching it, I definitely wanted to give it a try. There were several reasons for that. One of those reasons is because Samuel L. Jackson plays an important role in it. That man on his own is already reason enough to watch a movie, but I also knew that it was directed by John McTiernan, who also made "The Hunt for Red October", "The 13th Warrior" and "Die Hard: With a Vengeance". Three movies that I've seen and liked very much. The only one that didn't really do it for me was "The Thomas Crown Affair", but with an average of three out of four, I could only hope for the best with this movie.

    "Basic" starts with showing us how army sergeant West takes six of his special troops on a training mission into the Colombian rain forest, from which only two return alive. When the rescue mission arrives, they see one soldier killing another and carrying a wounded comrade. As soon as they are back on the base, the interrogation of Dunbar - one of the two survivors - starts. But he refuses to talk to anyone else than another Ranger who he doesn't know yet. That's where former Ranger and current DEA agent Hardy comes in. He is able to get a confession out of Dunbar, but as he digs deeper, he only finds more and more prove of contradictions and illegal practices...

    This is one of those movies that you have to watch when you can keep your mind to it from the beginning until the end. If you think that you'll need to take a break in between, you better don't even start watching it because the entire story is so confusing and so many plot twists make it almost impossible to watch it, unless you can keep focused. But don't think that this means that this movie isn't any good. It's especially thanks to the many twists that I kept watching, because the interrogation scenes and the 'action scenes' on the base didn't always do it for me. What I also liked about this movie was Samuel L. Jackson's performance. He was really nice as the tough sergeant West. You could see that the man enjoyed playing this role. John Travolta wasn't bad either, but I've already seen him play better roles.

    Overall this isn't a bad movie. Thanks to the mysterious story and the many twists it is hard to keep track, but when you are able to do so, you'll have fun watching it. Still, not everything about this movie was that strong and that's why I give this movie a 6.5/10. It isn't the best movie in the genre, but could have been a lot worse than this.
    bob the moo

    Not a tight enough film to handle all the twists it wants to do

    Infamously cruel Sergeant West takes his unit into the Panama jungle on a training exercise. Two days later two of his men return and report the rest dead. When the base investigator makes no process, the base commander calls in shamed DEA agent Hardy. The investigation continues well with both of the two men telling their stories, however Hardy finds that the stories contradict themselves and that the truth is much, much more complex than first appeared.

    For the majority of this film everything goes the way you expect it to, but yet it all still works reasonably well. The plot twists in several ways as each contradiction brings out a bit more truth in the overall tale. It is filled with dramatic interrogation scenes which, although clichéd, do still serve to be reasonably gripping. However at some point, and I can't say exactly when it happens, the sheer volume of twists and the leaps we are expected to make simply become too much for the quality of the material and it more or less collapses in on itself.

    It isn't that the twists are too much of a stretch, it's that they are too much of a stretch for this film. Usual Suspects has massive twists that bewilder and require big jumps, but that had the acting and script to back it up. Here the same isn't true, the script doesn't do a good enough job of gradually revealing a story to us just to twist it; instead it just seems to be constantly changing the foundations to the point that I felt I was on quick sand rather than a base where the walls kept moving (if you get my meaning). What I'm saying is that the story didn't set itself up well enough to provide killer twists, instead it was constantly pulling small then bigger twist after twist - to the point where I was expecting the next one before it arrived. Not to unfairly compare, but Usual Suspects gradually added layers rather than twists as it builds to a climax. Basic just keeps twisting but eventually gets to the point where it overstretches itself and the twists lose their impact.

    The dramatic tone suffers for this reason and, after a good start it all too quickly loses it's impact. Travolta tries hard and for the most part he does OK, but his slick character loses it towards the end, and his final `winks' are not easy to understand. I got the feeling that he didn't understand his character anymore that I did. Jackson gives a better performance in flashback although his character is pretty much a basic sergeant-major cliché, until the ending goes and ruins a fair amount of what he had done up till that point. Nielsen is pretty good but gives a masculine performance in a masculine film. The support cast is actually pretty good although Ribisi damaged his reputation with me by doing some sort of weak effeminate spoof character. Diggs, Holt, Daly and Sanchez all do pretty well and their solid flashback sequences help the interrogation to be more dramatic.

    Overall this film is too twisty and some of them really demand jumps that are just not made possible by a script that doesn't do enough to help the audience out. It still manages to be pretty dramatic and enjoyable for at least the first half, but the final third demands too much and twists too much for the material to cope with. Not as awful as other reviews lead me to expect but it collapses alarmingly fast towards the end.
    RoswellJen

    A Thinking Film

    I read a review in my local paper saying that this film was boring. But I like John Travolta and wanted to see it to form my own opinion and my opinion was that it was really good. I think there were a lot of plot twists and turns and you really had to pay attention to see where things were going, if you didn't watch every second of it then you were going to miss something crucial to the plotline. I think this is one of the best movies of the last year, no matter what other people say. I liked it, and so did my whole family. Two thumbs up!

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Screenwriter James Vanderbilt wanted to fool a certain type of moviegoer. He said: " . . . those who say 'I know who the killer is' in the first ten minutes."
    • Gaffes
      During the first platoon inspection scene, Sergeant West is wearing Specialist rank on his uniform collar, four ranks lower than the Master Sergeant ranks he is wearing on the epaulets of his sweater.
    • Citations

      Styles: Osbourne's the closest thing we have to an in-house investigator.

      Hardy: And here you are going out of house... now, how does that make you feel, Jules?

      Osbourne: Hostile and uncooperative, sir.

      Hardy: Fantastic.

    • Connexions
      Featured in Basic Ingredients: A Writer's Perspective (2003)
    • Bandes originales
      Bolero
      Written by Maurice Ravel

      Performed by Hungarian State Orchestra

      Conducted by Ádám Fischer

      Courtesy of LaserLight Digital

      By Arrangement with Source/Q

    Meilleurs choix

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    FAQ19

    • How long is Basic?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 28 mai 2003 (France)
    • Pays d’origine
      • États-Unis
      • Royaume-Uni
    • Site officiel
      • Sony Pictures
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Básico y letal
    • Lieux de tournage
      • Panama
    • Sociétés de production
      • Phoenix Pictures
      • Intermedia Films
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 50 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 26 793 311 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 11 511 960 $US
      • 30 mars 2003
    • Montant brut mondial
      • 42 792 561 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 38min(98 min)
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
      • SDDS
    • Rapport de forme
      • 2.39 : 1

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