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Middle of the road comedy about the dreams and experiences of a small-town girl (Gwyneth Paltrow) who longs to be an international flight attendant.

Another forgettable comedy with (supposedly) high-powered talent that seems to be unused. Gwyneth does have a good comedic presence, and she looks good in the skimpy outfits, what with her lean, leggy body and all.

But it's all just light fluffy trek. The movie struggles to even fill its 87 minutes with substance. Basically just girl from small town, longing for high life and glamour, trials and tribulations achieving her goals, and final realization that love and home are really what cranks. My, my, original indeed.

Yes, Gwyneth is OK, not totally sleepwalking through this role. She obviously needs to be stretched artistically, though. The supporting cast don't provide much. Mike Myers' cross eyed instructor provides a few laughs, but seems mostly like an overplayed Saturday Night Live character.

Candice Bergen seems settled into these time-killer comedies, and that is her prerogative. As the grand damme of flight attendants, she does get a couple of humorous lines, and her lispy, stilted, staccato, deliberate vocal delivery is always funny to me.

5/10 because I did laugh a few times. When it's not funny though, it's not much.

Pleasant if unremarkable fluff has Gwyneth Paltrow pulling a Mira Sorvino, playing a hick-town cashier in Nevada who is inspired by a celebrity airline hostess and takes to the skies. Middling comedy-romance about flight attendants has Paltrow in unusually silly spirits; her role isn't realistic, of course, but it's a lot of fun watching her go through the ropes, gaining self-confidence and making friends. Her sweet relationship with Mark Ruffalo never gets in the way of the comedy and provides a nice capper at the end. Film begins skittishly, though it, too, gains confidence and composure despite 'scene-stealing' hams in the supporting cast and an abundance of what appears to be costume designs from the 1970s (yet the film takes place in the present day). Not a big success, but a minor enjoyment. ** from ****

Here's where being a film critic is tricky. This movie isn't really bad, it's actually worth seeing in some senses. It's less than 90 minutes long, which is a safe bet for a comedy. But it fails to deliver any laughs, it stumbles in its course and has some major flaws. As a film critic, my assignment is to tell the readers my humble opinion of whether a film is worth paying to see. In that regard, no, "View from the Top" is not recommended by me. I didn't even really enjoy it that much. It delivers nothing fresh. But I never checked my watch, I never felt like doing something else with my time. It is a harmless film, a good-natured, sappy one-laugh movie that isn't as clever as it thinks it is but still manages to be sublimely interesting in an odd fashion. It kept me interested, although there may be a difference between interested and entertained.

"View from the Top" has been in what filmmakers call "production hell" for quite some time. It finally was released only to bomb at the box office. I don't blame the public for ignoring it. It's sad to think that the funniest thing about "View from the Top" is that Mike Myers' co-star role as a weirdo airline employee is the highlight of the movie. Myers' cameo may be self-indulgent, but not nearly as much so as Adam Sandler's in "The Hot Chick." In fact, without Mike Myers, I would have given this movie an even lesser rating.

The movie is about airline stewardesses and their way to the top. This sounds like a dull subject because it is. This can hardly be stretched out into a long movie without becoming repetitive. But, in a sense, it isn't clichéd - there are no evil characters bent on the heroine's destruction, there aren't any sexually suggestive pilots hitting on the heroine. It's just a story about a woman trying to make it to the top. It will probably inspire and enthrall the younger crowds but leave older audiences unsure.

The film stars Gwyneth Paltrow as Donna Jensen, a small-town girl who dreams of leaving her country home and moving out into the real world. After reading an inspirational book about a flight stewardess who made her way to the top, Donna leaves home and joins a low-key airline service. Rob Lowe makes a cameo as the pilot but then disappears for the rest of the film. With the ads for the movie, you'd think he's a main character.

Donna meets up with Shelly (Kelly Preston) and another young stewardess played by Christina Applegate. They decide to join Royalty Airlines, but Donna's test results are switched and she ends up being turned down for a job at the airline by Frank Whitney (Mike Myers), who has a funny eye that turns inwards and in order to read he must go through crazy guestures.

This movie has sweet performances and sweet intentions, and comes off the way it wants to - sweet - but I can't bring myself to fully recommend you pay to see it. "View from the Top" isn't a particularly fine movie. It's watchable fluff, and the techniques the film use are not as clichéd as something like "Legally Blonde." But in the end, I realized I had barely laughed at anything. Perhaps clichés aren't always the things to avoid.

2.5/5 stars

This movie cant decide what it wants to be.It's not a Mike Myers comedy but spends an awful lot of time with Myers.It doesn't bother to develop any decent kind of romance for its main character but then takes too much time worrying about her romantic needs.It spends most of the script have the girls do stupid things and the rest has super glamorous Paltrow run around super glamorous hotels and European locations.I think this was meant to be a chic romantic comedy but the script revolted and tried for three stooges.If one likes Gwyneth its a must,she absolutely looks stunning here.Thats about the only reason to watch this.

On a very slow night, I watched this flick and was generally surprised at the physical comedy Gwen was willing to put herself through. I really enjoyed this film. For it's ridiculous nature. It's fable quality, and real nice (yet mostly overused) concept of home is where love is. And it reminded me that the journey with someone is better than the journey alone. Everyone needs a co-pilot and it's a sweet message (albeit sometimes outdated). I feel. a movie like this is genuine, and returns back to a time where we may not have been so cynical. If that's their angle, I would say...it's not a bad thing to be sweet.