Tônica Dominante

2000
1h 20min

NOTE IMDb

MA NOTE

Ajouter une intrigue dans votre langueThree days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail... Tout lireThree days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day... Tout lireThree days in the life of a young clarinetist (Fernando Alves Pinto), who is in love with a violinist (Vera Zimmerman), but can't get her attention. In the first day he feels alone and frail; in the second day what was supposed to be pleasant becomes a nightmare; in the third day he finally achieves fulfillment through music and helps a pianist (Vera Holtz) who is reh... Tout lire

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7,5/10

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1avis d’utilisateur

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Récompenses
- 2 victoires et 1 nomination au total

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8A Verdade

A film in harmony with classical music

This is a film by a classical musician-turned-film maker. In this, her first feature length film, Lina Chamie shares her common view of cinema and music; that is, as art forms where both occur during a given span of time and where both are marked by rhythm.

In this film, the director seals the union of the two art forms-film & music, (1) in its plot: basically, three days in the life of a young male clarinet player & (2)in its structure-set in three scenes or is it three movements of an orchestral arrangement? The young musician's story overlaps with a story of artistic creativity.

The movie achieves its goal of comparing music and movies to a great degree. This is a poetic film, one with little dialogue, and lots of music and imagery. However, this is not at all negative. or boring. The film features beautiful symphonic music from the likes of Schubert and Bach.

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Anecdotes
In 1996, with only two weeks of filming, actor Fernando Alves Pinto suffered an accident and was in comma for a week, leaving it with a damaged memory. During his recovery, his bigger stimulus was the clarinet lessons given by director Lina Chamie herself. In 1999, now fully recovered, filming resumed and then concluded.