Star Trek: Nemesis
- 2002
- Tous publics
- 1h 56min
Le vaisseau Enterprise est redirigé vers la planète mère romulienne Romulus, sous prétexte que ces derniers veulent négocier un traité de paix. Le capitaine Picard et son équipage découvrent... Tout lireLe vaisseau Enterprise est redirigé vers la planète mère romulienne Romulus, sous prétexte que ces derniers veulent négocier un traité de paix. Le capitaine Picard et son équipage découvrent une grave menace pour la Fédération lorsque le préteur Shinzon prévoit d'attaquer la Terr... Tout lireLe vaisseau Enterprise est redirigé vers la planète mère romulienne Romulus, sous prétexte que ces derniers veulent négocier un traité de paix. Le capitaine Picard et son équipage découvrent une grave menace pour la Fédération lorsque le préteur Shinzon prévoit d'attaquer la Terre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Avis à la une
If the rumors are to be believed, then approximately fifty minutes of footage for Star Trek: Nemesis are lying somewhere in Paramount's vault. While the movie itself is technically well-edited with a slick Hollywood gloss, this might explain why everyone but Picard and Data are left short-handed with minimal screen time and dialogue. Hopefully, the missing footage will find its way to the DVD release, where we can get the final tribute the crew of The Next Generation deserves.
As a story for a final adventure, Nemesis isn't quite the epic one may hope for. The plot mostly focuses on the parallels between Picard and the new Romulan leader, a human named Shinzon (Tom Hardy), who claims to desire peace between the Romulans and the Federation. He also has a special bond to Picard, which I won't give away, suffice to say Data also gets to experience something similar throughout the film. Essentially, the plot isn't particularly interesting and it works primarily as a set-up for the climactic space battle, definitely the movie's highlight.
Before then, the only setpieces worthy of interest are a gratuitous but enjoyable car chase (!) on a desert planet that resolves in a grin-inducing fashion, and a fast-paced shootout on board Shinzon's warship, the Scimitar, which also resolves in a pretty cool manner. That's all the action we get in the first 80 or so minutes, meaning there's a lot of talky scenes that go nowhere and clumsily insert the good ol' "Nature vs. Nurture" debate to no avail. Outside of the action, what makes the first 3/4's of the movie watchable are the excellent special effects and the crew's camaraderie. Acting wise, we get excellent performances from Patrick Stewart and Brent Spiner (by the way, is it just me or does Stewart look even more physically fit than ever? Old age is doing little to bring him down)
Clearly, the final space battle is what we've been waiting for, and after 10 movies and 23 years, we get what is easily the most elaborate action sequence of the entire Trek franchise. The segment runs just short of a half-hour and features the Enterprise going toe-to-toe with the Scimitar, and to keep the concept of one starship battling another from getting boring (because let's face it, that gets old in a matter of minutes), director Stuart Baird throws in a few more ships, some more phaser fights from boarding enemy parties (which prove to be the most exciting parts of the movie), fisticuffs, and even a self-destruct sequence that could prove fatal for everyone. It's a doozy of an action scene, even if it is slightly marred by Troi's psychic link and tiresome reports of collapsing shields. This is the sequence that makes the movie worth watching to sci-fi action fans.
Personally, I would have preferred had Baird just spaced the action out more evenly (a la First Contact), rather than stuffing it all in the conclusion, since the plot itself is hard to hold interest on its own. Still, from the space battle alone, this is more action-packed than any of the original crew's films and comes out just ahead of First Contact in terms of quantity, if not in quality. The finale also features the death of a beloved character, which isn't executed quite as properly as it should have, but is touching on its own. Once again, I'm hoping the director's cut will fix that up. Until then, this is just satisfying enough to those who thirst for outerspace action.
As has been the case with all of the Next Generation movies (with the exception of INSURRECTION), this film is visually beautiful. The CGI effects are at their peak and the production design of Herman Zimmerman continues to blow me away. I loved the design of the Remans: part Romulan, part vampire. It was some of the best makeup design in the series since the Borg were redesigned for FIRST CONTACT. The filmmakers have even learned from their mistakes of the last film and used a cinematographer who gave the film a wonderful cinematic feel, as opposed to the flat television lighting they'd regressed to before. Nothing about the film's visual style disappoints, but the same can't be said for the story. Most of the earlier films retained the depth of the series, but NEMESIS really is nothing more than a flashy action pic. For proof, you need to look no further than the entire last half of the film. There is some weak subtext to the story but the entire second hour is drawn out battle leading to the climactic confrontation between Picard and Shinzon about the enemy ship.
As seems to be the norm with all of the Next Generation movies, Picard and Data are the focal points here. The other crew members are usually given plenty of their own to do, but not here. A lot of the crew members are underused and I'm sure they weren't happy about being background players in their final feature film. Patrick Stewart is certainly the strongest member of the cast and carries most of the movie, and Brent Spiner is great as usual as Data (and B-4). I wish I had more positive things to say about Tom Hardy as Shinzon. He's a fantastic actor and has the skills to go face-to-face with Patrick Stewart (for those who doubt me, watch his screen test for the film). I just couldn't help but feel his character was too young and that really robbed me of any sense of danger from him. Had he been a bit more aged and worn, I might see him as a threat to Picard.
I suppose the film is a fun action flick, but it's just a weak STAR TREK film. It's shallow story can't be saved by it's impressive effects, but I wish the crew had been given one more chance to do it right before calling it quits. It's an entertaining two hours but aside from a bittersweet ending there's nothing entirely memorable about it. Fans of the franchise will be polarized in their views on the film and non-fans might be able to stomach it as an action-packed sci-fi romp. One thing's for certain: it's not the best time spent with the crew of the Enterprise.
A few friends of mine (well respected SciFi gurus) had claimed that this film was one of the top Star Trek movies. I have to say I agreed. So what? The scriptwriters borrowed some scenes. God forbid any other "original" movie has done the same in the last decade.
Some fans need to rid themselves of the notion that a full length motion picture is made for their sole consumption, and respect that many people viewing may not have even heard of the series. However, the script writers also need to understand the strong following of fans, and include "in" sequences/jokes etc. Which I felt they did nicely enough.
The detail spent on the Romulan Star Empire could have been slightly more expansive, the political games being played in the Romulan Senate never were quite "fleshed out" which is a shame, because the Romulans are one of the races throughout the Star Trek saga who have been rarely visible.
The film took current events to add a current affairs style plot, which I admire. The smaller (as in, less spelled out) plotlines were excellent, and made the film something to follow rather than a Die Hard clone (yes, First Contact was a.k.a "Die Hard on the USS Enterprise").
I hope this really isn't the end for Picard and crew, it didn't feel like a goodbye picture. If it was, then the fine actors from the TNG series should take a well deserved bow, it's been a great series to follow, and as a retired trekkie (I retired when the TNG series wrapped up) I think the TNG series (and original series) will prove to stand the test of time over more recent efforts, kudos to the actors and other people involved.
I used to be a real Trekky several years ago, but kind of grew out of it. This was the kind of Star Trek film I had been waiting to see. Much more involving than Insurrection and an intriguing story that I thought just got better as the film went on.
Brent Spiner did a masterful job with his two roles.
The special effects were like nothing I had ever seen from Star Trek before. They were brilliantly created and went beyond the typical Star Trek style effects which added extra depth to the film.
I have been told that many pure Star Trek fans did not like this film. And I agree that it seemed rather 'un-Star Trek' in many ways. But I think it was these un-Star Trek elements that really boosted this film.
It comes in at number 2 of my favorite Star Trek films. Second only to Wrath of Khan. Or perhaps a draw.
Le saviez-vous
- AnecdotesIt was generally believed that Jeri Ryan (Seven of Nine from Star Trek: Voyager (1995)) was offered a cameo in the earliest draft of the movie script, but was unable to commit when she got a role on Boston Public (2000). The cameo was supposedly given to Kate Mulgrew (Admiral Kathryn Janeway) instead. However, during a 2014 Star Trek convention, Ryan admitted that the studio had offered her a much larger role, which would have replaced an unspecified character in this film (supposedly Marina Sirtis as Deanna Troi). Ryan passed on the opportunity, not wanting to take a break from Boston Public already, and also out of fear of being typecast. She also felt that her presence in the film was merely fan service, since her character from Voyager never served on the Enterprise, and therefore wouldn't know anyone from the Next Generation crew. The studio then offered her a cameo as a guest at Riker and Troi's wedding in the beginning, which she also passed on because that would make even less sense. A cameo for Admiral Janeway was created instead, and Ryan would finally return to the Star Trek universe in Star Trek: Picard (2020).
- GaffesDuring his confrontation with the hologram of Shinzon, Captain Picard states "Your heart, your hands, your eyes are the same as mine." While Shinzon is a clone of Picard and most of this is true because they share the same DNA, Picard actually has an artificial heart. It was established on Star Trek The Next Generation that he lost his biological heart as a cadet when he was stabbed through the heart by a Nausicaan. However, Picard's statement was meant to be more poetic than literal.
- Crédits fousBoth the letter 'R' in 'Trek' and the second 'E' in 'Nemesis' are presented backward within the words in order to introduce the idea of a mirror image.
- Versions alternatives50 minutes of fully produced but unreleased footage allegedly exists, including:
- Extended Wedding Sequence - Originally, Riker and Troi's wedding was much longer and featured Wesley Crusher (played by Wil Wheaton) in attendance. (He is still sitting next to Dr. Crusher in the theatrical version) Also during the wedding, Picard opens up to Lt. Commander Data and reveals his dismay over being a private loner all his life.
- The Seduction of Counselor Troi - In the original three-hour version, Shinzon's obsession with Troi runs much deeper and there are several scenes that show him seducing and tormenting her in her mind. A scene featured in the theatrical trailers show Troi struggling with the mind meld inflicted by Shinzon and his Viceroy. You still see the effects of the torturous mind meld in the theatrical version as Troi appears fatigued and psychologically drained.
- A scene of Data teaching his brother B-4 how to eat with a fork.
- Ambassador Worf and Dr. Crusher were also featured more prominently in the three-hour version and it was revealed that Worf was on his way back to Kronos after leaving Deep Space Nine and he was featured in more action sequences that were deleted from the theatrical release. Dr. Crusher is revealed to be considering leaving the Enterprise after receiving an offer from Starfleet Medical.
- Footage of Geordi and Data planning and executing the mission to rescue Picard on board the Scimitar was also deleted and featured the swapping places of Data and B-4.
- Extended ending - Riker and Troi board the USS Titan as he takes command as Captain and she resumes her job as ship's counselor. The instatement of a new First Officer on the Enterprise is shown. Picard bids farewell to Dr. Crusher as she accepts the offer from Starfleet Medical and leaves for San Francisco.
- Bandes originalesTheme from Star Trek: The Motion Picture
Written by Jerry Goldsmith
Meilleurs choix
- How long is Star Trek: Nemesis?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Némesis
- Lieux de tournage
- El Mirage Dry Lake, Californie, États-Unis(private property portion of Dry Lake)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 43 254 409 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 513 305 $US
- 15 déc. 2002
- Montant brut mondial
- 67 336 470 $US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1