Star Trek: Nemesis
- 2002
- Tous publics
- 1h 56min
Le vaisseau Enterprise est redirigé vers la planète mère romulienne Romulus, sous prétexte que ces derniers veulent négocier un traité de paix. Le capitaine Picard et son équipage découvrent... Tout lireLe vaisseau Enterprise est redirigé vers la planète mère romulienne Romulus, sous prétexte que ces derniers veulent négocier un traité de paix. Le capitaine Picard et son équipage découvrent une grave menace pour la Fédération lorsque le préteur Shinzon prévoit d'attaquer la Terr... Tout lireLe vaisseau Enterprise est redirigé vers la planète mère romulienne Romulus, sous prétexte que ces derniers veulent négocier un traité de paix. Le capitaine Picard et son équipage découvrent une grave menace pour la Fédération lorsque le préteur Shinzon prévoit d'attaquer la Terre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 4 nominations au total
Avis à la une
The crew is sent to the planet of the Romulus as they want to declare peace,little does the crew know it is a trick to take over the planet Earth.
A few friends of mine (well respected SciFi gurus) had claimed that this film was one of the top Star Trek movies. I have to say I agreed. So what? The scriptwriters borrowed some scenes. God forbid any other "original" movie has done the same in the last decade.
Some fans need to rid themselves of the notion that a full length motion picture is made for their sole consumption, and respect that many people viewing may not have even heard of the series. However, the script writers also need to understand the strong following of fans, and include "in" sequences/jokes etc. Which I felt they did nicely enough.
The detail spent on the Romulan Star Empire could have been slightly more expansive, the political games being played in the Romulan Senate never were quite "fleshed out" which is a shame, because the Romulans are one of the races throughout the Star Trek saga who have been rarely visible.
The film took current events to add a current affairs style plot, which I admire. The smaller (as in, less spelled out) plotlines were excellent, and made the film something to follow rather than a Die Hard clone (yes, First Contact was a.k.a "Die Hard on the USS Enterprise").
I hope this really isn't the end for Picard and crew, it didn't feel like a goodbye picture. If it was, then the fine actors from the TNG series should take a well deserved bow, it's been a great series to follow, and as a retired trekkie (I retired when the TNG series wrapped up) I think the TNG series (and original series) will prove to stand the test of time over more recent efforts, kudos to the actors and other people involved.
Now during this era of Star Trek movies they never muddled with the plot killer dimension, time, except one, Star Trek IV: Return Home. All of the other movies where, how would 'Q' put it, linear. Honestly, anything that has a plot where someone goes back into time and tries to change it or prevents its change, well lets say, it kills the plot by putting a plot hole the size of a black hole.
I was never a real fan of the time travel as a script concept simply because if it was possible at all, everybody and anybody would eventually try to go back in time and change things to a more favorable outcome for themselves. Basically if you were able to go back in time, wouldn't you pick the winning lottery ticket numbers? So if you can do that why can't I? The next thing you know, you've got a million winning tickets. Star Trek: Nemesis, gets one gold star for having a plot that does not change time on a clock.
In fact it's pretty good. There are flaws and incongruities especially in regards to the Generations episodes and there is no justification for some of the oversights, but the movie shines where it should. A real attempt was made to develop the villains character Shinzon of Remus, Picard's clone. He isn't just a villain, he is a Picard, an alternate version.
So what's new? Picard embodies the perfect Starfleet officer. But take that uniform off and replace it with tattered clothes and remove that individual form his starship and place him in the deep recesses of a sunless world mined by slaves, tortured by Romulans and you get the picture.
What I think people missed in this movie was the big question, are Picard and the clone so different. Shinzon even asks Picard that in the movie. Could Picard have changed or convinced the clone had he had more time? Could the original Picard in a similar situation become evil? Either way, it is the human element and conflict within each of the Picard's and is what will intrigue an audience and is what I especially liked about this movie.
The special effects are good and really enhance a situation not nearly explored enough in Star Trek, the tactics of starship combat. This and only a few other instances has there been such an emphasis on strategy and tactics in starship combat.
Jean-Luc Picard ( Patrick Stewart) and his clone Shinzon of Remus (Tom Hardy) are both at the top of their game and fluently exercise their Shakespearean acting talents. Especially Hardy, who convinces us that he is Picard's clone, and then convinces us he's nothing like Picard. The Enterprise crew is at their best and Stuart Baird's direction gave Nemesis a movie like feeling rather than TV mini-movie feeling.
In closing, who wants to be an ensign when you can be a captain? In the end Trekers have to realize that Star Trek and its stories are about its captain. It is the captain who gets to say those cool lines like: 'Energize', and 'Fire', 'Divert Warp Power' 'Meet me in my ready room' and Picard's trademark lines 'Make it so!'.
A must see for Sci-Fi buffs and open-minded Trekers.
Le saviez-vous
- AnecdotesIt was generally believed that Jeri Ryan (Seven of Nine from Star Trek: Voyager (1995)) was offered a cameo in the earliest draft of the movie script, but was unable to commit when she got a role on Boston Public (2000). The cameo was supposedly given to Kate Mulgrew (Admiral Kathryn Janeway) instead. However, during a 2014 Star Trek convention, Ryan admitted that the studio had offered her a much larger role, which would have replaced an unspecified character in this film (supposedly Marina Sirtis as Deanna Troi). Ryan passed on the opportunity, not wanting to take a break from Boston Public already, and also out of fear of being typecast. She also felt that her presence in the film was merely fan service, since her character from Voyager never served on the Enterprise, and therefore wouldn't know anyone from the Next Generation crew. The studio then offered her a cameo as a guest at Riker and Troi's wedding in the beginning, which she also passed on because that would make even less sense. A cameo for Admiral Janeway was created instead, and Ryan would finally return to the Star Trek universe in Star Trek: Picard (2020).
- GaffesData states that the inhabitants of Kolarus III are a "pre-warp" society, but yet the Enterprise has no problem with "contaminating" it with its presence in direct contravention of Starfleet's Prime Directive. Not only did the inhabitants see the Argo up close, as well as the Star Fleet personnel, but the Star Fleet crew fired at them, blew up one of their ATVs and possibly killed one or more of the locals. This is an unforgivable lapse on the part of the writers, producers, and director. As for the Enterprise detecting positronic signals, this does not mean that the inhabitants were the source of the technology. The violation of the Prime Directive was serious and flagrant.
- Crédits fousBoth the letter 'R' in 'Trek' and the second 'E' in 'Nemesis' are presented backward within the words in order to introduce the idea of a mirror image.
- Versions alternatives50 minutes of fully produced but unreleased footage allegedly exists, including:
- Extended Wedding Sequence - Originally, Riker and Troi's wedding was much longer and featured Wesley Crusher (played by Wil Wheaton) in attendance. (He is still sitting next to Dr. Crusher in the theatrical version) Also during the wedding, Picard opens up to Lt. Commander Data and reveals his dismay over being a private loner all his life.
- The Seduction of Counselor Troi - In the original three-hour version, Shinzon's obsession with Troi runs much deeper and there are several scenes that show him seducing and tormenting her in her mind. A scene featured in the theatrical trailers show Troi struggling with the mind meld inflicted by Shinzon and his Viceroy. You still see the effects of the torturous mind meld in the theatrical version as Troi appears fatigued and psychologically drained.
- A scene of Data teaching his brother B-4 how to eat with a fork.
- Ambassador Worf and Dr. Crusher were also featured more prominently in the three-hour version and it was revealed that Worf was on his way back to Kronos after leaving Deep Space Nine and he was featured in more action sequences that were deleted from the theatrical release. Dr. Crusher is revealed to be considering leaving the Enterprise after receiving an offer from Starfleet Medical.
- Footage of Geordi and Data planning and executing the mission to rescue Picard on board the Scimitar was also deleted and featured the swapping places of Data and B-4.
- Extended ending - Riker and Troi board the USS Titan as he takes command as Captain and she resumes her job as ship's counselor. The instatement of a new First Officer on the Enterprise is shown. Picard bids farewell to Dr. Crusher as she accepts the offer from Starfleet Medical and leaves for San Francisco.
- Bandes originalesTheme from Star Trek: The Motion Picture
Written by Jerry Goldsmith
Meilleurs choix
- How long is Star Trek: Nemesis?Alimenté par Alexa
- Why is Wesley in uniform at the wedding? And is he a lieutenant?
- Fans say there is a rule that odd-numbered Star Trek films are bad and even-numbered Star Trek films are good. What gives with this one, being that it is the tenth?
- What is "Star Trek: Nemesis" about?
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Némesis
- Lieux de tournage
- El Mirage Dry Lake, Californie, États-Unis(private property portion of Dry Lake)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 60 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 43 254 409 $US
- Week-end de sortie aux États-Unis et au Canada
- 18 513 305 $US
- 15 déc. 2002
- Montant brut mondial
- 67 336 470 $US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1