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Le pianiste

Titre original : The Pianist
  • 2002
  • Tous publics
  • 2h 30min
NOTE IMDb
8,5/10
977 k
MA NOTE
POPULARITÉ
410
21
Adrien Brody in Le pianiste (2002)
Theatrical Trailer from Focus Features
Lire trailer1:21
3 Videos
99+ photos
BiographieDrameGuerreMusiqueDocudrameDrames historiquesÉpiqueÉpopée de guerreTragédie

Un musicien juif polonais lutte pour survivre à la destruction du ghetto de Varsovie pendant la Seconde Guerre mondiale.Un musicien juif polonais lutte pour survivre à la destruction du ghetto de Varsovie pendant la Seconde Guerre mondiale.Un musicien juif polonais lutte pour survivre à la destruction du ghetto de Varsovie pendant la Seconde Guerre mondiale.

  • Réalisation
    • Roman Polanski
  • Scénario
    • Ronald Harwood
    • Wladyslaw Szpilman
  • Casting principal
    • Adrien Brody
    • Thomas Kretschmann
    • Frank Finlay
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    8,5/10
    977 k
    MA NOTE
    POPULARITÉ
    410
    21
    • Réalisation
      • Roman Polanski
    • Scénario
      • Ronald Harwood
      • Wladyslaw Szpilman
    • Casting principal
      • Adrien Brody
      • Thomas Kretschmann
      • Frank Finlay
    • 1.1Kavis d'utilisateurs
    • 153avis des critiques
    • 85Métascore
  • Voir les informations de production sur IMDbPro
  • Film noté 32 parmi les meilleurs
    • Récompensé par 3 Oscars
      • 57 victoires et 74 nominations au total

    Vidéos3

    The Pianist
    Trailer 1:21
    The Pianist
    The Pianist - Rialto Pictures Trailer
    Trailer 1:29
    The Pianist - Rialto Pictures Trailer
    The Pianist - Rialto Pictures Trailer
    Trailer 1:29
    The Pianist - Rialto Pictures Trailer

    Photos209

    Voir l'affiche
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    + 202
    Voir l'affiche

    Rôles principaux98

    Modifier
    Adrien Brody
    Adrien Brody
    • Wladyslaw Szpilman
    Thomas Kretschmann
    Thomas Kretschmann
    • Captain Wilm Hosenfeld
    Frank Finlay
    Frank Finlay
    • Father
    Emilia Fox
    Emilia Fox
    • Dorota
    Michal Zebrowski
    Michal Zebrowski
    • Jurek
    Ed Stoppard
    Ed Stoppard
    • Henryk
    Maureen Lipman
    Maureen Lipman
    • Mother
    Jessica Kate Meyer
    Jessica Kate Meyer
    • Halina
    Julia Rayner
    Julia Rayner
    • Regina
    Wanja Mues
    Wanja Mues
    • SS Slapping Father
    Richard Ridings
    Richard Ridings
    • Mr. Lipa
    Nomi Sharron
    • Feather Woman
    Anthony Milner
    Anthony Milner
    • Man Waiting to Cross
    Lucy Skeaping
    • Street Musician
    • (as Lucie Skeaping)
    Roddy Skeaping
    • Street Musician
    Ben Harlan
    • Street Musician
    Thomas Lawinky
    Thomas Lawinky
    • Schutzpolizei
    Joachim Paul Assböck
    Joachim Paul Assböck
    • Schutzpolizei
    • Réalisation
      • Roman Polanski
    • Scénario
      • Ronald Harwood
      • Wladyslaw Szpilman
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs1.1K

    8,5977K
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    Résumé

    Reviewers say 'The Pianist' is a harrowing film depicting Wladyslaw Szpilman's Holocaust survival. Themes of resilience, war brutality, and art's transformative power are central. Adrien Brody's performance is lauded for its emotional depth. The realistic portrayal of the Warsaw Ghetto and Nazi atrocities is noted for historical accuracy. Emotions span despair, fear, hope, and determination. Chopin's music underscores the film's core. Some find Szpilman's portrayal as a passive survivor authentic; others critique it for sentimentality or lack of development. Overall, it's a powerful, unforgettable experience evoking empathy and reflection on war's horrors and human strength.
    Généré par IA à partir de textes des commentaires utilisateurs

    Avis à la une

    10Fella_shibby

    A Masterpiece. Awesome acting by Brody.

    This is a truly heart-wrenching story of one man whose family gets perished in the Holocaust and about his survival over solitude, deprivation, starvation and terror while in hiding during the Nazi occupation. In my opinion it is one of the finest depictions of the holocaust. This movie came close to Schindlers list in depicting the horrors of Holocaust. Brody puts in a marvelous and utterly touching performance. The story depicts the emotional and cultural breakdown of persecuted Jewish community as Nazi policy tightens around them. Excellent acting by Brody.
    10Smells_Like_Cheese

    Excellent, depressing, but excellent

    Man, I can not get this film out of my head. It is so rare that a movie can affect me the way "The Pianst" did. The last movie that did that was "Casino". I was really tired when I was watching the movie. It was almost midnight, so I was thinking that I'll start watching and I'll finish it in the morning. Did I? No, indeed I did not stop watching. I couldn't stop it. I just wanted to see what would happen next. I cried during "Schindler's List", I sobbed in this film. Everything that happens in this film is so sad. Adrien Brody does a remarkable job of acting in this film. I would very highly recommend this film. Especially if you are a history buff. Please, I think this film should be in the top 10 best films of all time.

    I looked on the message boards you know and some other user comments that didn't enjoy this film much, they criticized Adrien Brody's performance and say that he was boring and only showed emotions that are easy to act. Please, you have got to be kidding me. This man portrayed the total feeling of hopelessness, being alone, being hated. I one time had an audition in high school like this to see if I could improvise, and the way I imagined this feeling is like in dodgeball where you have no one else on your team and you're the only one left standing, yet on the other team there is 20 big men that are just waiting to wack that ball at you. Adrien couldn't have done a better job, I was so frightened for him and cried for him during the whole film while he was one the run.

    Roman Polanski as the director, he himself escaped the terrors of being a prisoner in The Holocaust, yet he lost his mother and other family members. Yes, I'm sure this film must have been hard to re create for him, but he was probably the only director that could have done this movie as brilliantly as he did. He created this story and made it so effective, I called up my mom and told her that I loved her so much because we take so many things for granted. True, this isn't the 1930's or 40's, and we are in America. But it's still frightening to think that human beings are capable of that much hate and being so brutal to another human.

    World War II is one of the most frightening wars in history, if you read more about The Holocaust, you get more into it and you should. If you are not interested, then watch this film. It's a must see, otherwise how else will we learn from our mistakes? The Pianist is a beautiful and extremely dark tale about a man and the struggle to survive. The ending is so powerful and moving to know that sometimes one man can make a difference in a crowd of so many and I'm not talking about Adrien Brody's character. You'll see what I mean.

    10/10
    9ashcoounter

    Brilliantly Narrated, Visually Stunning!

    Polanski has depicted the gory details of the holocaust without much restraint. But, the most wonderful aspect of the film is that the director has not lost focus of his story and instead of focusing too much on the holocaust horror he has weaved the true-life narrative of survival around devillish happenings.

    Every single act of escapade Szpilman goes through is depicted like a drop of water on a barren desert. However, the Oasis in the driest desert comes in the end and it is here that Polanski captures the essence of human emotion. I had this very strong urge of jumping into the theater screen and magically adopting a character in the movie and doing something about the helplesness portrayed so convincingly.

    Overall, Polanski has given a stunning visual narrative of the cold war. Survival indeed is a privilege though it is taken for granted today. Performances by Brody, Kretschmann deserve applause.

    Pawel Edelman's camera work is moving and he has brilliantly captured the dark sadness in the visual canvas in an effective way. The lighting is amazing. Pre-dawn shooting schedule could have helped a great deal.

    Hervé de Luze's editing work has ensured that the narrative does not slip away from focus. Most notable is the scene where the human bodies are lit on fire and the camera raises to show the smoke. The darkness of the smoke is enhanced and is used effectively to fade the scene out.

    The scene where Brody's fingers move as he rests his hands on the bars of the tram handle only goes to show the brilliance of Polanski as a film-maker.

    Great film that will be in the running for this year's Oscars. I will give it a 9 Out of 10.
    baumer

    A haunting film, one that you won't forget

    I can remember when this film came out I was adamantly against seeing it. I had my preconceived notions that it would be some other heroic Jewish Holocaust film where good triumphs over evil and in between we would see some brutal atrocities committed by the Germans to add some flavour.

    How wrong I was.

    This is one of the best films I have ever seen and what it did to me I cannot describe in words. But in a nutshell, it moved me, made me cry, made me feel like I was in the Polish ghetto in 1940, and ultimately made me kiss the sidewalks as I walked out of the theater and thanked God that I live in the free society that I do.

    Roman Polanski has proved that he is a great director with films like Chinatown and Rosemary's Baby but this is his crowning achievement. I think the fact that this won the awards that it did at this years Oscars goes a long way to validate the brilliance of this film. I believe that the Oscar's are rigged for the most part and films and actresses and such win based more on their pedigree or business associations than anything else, so when it won best actor and director and adapted screenplay this year, it tells you that it should have won best picture but the Weinsteins seem to have a spell over everyone, hence a charlatan like Chicago takes top prize. Sorry for the digression here but when you compare a "film" like Chicago to a masterpiece like The Pianist, there really is one clear cut winner. They handed out the statue to the wrong movie.

    The Pianist follows up and coming piano player Wlad Spielzman from his days as a local hero to a prisoner of war to his time in the ghettos, surviving only by the kindness of strangers. I think many people have touched on this before but what makes this film so amazing and well crafted is because Spielzman is a man that we can all relate to. He is not a hero, he is not a rebel and he is not a kamikaze type that wants and lusts after revenge. He is a simple man that is doing everything in his power to stay alive. He is a desperate man and fears for his life and wants to stay as low as he can. Only from the succor he receives from others does he manage to live and breathe and eat and hide. And this is how I related to him. If put in his position, how would I react? Exactly the way he did. This is a man that had everything taken from him. His livelihood, his family, his freedom and almost his life. There is no time for heroics here. Adrien Brody embodies the spirit of Spielzman and his win at this years Oscars was one of the happiest moments I have had watching the festivities. His speech was even better but that is a topic for another time.

    Ultimately it is his gift of music that perhaps saves his life and the final scene that he has with the German soldier is one of the most emotionally galvanizing scenes I've witnessed. With very little dialogue, it is in the eyes, the face, the mouth and the sounds that chime throughout their tiny space that tell you all you need to know. I think it is this scene that won Brody his Oscar. This is one of the all time great performances.

    I think Polanski spoke from the heart here. He has taken a palette of memories and amalgamated them with what he has read and given us one of the best films of our generation and any other. I think The Pianist will go down as one of the best films of this century and when all is said and done, Chicago will be forgotten the way Ordinary People was forgotten and when people talk about the film The Pianist, they will do so with reverence and respect. This is a cinematic masterpiece.

    10 out of 10
    8FilmOtaku

    An astonishing film

    The Pianist is the true story of Wladyslaw Szpilman, at the time Poland's most acclaimed pianist whose life is transformed during the Nazi occupation of Warsaw beginning in 1939. The film spans several years and maps his many personal trials in addition to providing the perspectives of his family, rebel factions and sympathizers.

    Brilliantly directed by Roman Polanski and starring an amazing Adrien Brody, The Pianist is bound to garner comparisons to Schindler's List, for obvious reasons. However similar the subject matter, the approach is different. While Schindler's List was filmed in a beautiful, crisp black and white that offered many incredible images, The Pianist was filmed with almost muted color. Schindler's List featured what has been argued as a complicated hero. Oskar Schindler did save many Jews, but not without battling his own materialistic demons first. The Pianist's Szpilman is a sympathetic character throughout. His plight was desperate, and the demons he fought were over his own guilt in surviving a fight that eventually turns into a primal will to live.

    Polanski does not spare the viewer any grief with his film. The horrific scenes between the Nazis and the Warsaw Jews were more terrifying and horrible than any horror/suspense movie I have seen in some time, possibly ever. The humiliation and complete loss is wrenching. In several scenes, Jews are lined up in the middle of the night and subjected to either torture or death. In one case, a woman asks of a Nazi officer, "What will happen to us?" and is promptly shot point blank in the head. The camera does not flinch or subdue any of these atrocities.

    A mention must be made of Brody's performance. Having only previously seen Brody in two other films, Spike Lee's "Summer of Sam" and Terrence Malick's "The Thin Red Line" (a part that was supposed to be his launch into stardom before his part was unfortunately cut drastically) I knew his potential was great. After his Oscar win, I viewed this movie with more criticism than I normally would have and he certainly did not disappoint. He transcended my expectations. His physical transformation was amazing, but more importantly, he conveyed the sorrow of this man shockingly well - in both verbal and non-verbal contexts. It will be very interesting to see what kind of opportunities this role will afford him, and the kinds of roles he will accept.

    Something worth mentioning is the affect this movie had on the audience with whom I viewed this film. Normally, when a film ends, the regular hardcore filmsters like myself will stay and watch the credits in their entirety. The rest of the audience stands up and leaves, usually to the chagrin of the remaining enthusiasts. This was one of the few times I have seen a film at a theater where not one person stood to leave during the final credits. It wasn't until the house lights came up at the end did people begin to disperse. Personally, I hightailed it out of the theater the second the lights came on because not only was my face a mess from crying during the film (Tammy Faye comes to mind) but I had this overwhelming need for an emotional release, so when I reached my car I sat and wept for about five minutes. It has been years since I have watched a film that upset me to that extent. Conversely, while discussing this film with my brother, (someone who loves movies as much and has similar tastes as I do) he mentioned that while he thought the movie was excellent, he wasn't as profoundly emotionally effected as I was. After thinking about this for a couple of days, I realized the difference: The music. As a classical music enthusiast and erstwhile musician, the thought of not being able to enjoy, much less play the music you love is a tragic one. Then the emotional outpouring that comes when you return to it - there aren't words to describe how intense that is. Not having the same appreciation for this musical genre, one will be able to sympathize with the physical and emotional tribulations, but perhaps not in the musical sense.

    The Pianist was truly an astonishing film. I was riveted from start to finish and so emotionally affected that I couldn't even consider writing a review until a week later. Having said that, I am filing this away with my list of movies which include Schindlers List and Philadelphia, as films that I love but cannot rewatch for a long time after due to their intensely emotional content.

    --Shelly

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      During the shooting of the movie, while scouting locations in Krakow, Roman Polanski met a man who had helped Polanski's family survive the war.
    • Gaffes
      (at around 1h 55 mins) Near the end of the movie, Szpilman leaves the house where he has been hiding for a while. Warsaw is completely destroyed, and all buildings are in shambles, but all the streetlight poles are perfectly straight.
    • Citations

      Wladyslaw Szpilman: What are you reading?

      Henryk Szpilman: "If you prick us, do we not bleed? It you tickle us, we we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?"

      Wladyslaw Szpilman: [seeing that it is Shakespeare's The Merchant of Venice] Very appropriate.

    • Crédits fous
      Aside from the Universal and Focus Features credits, there are no opening credits. All credits, including the title, appear at the end of the film.
    • Connexions
      Featured in The Making of 'The Pianist' (2003)
    • Bandes originales
      Nocturne in C# Minor, Posthumous
      (1830)

      Written by Frédéric Chopin (as Fryderyk Chopin)

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    FAQ

    • How long is The Pianist?Alimenté par Alexa
    • Is 'The Pianist' based on a book?
    • What song was Szpilman playing when...
    • What is Dorota playing on the cello when Szpilman is hiding in her house?

    Détails

    Modifier
    • Date de sortie
      • 25 septembre 2002 (France)
    • Pays d’origine
      • France
      • Pologne
      • Allemagne
      • Royaume-Uni
      • États-Unis
    • Sites officiels
      • Focus Features (United States)
      • Official Facebook
    • Langues
      • Anglais
      • Allemand
      • Russe
    • Aussi connu sous le nom de
      • El pianista
    • Lieux de tournage
      • Instalatorów, Ochota, Varsovie, Mazovie, Pologne(Umschlagplatz scenes)
    • Sociétés de production
      • R.P. Productions
      • Heritage Films
      • Studio Babelsberg
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Budget
      • 35 000 000 $US (estimé)
    • Montant brut aux États-Unis et au Canada
      • 32 590 750 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 111 261 $US
      • 29 déc. 2002
    • Montant brut mondial
      • 120 098 945 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      2 heures 30 minutes
    • Couleur
      • Color
    • Mixage
      • DTS
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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