Braquages

In "Heist", Hackman plays and aging thief who, saddled with a beautiful young wife, no pension, and the disintegration of the old school thief ethic, decides to pull one last job so he can sail off into the sunset with his babe. The film, fraught with implausibilities, is all about who's the smarter thief (which, of course, would be the one with all the loot at the end) and deals with strategizing, conflict containment, greed, and other thief problems while forsaking action stuff (stunts, chases, sex, etc) as it labors through its somewhat convoluted plot. Good old Hollywood thief stuff with a solid cast worth a watch. Turn off brain and enjoy.

Based on R1 DVD

David Mamet is famed for complicated plots and the Heist is no exception. Unfortunately for the viewer - Mamet neglects to have the characters explain what they intend to do before they do it so it difficult to know when they switch from Plan A to Backup Plan B to Alternate Plan C .. this happens a lot in the movie. It's also impossible to figure out what the individual characters believe to be the current working plan. All of these leads to a loss of tension as you sit back and wait and see how it plays out.

A good robbery movie which could have been better.

7/10

After an elaborate jewel robbery Joe Moore and his crew go to collect their cut from Bergman. However Bergman ropes them into another job – taking gold from a Swiss airline prior to transfer. Joe reluctantly agrees to do the job and takes Bergman's nephew along to reassure him. However Joe is never without a backup plan and double cross follows double cross.

This really tries to be good – it has a good sense of tough moodiness about it and has plenty of good lines and a top class cast. However it tries too hard to be a twisty crime thriller and doesn't quite convince. Where twists and double crosses are best is when they are unexpected and surprising. Heist has so many `twists' that they lack impact or power. Instead of being surprised we expect the next one to be only a few seconds away. Although some of them are clever most of them lack the punch Mamet clearly wanted them to have. That said it's still an enjoyable thriller but don't expect the plot to stand up in the cold light of day.

As I said the cast are famous and all do well. Hackman is grizzled but clever and can easily `do tough', Lindo is always good to watch but Ricky Jay seems out of place. I always find him easy to watch because he is naturally curious I think but his manner doesn't seem to fit in with the rest of the cast. DeVito and Rockwell are good. It would be hard to compete in such a male driven plot and indeed Pidgeon struggles to get a character for herself.

The cast do so well because Mamet is a good writer of dialogue – even if he overdid the twists, lines are quotable, funny or just cool – `My motherf****r is so cool when he goes to sleep sheep count him' or `don't you want to hear my last words?' – `I just did'. Even if the plot doesn't convince the direction, the dialogue and the cast make this better than the mess it should be.

Overall it has good qualities, but the one driving force it needed was a much better story. It's entertaining enough to pass 100 minutes – but really the many word that comes to mind is disappointing.

The cast alone suggests that this will be an amazing movie...and it was. The amazement however, ended just before the movie did. The performances were all great - however the writing talents were not well suited for actors of this caliber. The writer's talents were more on par with ... well... fortune cookies. This is not to say that the whole thing is bad. It is just that the ending is just over done. The whole 'tricked-ya' thing is a little old, but still acceptable. The 'tricked-ya tricked-ya tricked-ya' type endings are about as creative as a dream-sequence ending. To the defense of the movie, it is better the second time, as you are no longer worried about the ending and just enjoying the acting.

This movie has one twist too many. The actual heist is so complicated that the desired tension sags earlier than it should. Heist has nothing of the suspense of a Hitchcock thriller, and trying to outwit your opponent gets boring after a while when you start forgetting what it is all about. There are some nice scenes around the airport though, some memorable dialogue ("everybody needs money, that's why it's called money"), and it's always fun to watch great professionals like Hackman, Rockwell and DeVito. Mamet's stock actor Ricky Jay adds flavour to the movie as usual, Rebecca Pigeon's part was ungrateful to play and somehow superfluous.

Hackman and his boys are doing The Swiss Job. Some old and newer clichés of my country pop up, viewers here were amused. And, believe me, the Swiss are always pleased when someone across the Atlantic acknowledges their mere existence, in whatever way this is done. Well, I have to go now: It's time to wind up my cuckoo-clock and to put a second lock on my own private stash of gold bullions.