Buffalo Soldiers

Well, in reality, I suspect the story behind Buffalo Soldiers has picked up a bit of embellishment along the way from modern folklore to big screen, but that's hardly surprising. What is surprising is that such a basic story can be turned into such a funny film. It's not so much ha-ha funny as it is just ironic funny. Indeed, the story about one woman screaming protests about the so-called anti-American sentiment of the film and flinging a bottle at the screen tells me that some people still expect their comedy to be spoonfed to them.

If anything, this film reads like a celebration of the things that the citizens of Western societies take for granted. With soldiers situated far from home, and having nothing better to do than play games of indoor gridiron at times, it's a small wonder that soldiers turn to drug abuse or other such illegal activity in order to stave off boredom. Stir craziness is a problem in any army during peacetime, although one can't help but wonder if we're not being shown a rather extreme example here.

The basis of this black comedy is in the solid performances of the principal cast. Joaquin Phoenix shows once again that he has a great talent, while Ed Harris and Scott Glenn do an admirable job of playing the straight arrows. But it is another moderated little-girl-lost type of performance from the ever-wonderful Anna Paquin that at least kept this viewer engaged. This woman could make a ninety minute film in which she reads the telephone book, and I'd probably enjoy it.

The corruption shown in this film is hardly surprising, given how little soldiers seem to be paid in comparison to the stress they endure. If there is indeed any truth to the depicitions of drug abuse, then it's not surprising anymore that employers are currently employing random drug testing. Dr. Strangelove couldn't get more spot-on about how the human element of the military is generally its undoing. After one memorable sequence involving drugged tank drivers, I'll never be able to catch sight of an army vehicle without getting the urge to run away, screaming.

I gave Buffalo Soldiers an eight out of ten. Under normal circumstances, I would have given it a seven, but it has Anna Paquin in it, and any film with Anna Paquin in it can earn a bonus point. If you like your comedy without obvious prompts of when you're meant to laugh, then you can't go wrong with Buffalo Soldiers.

Ray Elwood is a soldier stationed on a base in West Germany. With no war to fight the men become bored but Elwood has enough going on the side to keep him busy, whether selling off excess cleaning supplies or dealing drugs. When he lands two trucks worth of weapons he thinks his day has come, however at the same time a tough new officer, Sergeant Lee, is stationed on the base with the aim of cleaning it up - starting with Elwood dealings.

Of course, we all know that this film practically vanished after 9/11; suddenly America didn't want anything that seemed to be attacking America or the dedicated American soldier. This was unfortunate as the film isn't as blatantly anti-war or anti-American as I had been led to believe. Rather it is a dark comedy that looks at the reality of army life during peacetime. In fairness though it does show the soldiers out for cash, high on drugs and certainly not fitting the image that made Time magazine pick `the American soldier' as man of the year for 2003.

The basic plot makes MASH look like some sort of kids game - where Hawk-Eye made drink in his tent, Elwood cooks coke and deals in stolen weapons. The story works quite well although some of it didn't totally work and some of the characters and action didn't really make sense. It was amusing without being laugh out loud funny, although this wasn't so much of a problem as I certainly didn't expect it to be an out and out comedy. The drama works better than the comedy and it is for this reason it is a better attack on the ideal of the military. The upper levels of the military also take a knock; being shown as focused on rank climbing rather than keeping a sharp military machine well oiled!

The cast is good on the whole - both on paper and on the screen. Phoenix leads the film really well and delivers a likeable character that is still abhorrent enough to be seen as an attack rather than a spoof. Harris is OK but he only has a small role and it doesn't totally fit in with the main narrative very well - likewise McGovern. Pacquin is pretty cool but her character was a bit of a mystery to me but Glenn is well cast and he is able to deliver the goods in a borderline nuts character; only problem with his performance was that I didn't totally understand his character's aims by the end of the film. Both Leon and Pena were good in support and Dean Stockwell has an OK cameo.

Overall this was a good film despite the fact that it had a plot that was a little weakened by the side issues and characters who aren't totally clear in terms of what they're all about. Aside from this the film is pretty entertaining and is actually quite matter of fact in it's portrayal of military life rather than being scathing - coming from Northern Ireland, I have seen all sorts of stuff done by squaddies and am well aware of how true this can be! But to label it anti-American is just plain daft!

This is my favourite film of 2003. Why they waited two years before releasing this superb movie in the UK is anyone's guess - although it may have had something to do with its total lack of respect for the U.S. Army. I'm not sure this would have went down too well in the aftermath of 9/11. Regardless, Buffalo Soldiers is an absolute gem. It is nasty, intelligent and hilarious. It is critical of American values, specifically capitalism in the 80s and it takes no prisoners. This is an outsider's perspective on the American occupation of West Germany in 1989: Jordan is Australian and as a result he brings an Australian aesthetic to his work. But it is also a tender film that is structured around a touching central romance between Elwood and Robyn. I love their scenes in the pool, it is such a warm, intimate location - a perfect setting for the heart of an otherwise deeply cynical film. Jordan is a director of considerable talent and Buffalo Soldiers is magnificent.

Some films just suffer from bad luck, and `Buffalo Soldiers' is one of them. Not that the movie is all that bad, nor all that terrific; it just deals with a subject that Americans might not be comfortable about today: a less-than-glowing depiction of the American military.

The film made its debut at the Toronto Film Festival, three days before Sept 11, 2001, under great fanfare. It was billed as being a dark satirical look at the military, but after the attacks on 9/11, its future was buried. Now, almost two years later, `Buffalo Soldiers' is finally being released, but it's not clear that the climate will be any more accommodating.

The movie starts by presenting a criminal subculture operating among U.S. soldiers stationed in West Germany just before the fall of the Berlin wall. The satirical billing is merely a backdrop for the film, and it does present just about everyone rather hyperbolically. Joaquin Phoenix plays Ray Elwood, a la Radar O'Reilly from MASH. He is the company clerk for a U.S. supply base, making most decisions for his oblivious colonel to rubber stamp. Like Milo Minderbinder from Catch-22, he goes about his normal routine of making money and duping the system, but in this case, Elwood is a small-time drug dealer who sometimes dabbles in black market booty. Things turn on him quickly when he happens across some heavy weaponry, and his plan for unloading the equipment puts him way over his head, getting him into far more trouble than what he can handle as the lightweight and inexperienced paper-pusher that he is. By the time the plot line is established, the backdrop of satire is abandoned, witty observations undone, and philosophical quips erased.

Indeed, the true essence of the film lies beyond the plot, but it doesn't go as far as it tagline philosophy: `Where there is peace, the warlike man attacks himself.', a quote from Nietzsche, whose keen observation was the original inspiration for the film. At most, `Buffalo Soldiers' depicts how people behave when they get in over their heads, and only a dash of commentary on anything military or philosophical.

As for the controversy around American soldiers doing bad things, it would be a stretch to feel this is commentary on the good ol' US of A. Only those looking to pick a fight would find any form of offense or unpatriotic flavor to this film. Still, all one has to do is suggest the notion, and people will simply adopt that view anyway, regardless of what's on screen. Ironically, that's the movie's fault, not the public's. If the movie were better at delivering a more profound message - one that it clearly wanted to make - or if the story line were multi-dimensional, rather than a straightforward crime caper, people would easily overlook its superficial qualities. To be sure, Joaquin Phoenix does an excellent job at portraying a frat boy who doesn't take the army seriously, and who learns the ropes the hard way, just before he gets busted down to hell.

In the end, `Buffalo Solders' is entertaining, has a splash of romance, and is certainly a good enough movie in its own right, but is not the cynical, anti-war, anti-patriotic movie that people will be told it is. Oddly, the film's perception may be disproportionately diminished and reviewed poorly because of the attention it's getting, but it doesn't deserve undue praise either.

Without an enemy to fight, an army will fight itself or find its own enemies. In the tradition of "Sergeant Bilko" (the Phil Silvers TV show, not Steve Martin's ghastly remake) "Buffalo Soldiers" shows what happens when soldiers with nothing to do but wait for war begin to think for themselves and exploit the system.

In place of Bilko's poker games and lottery scams, Ray Elwood opts for black marketeering, drug dealing and gun running. However, the characters portrayed by Phil Silvers and Joaquin Phoenix respectively do have a lot in common.

The tone of "Buffalo Soldiers" is much darker than that of "Sergeant Bilko", but the film and TV series share the same absurd yet plausible vision. There are no chimpanzee conscripts like Private Harry Speakup in this movie, but there ARE characters who have clearly risen well above the level of their own incompetence. Ed Harris' Colonel Berman is a pathetic example of the uniformed, time-served bureaucrat, someone you could almost feel sorry for until you realise that one day he may have to lead men into combat.

Counterbalancing the Bilko-esquire vibe created by Elwood's wheeler-dealing is his nemesis, Scott Glenn's steely Sergeant Lee. Glenn clearly relishes his role in this movie and is very convincing as the model soldier with a true heart of darkness.

Joaquin Phoenix gives Elwood an understated charisma as he leads his troops from behind, rarely lifting the lid on the fear and frustration that simmers within him as the events he sets in motion go out of control.

To say that this film is anti-military is unfair as it contains portrayals of decent, honest and professional soldiers as well as the scammers, pimps and dopeheads that the plot focuses on. It is a film about human beings (with all their failings) in uniform, not soldiers. "Buffalo Soldiers" is anti-complacency, anti-indoctrination and anti-corruption, which is probably why its release was postponed after the September 11th terrorist outrage of 2001. In the light of recent despicable acts by a small group of US soldiers in Iraq's Abu Graib prison, this film seems eerily prescient. Without an enemy to fight in open combat, what happens to the aggression and contempt for that enemy that military training fosters?

Ignore the negative comments and give this under-rated film a chance. It was titled "Army Go Home" in Germany, where the film is set, echoing the feelings of German citizens who lived near foreign troops sent to defend them against Communism. The Beetle-crushing sequence (an absurdly comic high point of the film) is based on actual incidents involving bored, intoxicated British and American troops on manoeuvres, armed to the teeth and waiting for a war that never came.