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4,7/10
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MA NOTE
Ajouter une intrigue dans votre langueA young college student and his friends use an Ouija board to hold a seance, triggering a chain of mysterious deaths that may be caused by an otherworldly force.A young college student and his friends use an Ouija board to hold a seance, triggering a chain of mysterious deaths that may be caused by an otherworldly force.A young college student and his friends use an Ouija board to hold a seance, triggering a chain of mysterious deaths that may be caused by an otherworldly force.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 nominations au total
Avis à la une
This movie started off quite boring but it soon got very scary, and by scary i mean good too. I liked it very much...
I couldn't help reading one of the posts to this movie where some stupid guy said that British horror movies are no good and jeepers creepers from USA is a lot better... i sooo disagree with him... ok, hollywood makes a lot of quality movies but check out the british too..
If you like this movie i recommend also "My Little Eye".
4/5
I couldn't help reading one of the posts to this movie where some stupid guy said that British horror movies are no good and jeepers creepers from USA is a lot better... i sooo disagree with him... ok, hollywood makes a lot of quality movies but check out the british too..
If you like this movie i recommend also "My Little Eye".
4/5
STAR RATING:*****Unmissable****Very Good***Okay**You Could Go Out For A Meal Instead*Avoid At All Costs
Set and shot in Britain,LTD would be pretty indistinguishable from being shot in Hollywood.It's a horror thriller about a oujia board that works thanks to some nifty camera work,a jolty score and some rather grisly effects.And all at a running time of just an hour and a half.This is overall an intriguing and original premise,and while maybe not as delivering as it could have been,should be checked out,maybe with the aid of a speaker sound system.***
Set and shot in Britain,LTD would be pretty indistinguishable from being shot in Hollywood.It's a horror thriller about a oujia board that works thanks to some nifty camera work,a jolty score and some rather grisly effects.And all at a running time of just an hour and a half.This is overall an intriguing and original premise,and while maybe not as delivering as it could have been,should be checked out,maybe with the aid of a speaker sound system.***
A random group of young adults who are some combination of roommates/friends takes time out from their busy partying schedule to play with an improvised Ouija board, when they accidentally call forth a djinn who tells them that they will all die.
Long Time Dead is quite a mess, made all the more frustrating by occasional flashes of competence. It couldn't have helped that that a veritable army of writers--seven credited in all--worked on the story and script, including director Marcus Adams.
After a brief prologue set in the late 1970s in Morocco which was far more promising than most of the film proper, we begin meeting our bloated cast of heroes. There are eight of them, maybe all living in the same building or apartment, except for Lucy (Marsha Thomason), who appears to be living on a boat near the building. If I sound unsure, it's because Adams is not able to clearly establish the characters, their relationships to one another, or the relationships of one location to another. It doesn't help that a few of the five males look alike, and they all dress alike. Neither does it help that as the film progresses, various characters arbitrarily appear and disappear for random lengths of time. That fact is indicative of the pacing problems that plague the film on many levels.
It's not often very clear why any characters are doing whatever they happen to be doing at a given moment. Most of the plot seems like an excuse to put characters in very stereotypical horror/thriller scenarios, where they slowly walk around an environment frightened, becoming startled in various ways until finally some unseen thing kills them. These scenes are often competent, and occasionally they're good, but in the context of the film, they have little dramatic impact. Much of Long Time Dead plays more like a sample reel of "scare scenes"; it has little coherency as a story.
A big problem is that the chief villain is never clearly shown, explained or given any rules to follow. For most of the film, the villain is invisible. Invisible villains are usually a problem, and often indicate deficiencies in budget and/or imagination. Oddly, by the end, there is a concrete villain and the film has devolved into a fairly stock thriller, where we have to guess whom the possessed cast member is.
Although the story has promise, and the ending is somewhat of an improvement, even though it never rises above the cliché, Long Time Dead is too burdened with severe flaws in direction, cinematography (the film is frequently far too dark) and performances to merit a recommendation. I ended up granting a 4 (equivalent to a "high F" letter grade) because of the adequacy of some of the "scare" and death scenes, the good ideas in the backstory, and the slightly more engaging climax. The film would have been much better if the prologue and the subsequent events with Becker and the one character's father who ended up in a mental institution had been the focus, but alas, it was not to be. Let's hope Adams fares better the next time around.
Long Time Dead is quite a mess, made all the more frustrating by occasional flashes of competence. It couldn't have helped that that a veritable army of writers--seven credited in all--worked on the story and script, including director Marcus Adams.
After a brief prologue set in the late 1970s in Morocco which was far more promising than most of the film proper, we begin meeting our bloated cast of heroes. There are eight of them, maybe all living in the same building or apartment, except for Lucy (Marsha Thomason), who appears to be living on a boat near the building. If I sound unsure, it's because Adams is not able to clearly establish the characters, their relationships to one another, or the relationships of one location to another. It doesn't help that a few of the five males look alike, and they all dress alike. Neither does it help that as the film progresses, various characters arbitrarily appear and disappear for random lengths of time. That fact is indicative of the pacing problems that plague the film on many levels.
It's not often very clear why any characters are doing whatever they happen to be doing at a given moment. Most of the plot seems like an excuse to put characters in very stereotypical horror/thriller scenarios, where they slowly walk around an environment frightened, becoming startled in various ways until finally some unseen thing kills them. These scenes are often competent, and occasionally they're good, but in the context of the film, they have little dramatic impact. Much of Long Time Dead plays more like a sample reel of "scare scenes"; it has little coherency as a story.
A big problem is that the chief villain is never clearly shown, explained or given any rules to follow. For most of the film, the villain is invisible. Invisible villains are usually a problem, and often indicate deficiencies in budget and/or imagination. Oddly, by the end, there is a concrete villain and the film has devolved into a fairly stock thriller, where we have to guess whom the possessed cast member is.
Although the story has promise, and the ending is somewhat of an improvement, even though it never rises above the cliché, Long Time Dead is too burdened with severe flaws in direction, cinematography (the film is frequently far too dark) and performances to merit a recommendation. I ended up granting a 4 (equivalent to a "high F" letter grade) because of the adequacy of some of the "scare" and death scenes, the good ideas in the backstory, and the slightly more engaging climax. The film would have been much better if the prologue and the subsequent events with Becker and the one character's father who ended up in a mental institution had been the focus, but alas, it was not to be. Let's hope Adams fares better the next time around.
I am surprised at the mixed views on this film. Reading the back cover I knew it was a gamble but it paid off.
I watched it without any hype or recommendation, and thought it was a pretty good film.
Someone rated it 2/10. Has this person seem some of the rubbish horror films in the video store.
I thought the acting was very good. A welcome relief from some of the American garbage.
7/10
I watched it without any hype or recommendation, and thought it was a pretty good film.
Someone rated it 2/10. Has this person seem some of the rubbish horror films in the video store.
I thought the acting was very good. A welcome relief from some of the American garbage.
7/10
LONG TIME DEAD
Aspect ratio: 1.85:1
Sound format: Dolby Digital
During a Ouija session, several drunken teenagers summon a djinn which proceeds to kill them, one by one.
Though clearly influenced by American horror movies, LONG TIME DEAD finds an echo in Michael Armstrong's UK thriller THE HAUNTED HOUSE OF HORROR (1969), in which bored teenagers inadvertently sparked the wrath of a deadly killer - in Armstrong's film, the villain was an all-too-human maniac, whereas Marcus Adams' updated version unleashes the forces of supernatural terror on its hapless protagonists. Alec Newman (from the TV remake of DUNE) is the unofficial leader of the group, whose father (Michael Feast) was involved in similar jiggery-pokery many years earlier, leading to several deaths witnessed by Newman as a child.
The movie opened in UK theaters to scathing reviews and dismal box-office, and while the artless, multi-authored screenplay wanders aimlessly from scene to scene (the curse of so many modern horror films), it isn't nearly as bad as various reviews have suggested. Performances are uniformly fine (particularly Newman as the damaged young man forced to come to terms with his father's terrible legacy, and former soap star Joe Absolom as a potential victim), and Adams stages the various set-pieces with brisk precision, building to a fiery showdown between Newman and the unstoppable monster. The narrative makes little sense, but the movie is efficient and watchable, and amounts to passable popcorn entertainment, nothing more or less.
Aspect ratio: 1.85:1
Sound format: Dolby Digital
During a Ouija session, several drunken teenagers summon a djinn which proceeds to kill them, one by one.
Though clearly influenced by American horror movies, LONG TIME DEAD finds an echo in Michael Armstrong's UK thriller THE HAUNTED HOUSE OF HORROR (1969), in which bored teenagers inadvertently sparked the wrath of a deadly killer - in Armstrong's film, the villain was an all-too-human maniac, whereas Marcus Adams' updated version unleashes the forces of supernatural terror on its hapless protagonists. Alec Newman (from the TV remake of DUNE) is the unofficial leader of the group, whose father (Michael Feast) was involved in similar jiggery-pokery many years earlier, leading to several deaths witnessed by Newman as a child.
The movie opened in UK theaters to scathing reviews and dismal box-office, and while the artless, multi-authored screenplay wanders aimlessly from scene to scene (the curse of so many modern horror films), it isn't nearly as bad as various reviews have suggested. Performances are uniformly fine (particularly Newman as the damaged young man forced to come to terms with his father's terrible legacy, and former soap star Joe Absolom as a potential victim), and Adams stages the various set-pieces with brisk precision, building to a fiery showdown between Newman and the unstoppable monster. The narrative makes little sense, but the movie is efficient and watchable, and amounts to passable popcorn entertainment, nothing more or less.
Le saviez-vous
- AnecdotesThe word "djinn" in Arabic actually stands for both a genie & a demon.In this demonic remake of a classic genie story taken from A 1001 Arabian Nights instead of granting them wishes the evil genie seeks a revenge on the people who have summoned him.
- GaffesDuring the Ouija board scene, the glass smashes. During the shots that follow the glass is visible on the table in the background, completely whole.
- ConnexionsFeatured in Minty Comedic Arts: History of the Ouija Board (2018)
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- How long is Long Time Dead?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- La ouija: El juego de los espíritus
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Montant brut mondial
- 22 667 193 $US
- Durée1 heure 34 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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