Ajouter une intrigue dans votre langueNovember, 1999, Margaret Cho is home in San Francisco at the Warfield Theater. Cho structures her monologue loosely on her professional life's trajectory: doing stand-up, cast in an ABC-TV s... Tout lireNovember, 1999, Margaret Cho is home in San Francisco at the Warfield Theater. Cho structures her monologue loosely on her professional life's trajectory: doing stand-up, cast in an ABC-TV sitcom, losing 30 pounds in two weeks for the part, the show's cancellation, a descent into... Tout lireNovember, 1999, Margaret Cho is home in San Francisco at the Warfield Theater. Cho structures her monologue loosely on her professional life's trajectory: doing stand-up, cast in an ABC-TV sitcom, losing 30 pounds in two weeks for the part, the show's cancellation, a descent into booze, pills, and self-loathing, and a resurrection into her own voice, her own shape, an... Tout lire
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The fact is Margaret Cho is the funniest woman alive. I identify with her life so much it scares me. The mother-answering-machine jokes are pee-in-your-pants funny, although a little too long in the tooth. The main reason I gave this film a 10 out of 10 is mainly for the brutal honesty Margaret gives the audience. She can't be making this stuff up!
Some of the highlights of the show are: "Lesbians love whale watching!", " Am I Gay? Am I Straight? No, I'm just easy. Where's my parade?" and the always laughable, "A**Masters" skit. Always a crowd favorite.
After I rented this movie, I went right to the web and bought this disc. I highly recommend this flick to any fan of stand up comedy. The special features are worth the purchase price.
When she gets into the meat of the show ("The All American Girl" incident), that is where she excels. We hear the story behind the failure of the show, Margaret "selling out" to the show's plot (An episode has her making fun of her parents at a club, something she does often in her routine. In the end, she publicly apologizes for making fun of her parents), losing weight rapidly because the network told her too, and a whole lot more. When she gets serious, we feel her pain. When it was cancelled, she goes into a downward spiral. I loved her retort when she replaced by Drew Carey ("Because he was so thin" lol).
I love the empowerment Margaret gives herself when she realizes that losing a show was not the living end. She knows better now because of those unattainable goals that Hollywood sets up for women and ethnic comedians. She shows her strength and defiance against the system. In the end, she comes out a winner.
This is not to say that this movie isn't funny, there are some bits that are absolutely hilarious. Her best material is the stuff regarding Asians, such as the prejudice and stereotyping (e.g. The Margaret Cho Rice Diet, the "Asian Thing") and her impressions of her decidedly ethnic Korean mother. While I used to like her material about gays, it seems like she hams it up a little too much here, and is specifically playing it up for her large gay audience. It feels more forced in this performance. That being said, "Ass master" still made me laugh till I cried.
All in all, a good performance with some rather sad and touching(but not necessarily funny) material about her ordeal with her failed sitcom. She is becoming little too much "drama-queen" or "diva" though and it takes a toll on her humor. I liked her "raunchy, rebellious, F the system, Asian-chick" persona much better.
And just in time. I love you, Margaret Cho. I've heard the ass master bit fifteen, twenty times, and you still make me laugh. God bless you.
It's interesting how easily male stand-up comedians slip into their eponymous network sitcoms, and how difficult it is to fit a female comedian into one. Cho gives us her story, and then she gives us her new mantra-- I'm the one that I want. This is the kind of tape you'll want to have around, not necessarily because of the humor, but because of the message. If you've never heard of Margaret Cho, then know that she is one of the best around. A 'must see'.
Cho's concert documentary "Assassin" featured her with some more toned-down material, but no less right-on. She's certainly an admirable person and great comedian. It's great to know that we have someone like her to reflect modern humor.
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- Citations
Margaret Cho: I wasn't like any Korean role-model that they had ever seen. I didn't play violin. I didn't fuck Woody Allen.
- Bandes originalesCherry Bomb
Written by Kim Fowley and Joan Jett
Performed by Joan Jett & The Blackhearts (as Joan Jett and The Blackhearts)
Courtesy of Blackheart Records
Meilleurs choix
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 1 210 967 $US
- Week-end de sortie aux États-Unis et au Canada
- 33 671 $US
- 6 août 2000
- Montant brut mondial
- 1 210 967 $US