NOTE IMDb
6,4/10
57 k
MA NOTE
Un étudiant en droit devient lieutenant pendant la 2eme Guerre Mondiale, est capturé et doit défendre un prisonnier noir accusé à tort de meurtre.Un étudiant en droit devient lieutenant pendant la 2eme Guerre Mondiale, est capturé et doit défendre un prisonnier noir accusé à tort de meurtre.Un étudiant en droit devient lieutenant pendant la 2eme Guerre Mondiale, est capturé et doit défendre un prisonnier noir accusé à tort de meurtre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Jonathan Brandis
- Pvt. Lewis P. Wakely
- (scènes coupées)
Avis à la une
This takes place in a POW camp during WWII, and follows the events that transpire after a few black enlisted men are captured and put among the white prisoners. This has a well-written script, lines are great and well-delivered, the plot is interesting, engaging and develops quite nicely throughout. The editing and cinematography have some inspired moments, and are always marvelous. This is rather exciting and entertaining.
I haven't read the novel, nor did I realize that this was based upon one until I watched it. This is the third of Hoblit's films I've seen, the other two being Frequency and Primal Fear, both of which I find to be excellent. Thus, in comparison, this is a little less impressive. I wouldn't call it poor, however. It certainly has a point to it, something to say, and it communicates it fairly well. The message is good, too.
The performances are impeccable, Willis does as well as we expect, Farrell makes reasonable use of his chance at doing a role that can prove he can do more than project his "bad boy" persona onto the screen, and Howard shines. This meeting and conflict between the experienced master and the up-and-coming student is further infused with the clever juxtaposition of that relationship being not only of their characters – but of the actors, as well.
The DVD comes with two informational, compelling and amusing commentaries: one by Gregory Hoblit, writer Billy Ray and Bruce Willis, and one by producer David Foster, 10 minutes of good deleted scenes with or without director commentary and several photo galleries. There is relatively infrequent strong violence and language. I recommend this to any fan of dramas, and who enjoy movies that deal with history. 7/10
I haven't read the novel, nor did I realize that this was based upon one until I watched it. This is the third of Hoblit's films I've seen, the other two being Frequency and Primal Fear, both of which I find to be excellent. Thus, in comparison, this is a little less impressive. I wouldn't call it poor, however. It certainly has a point to it, something to say, and it communicates it fairly well. The message is good, too.
The performances are impeccable, Willis does as well as we expect, Farrell makes reasonable use of his chance at doing a role that can prove he can do more than project his "bad boy" persona onto the screen, and Howard shines. This meeting and conflict between the experienced master and the up-and-coming student is further infused with the clever juxtaposition of that relationship being not only of their characters – but of the actors, as well.
The DVD comes with two informational, compelling and amusing commentaries: one by Gregory Hoblit, writer Billy Ray and Bruce Willis, and one by producer David Foster, 10 minutes of good deleted scenes with or without director commentary and several photo galleries. There is relatively infrequent strong violence and language. I recommend this to any fan of dramas, and who enjoy movies that deal with history. 7/10
Having grown tired of the typical action packed glorified war films (Pearl Harbor for example), I sought out more of a human interest story. I wanted something that delved past the cliché romances, battle wounds, and graphic violence we have become accustomed to. To me, Hart's War exemplified exactly what others have failed to do. It was an inside glimpse into the lives of a WW2 POW camp, but more so. It dealt with the struggle for power, respect, and honor in an unlikely situation. The stellar performances by Bruce Willis and Marcel Lures stole the show away from the title character, Lt. Hart (played well by Colin Farrel). There are times when you don't know who the token hero or villain is, just by the way that each commands their region. If you missed this movie in theaters (as I am guilty of), easiest way is to catch it is on pay per view - it's still going to be running for a while. Enjoy!
I don't know what y'all are complaining about: this is a good movie! It has fallen pray to mismarketing like so many good films before. Farrell is good (he'll be BIG soon, mark my words), Marcel Iures fills the screen with his presence and performance. Willis however, I must admit, play Willis. But hey; I like him for what he is.
The plot is well thought out, intelligently blending the lines between the war- and the courtroom genre. Don't tell me you anticipated every twist in the plot.
For all it's worth; the movie was very different in a great way from all war movies in last couple of years. Different in quite a smart way, too.
8/10
The plot is well thought out, intelligently blending the lines between the war- and the courtroom genre. Don't tell me you anticipated every twist in the plot.
For all it's worth; the movie was very different in a great way from all war movies in last couple of years. Different in quite a smart way, too.
8/10
If one were to place too great an emphasis on many of the smug and self-serving views expressed by various contributors here, it may well appear somewhat of an enigma that HART'S WAR still rates 6.3 overall. Obviously many who have voted have not posted a review. Equally obviously, to offset its many detractors...a significant number of people must have liked it. I'm one of them!
Let us agree immediately, anyone looking for a sequel to THE GUNS OF NAVARONE can expect to be disappointed. A screen adaptation of John Katzenbach's excellent novel, this late WW2 flick tackles racism, POW life and honor...and not necessarily in that order. A re-hash of the plot is unnecessary as every second reviewer has covered this aspect. It is a film to LISTEN to and to take from it what you are able. Negative comments such that the events portrayed are "unlikely," that Bruce Willis isn't the "star," that "nothing happens except lots of people keep talking," are a sad indictment of viewers with a limited attention span. A lot of what is uttered during the "court-room" sequences has great relevance in all facets of life - IF you care to listen. Farrell is excellent as is Willis in what admittedly IS a far smaller role. Willis' presence however is felt throughout the movie in much the same way as was Jack Nicholson's in A FEW GOOD MEN. (Another military court room flick)
Yes its longish and it would be fair to say it is extremely dark for the greater part of the film. It is ultimately though a worthwhile addition to other POW films. You could do a lot worse.
Let us agree immediately, anyone looking for a sequel to THE GUNS OF NAVARONE can expect to be disappointed. A screen adaptation of John Katzenbach's excellent novel, this late WW2 flick tackles racism, POW life and honor...and not necessarily in that order. A re-hash of the plot is unnecessary as every second reviewer has covered this aspect. It is a film to LISTEN to and to take from it what you are able. Negative comments such that the events portrayed are "unlikely," that Bruce Willis isn't the "star," that "nothing happens except lots of people keep talking," are a sad indictment of viewers with a limited attention span. A lot of what is uttered during the "court-room" sequences has great relevance in all facets of life - IF you care to listen. Farrell is excellent as is Willis in what admittedly IS a far smaller role. Willis' presence however is felt throughout the movie in much the same way as was Jack Nicholson's in A FEW GOOD MEN. (Another military court room flick)
Yes its longish and it would be fair to say it is extremely dark for the greater part of the film. It is ultimately though a worthwhile addition to other POW films. You could do a lot worse.
What I appreciated most was how the film explored human nature. The German officer wasn't just a villain - you could tell he had emotional intelligence and could read people, even while carrying out harsh duties. The young American officer, still idealistic, stood out by trying to challenge injustice, while the raw racism among the American soldiers was portrayed in a painfully honest way. The story had its flaws and some slightly dramatized parts, but it wasn't overdone. Not the most thrilling film, but far from boring. The soundtrack was a really nice touch - subtle, but it stayed with me, it's worth watching.
Le saviez-vous
- AnecdotesFormer teen hearthrob Jonathan Brandis hoped to revive his stalled career after being cast in a serious, dramatic role in the film. He was reportedly devastated when almost all of his scenes were removed in the final cut. He fell into a deep depression, began drinking heavily, and killed himself the next year.
- GaffesThere is no way that Col.McNamara could allocate which hut men went into. The Germans controlled this. Also there is no way he could just turn up at the Camp Kommandant's office unannounced and talk to him.
- Citations
Col. Werner Visser: Strange thing about war wounds- the older you get, the less proud of them you become.
- Bandes originalesDeutschland Uber Alles
Music by Joseph Haydn (uncredited)
Performed by The Musikkorps Liebstandarte-SS 'Adolf Hitler'
Courtesy of the Tomahawk Films WW-II German Archive
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- How long is Hart's War?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- En defensa del honor
- Lieux de tournage
- Milovice, Nymburk District, République tchèque(Stalag VIa)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 19 077 641 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 771 753 $US
- 17 févr. 2002
- Montant brut mondial
- 32 287 044 $US
- Durée
- 2h 5min(125 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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