NOTE IMDb
6,4/10
57 k
MA NOTE
Un étudiant en droit devient lieutenant pendant la 2eme Guerre Mondiale, est capturé et doit défendre un prisonnier noir accusé à tort de meurtre.Un étudiant en droit devient lieutenant pendant la 2eme Guerre Mondiale, est capturé et doit défendre un prisonnier noir accusé à tort de meurtre.Un étudiant en droit devient lieutenant pendant la 2eme Guerre Mondiale, est capturé et doit défendre un prisonnier noir accusé à tort de meurtre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Jonathan Brandis
- Pvt. Lewis P. Wakely
- (scènes coupées)
Avis à la une
I don't know what y'all are complaining about: this is a good movie! It has fallen pray to mismarketing like so many good films before. Farrell is good (he'll be BIG soon, mark my words), Marcel Iures fills the screen with his presence and performance. Willis however, I must admit, play Willis. But hey; I like him for what he is.
The plot is well thought out, intelligently blending the lines between the war- and the courtroom genre. Don't tell me you anticipated every twist in the plot.
For all it's worth; the movie was very different in a great way from all war movies in last couple of years. Different in quite a smart way, too.
8/10
The plot is well thought out, intelligently blending the lines between the war- and the courtroom genre. Don't tell me you anticipated every twist in the plot.
For all it's worth; the movie was very different in a great way from all war movies in last couple of years. Different in quite a smart way, too.
8/10
Having grown tired of the typical action packed glorified war films (Pearl Harbor for example), I sought out more of a human interest story. I wanted something that delved past the cliché romances, battle wounds, and graphic violence we have become accustomed to. To me, Hart's War exemplified exactly what others have failed to do. It was an inside glimpse into the lives of a WW2 POW camp, but more so. It dealt with the struggle for power, respect, and honor in an unlikely situation. The stellar performances by Bruce Willis and Marcel Lures stole the show away from the title character, Lt. Hart (played well by Colin Farrel). There are times when you don't know who the token hero or villain is, just by the way that each commands their region. If you missed this movie in theaters (as I am guilty of), easiest way is to catch it is on pay per view - it's still going to be running for a while. Enjoy!
What a squandered opportunity.
Hart's War is yet another example of why movies rarely if ever live up to the book upon wich they are based. The novel of the same name by John Katzenbach is so clearly suited for the big screen it is almost frightening, and yet one has to wonder whether screenwriters Billy Ray and Terry George actually read the entire book or merely relied on cliff notes. The writers have taken an immensely engrossing tale of life in a German POW camp during WW2 and commercialized it with needless explosions and manipulative and improbable plot twists. The movie's thorough lack of character development hinders the best efforts of the actors (Bruce Willis, Collin Farrell, and Terrance Howard all do comendable work with the restrictive material they are given) to make the audience identify with them - resulting in an emotional climax that is supposed to evoke sympathy and respect but instead falls flat on its face. It is still beyond me why the makers of this film felt compelled to change the ending from the book - perhaps they feared it was too compelling and thought-provoking for their intended audience and felt obligated to dumb it down into as many cliche ridden speeches and improbable acts of courage and honor as possible. Whatever their reasons, the resulting lack of subtlety in this film is nothing less than insulting.
If I am being more harsh than other reviewers it is because I have read the book and know just what could have been accomplished. Do yourself a favor and read the book - it is far superior to this film or any other recent Hollywood offering.
Hart's War is yet another example of why movies rarely if ever live up to the book upon wich they are based. The novel of the same name by John Katzenbach is so clearly suited for the big screen it is almost frightening, and yet one has to wonder whether screenwriters Billy Ray and Terry George actually read the entire book or merely relied on cliff notes. The writers have taken an immensely engrossing tale of life in a German POW camp during WW2 and commercialized it with needless explosions and manipulative and improbable plot twists. The movie's thorough lack of character development hinders the best efforts of the actors (Bruce Willis, Collin Farrell, and Terrance Howard all do comendable work with the restrictive material they are given) to make the audience identify with them - resulting in an emotional climax that is supposed to evoke sympathy and respect but instead falls flat on its face. It is still beyond me why the makers of this film felt compelled to change the ending from the book - perhaps they feared it was too compelling and thought-provoking for their intended audience and felt obligated to dumb it down into as many cliche ridden speeches and improbable acts of courage and honor as possible. Whatever their reasons, the resulting lack of subtlety in this film is nothing less than insulting.
If I am being more harsh than other reviewers it is because I have read the book and know just what could have been accomplished. Do yourself a favor and read the book - it is far superior to this film or any other recent Hollywood offering.
This film has its moments. But, to buy into it, you have to suspend any knowledge about WW2, Nazi POW stockades or likely situations. The action focuses on Willis as the brooding leading officer in a POW camp, Colin Farrell is the law student pressed into becoming a defender for a Black Pilot wrongly accused of murder. What transpires is a Machiavellian game with the Commandant, well played by Rumanian Actor, Marcel Iures, with plots and subplots, motifs and counterplots. But, it really does not go anywhere. There are some nice twists at the end but the ending before the final credits I found to be cheesy and unsatisfying (I've always found it irritating to switch to an ending narrative when there was none to introduce the story). Viewers who like Willis will not be disappointed and Colin Farrell is sure to delight the ladies with his Irish good looks, dark "little boy" eyes and expressions. Cole Hauser, back from getting eaten by an alien in Pitch Black, makes a wonderful sleazy villain but the rest of the cast seems to walk through their parts. Also, Look for Joe Spano from NYPD in a bit part in the opening, but don't expect a lot from the rest of the show.
If you're looking for action in your war film skip this one. But if you don't mind an interesting drama about prejudice among Americans in a German POW camp, which although slow at times, leads to an interesting pay-off with a twist that (kinda) makes the whole thing worth it, then check it out. I especially enjoyed the subdued though "grizzled" looking Bruce Willis as Colonel McNamara and Marcel Iures as the camps' German commander.
Le saviez-vous
- AnecdotesFormer teen hearthrob Jonathan Brandis hoped to revive his stalled career after being cast in a serious, dramatic role in the film. He was reportedly devastated when almost all of his scenes were removed in the final cut. He fell into a deep depression, began drinking heavily, and killed himself the next year.
- GaffesThere is no way that Col.McNamara could allocate which hut men went into. The Germans controlled this. Also there is no way he could just turn up at the Camp Kommandant's office unannounced and talk to him.
- Citations
Col. Werner Visser: Strange thing about war wounds- the older you get, the less proud of them you become.
- Bandes originalesDeutschland Uber Alles
Music by Joseph Haydn (uncredited)
Performed by The Musikkorps Liebstandarte-SS 'Adolf Hitler'
Courtesy of the Tomahawk Films WW-II German Archive
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- How long is Hart's War?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- En defensa del honor
- Lieux de tournage
- Milovice, Nymburk District, République tchèque(Stalag VIa)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 70 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 19 077 641 $US
- Week-end de sortie aux États-Unis et au Canada
- 7 771 753 $US
- 17 févr. 2002
- Montant brut mondial
- 32 287 044 $US
- Durée2 heures 5 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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