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IMDbPro

The American Nightmare

  • 2000
  • Not Rated
  • 1h 13min
NOTE IMDb
7,2/10
2 k
MA NOTE
The American Nightmare (2000)
DocumentaireHorreur

Ajouter une intrigue dans votre langueAn examination into the nature of 1960s-'70s horror films, the artists involved, and how they reflected contemporary society.An examination into the nature of 1960s-'70s horror films, the artists involved, and how they reflected contemporary society.An examination into the nature of 1960s-'70s horror films, the artists involved, and how they reflected contemporary society.

  • Réalisation
    • Adam Simon
  • Scénario
    • Adam Simon
  • Casting principal
    • George A. Romero
    • John Carpenter
    • Tom Savini
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,2/10
    2 k
    MA NOTE
    • Réalisation
      • Adam Simon
    • Scénario
      • Adam Simon
    • Casting principal
      • George A. Romero
      • John Carpenter
      • Tom Savini
    • 29avis d'utilisateurs
    • 31avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos2

    Voir l'affiche
    Voir l'affiche

    Rôles principaux79

    Modifier
    George A. Romero
    George A. Romero
    • Self
    John Carpenter
    John Carpenter
    • Self
    Tom Savini
    Tom Savini
    • Self
    David Cronenberg
    David Cronenberg
    • Self
    Wes Craven
    Wes Craven
    • Self
    Tobe Hooper
    Tobe Hooper
    • Self
    John Landis
    John Landis
    • Self
    Tom Gunning
    • Self
    Carol J. Clover
    • Self
    • (as Carol Clover)
    Adam Lowenstein
    • Self
    Marshall Anker
    • Self
    • (images d'archives)
    Evelyn Ankers
    Evelyn Ankers
    • Self
    • (images d'archives)
    Kirsten Bishop
    Kirsten Bishop
    • Self
    • (images d'archives)
    Joan Blackman
    Joan Blackman
    • Elevator Mother
    • (images d'archives)
    Marilyn Burns
    Marilyn Burns
    • Self
    • (images d'archives)
    Bill Cardille
    Bill Cardille
    • Self
    • (images d'archives)
    • (as Bill 'Chilly Billy' Cardille)
    Cynthia Carr
    Cynthia Carr
    • Self
    • (images d'archives)
    Nick Castle
    Nick Castle
    • Self
    • (images d'archives)
    • Réalisation
      • Adam Simon
    • Scénario
      • Adam Simon
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs29

    7,22K
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    Avis à la une

    czechlucka

    excellent horror documentary

    i saw this documentary and as a big horror movies fan i must say it was excellent!!! however some things are very bloody but it doesn't matter 'cause now i know almost everything about my favorite movie genre.
    6paul2001sw-1

    Not uninteresting, but overstates its case

    The 1970s are considered by many to have been a golden age of Amrican film-making in general; but the were arguably also a golden age of American horror films, with many classics of the genre dating from this time. 'The American Nightmare' considers some of these movies in the engaging and thoughtful company of some of those who made them; and also of John Landis, who sadly gets most screen time although the enthusiasm he has for his own words is in inverse proportion to the interest of what he has to say. But I don't quite buy the argument presented that these movies amounted to social commentary: they can be quite scary, and they may borrow their imagery from Vietnam or the civil rights movement, but their fundamental silliness is completely ignored in this reverent discussion. Personally, I think most of the films considered here are good, after a fashion; but scarcely serious. So don't watch this film for the most profound of analysis. But if you want to learn why Tobe Hooper made 'The Texas Chainsaw Massacre' (and so on), it's unmissable viewing.
    QKnown

    How it all started...

    Finally, fans get to see the blueprint of how/why the classic horror films of the late '60s and early '70s revolutionized cinema. All thanks to America's turbulent times.

    Since so much went down during this era, (The End of the Cold War,Civil Rights Movements,Kent State,Manson,Vietnam,political assassinations,Watergate,etc) It just seemed apparent to young filmmakers that "the world is gonna end, Let's just make this movie and go out with a bang"- type of mentality. As we would later know, It would all pay off, spawning a new type of horror film for a new generation.

    Here in this documentary, you can learn the inspirations for:

    Tom Savini's realistic make-up discoveries,Tobe Hooper's "boogeyman" thoughts for TEXAS CHAINSAW MASSACRE, David Cronenberg for using sex as a life-threatening weapon, and why Wes Craven's LAST HOUSE ON THE LEFT has a scene that looks similar to a disturbing sight involving a Saigon police chief and a Viet Cong suspect.

    THE AMERICAN NIGHTMARE is not just recommended to fans of the genre. But to those who wonder where it all came from.
    cdstewart2

    Excellent look at the societal fears that led to modern horror.

    What a great look at the societal fears that inspired some of the great horror masterpieces of the modern age! A documentary like this needed to be made. It definitely shows that modern horror is rooted much more in contemporary fears than most people think. Although slightly weighted to the 'Dead' series (Night of, Dawn of), it runs the gamut through TX Chainsaw Massacre and Cronenberg films. I only wish that it was longer. I would love to see a multi-part series of this content along the lines of Ken Burns' Baseball or the such.

    Although listed as a Canadian production, I think they got a lot of information and footage from Pittsburgh (George Romero, Tom Savini, and some new footage of the Monroeville Mall). Anyway, it's good information about some of my favorite films of all time. WATCH IT. It'll make you want to rent Night of the Living Dead, Dawn of the Dead, Shivers, Texas Chainsaw Massacre, and Halloween and watch them until your eyes bleed...
    6HStammermann

    Interesting contents, but mixed feelings - The American Nightmare - German DVD version

    American horror movies of the 70s are well known for newly defining the genre and changing the borders of what was possible to show up to that point. Up to then there had been Hammer Productions with their usual suspects like Frankenstein, Dracula or there had been "gentleman" murderers like Dr. Phybes, who killed their victims out revenge, but still with a certain esprit of spirit. The "new" horror of the American movies was highly influenced by five movies the directors of which still have their say in today's horror industry: George Romero („Night of the Living Dead" 1968), Wes Craven („The Last House on the Left" 1972), Tobe Hooper („The Texas Chainsaw Massacre" 1974), David Cronenberg („The Parasite Murders" 1975) as well as John Carpenter („Halloween" 1978). The documentation "The American Nightmare" now sets out to connect interviews of the film makers, film critics and academics with excerpts of contemporary as well as fictional movies. The core thesis now is that the young generation of the 60s and 70s had a feeling of fundamental uncertainty that was taken up by young film makers and transformed into angry visions full of nightmares - American nightmares. Against that foil we learn about the connections between the Civil Rights Movement and "Night of the Living Dead", we see Tom Savini talking about turning his experiences in Vietnam into his landmark splatter effects, David Cronenberg referring to the sexual liberation with "The Parasite Murders" or Wes Craven saying that on seeing Napalm attacks in Vietnam he learned that also Americans could commit atrocities. - The documentation allows some very interesting insights into the immediate historical context of American horror movies of the 60s and 70s. Especially in the middle of the documentation it might be challenging to ask oneself whether is is actually the fictional horror that horrifies us most. … Yet, the documentary also wants to be a creepy and entertaining movie itself. There is too much atmospheric gewgaw (Stockhausen's score, for example). Altogether you get too little concrete information about what you see. Whereas the film makers' commentaries are very interesting the critics are sometimes not convincing often digressing into their own individual movie watching nostalgia ("It was like - wow!"). Furthermore, the German DVD bonus materials mostly consist of text barely readable. So, all in all, highly interesting and enlightening, but I could have done with some more minutes of interviews and some more film clips.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      Packaged as an extra on the Region 2 release of Wes Craven's The Hills Have Eyes (1977).
    • Citations

      Wes Craven: I think there is something about the "American Dream", the sort of Disneyesque dream if you will of the beautifully trimmed front lawn, the white picket fence, mom and dad and their happy children, god fearing and doing good whenever they can; that sort of expectation, and the flipside of it, the kind of anger and the sense of outrage that comes from discovering that that's not the truth of the matter, I think that gives American horror films in some ways kind of an additional rage...

    • Versions alternatives
      Despite being shown uncut on BBC TV the version released in the UK, as part of The Hills Have Eyes 2-disc by Anchor Bay, was cut by 14 secs by the BBFC. This was to remove scenes from _Last House on the Left, The (1972)_ which had previously been cut by the BBFC.
    • Connexions
      Features Dracula (1931)
    • Bandes originales
      Moya
      (uncredited)

      Performed by Godspeed You! Black Emperor

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    Détails

    Modifier
    • Date de sortie
      • 20 juillet 2003 (Autriche)
    • Pays d’origine
      • États-Unis
      • Royaume-Uni
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Американский кошмар
    • Société de production
      • Minerva Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 13min(73 min)
    • Couleur
      • Black and White
      • Color
    • Mixage
      • Dolby SR
    • Rapport de forme
      • 1.85 : 1

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