American horror movies of the 70s are well known for newly defining the genre and changing the borders of what was possible to show up to that point. Up to then there had been Hammer Productions with their usual suspects like Frankenstein, Dracula or there had been "gentleman" murderers like Dr. Phybes, who killed their victims out revenge, but still with a certain esprit of spirit. The "new" horror of the American movies was highly influenced by five movies the directors of which still have their say in today's horror industry: George Romero (Night of the Living Dead" 1968), Wes Craven (The Last House on the Left" 1972), Tobe Hooper (The Texas Chainsaw Massacre" 1974), David Cronenberg (The Parasite Murders" 1975) as well as John Carpenter (Halloween" 1978). The documentation "The American Nightmare" now sets out to connect interviews of the film makers, film critics and academics with excerpts of contemporary as well as fictional movies. The core thesis now is that the young generation of the 60s and 70s had a feeling of fundamental uncertainty that was taken up by young film makers and transformed into angry visions full of nightmares - American nightmares. Against that foil we learn about the connections between the Civil Rights Movement and "Night of the Living Dead", we see Tom Savini talking about turning his experiences in Vietnam into his landmark splatter effects, David Cronenberg referring to the sexual liberation with "The Parasite Murders" or Wes Craven saying that on seeing Napalm attacks in Vietnam he learned that also Americans could commit atrocities. - The documentation allows some very interesting insights into the immediate historical context of American horror movies of the 60s and 70s. Especially in the middle of the documentation it might be challenging to ask oneself whether is is actually the fictional horror that horrifies us most.
Yet, the documentary also wants to be a creepy and entertaining movie itself. There is too much atmospheric gewgaw (Stockhausen's score, for example). Altogether you get too little concrete information about what you see. Whereas the film makers' commentaries are very interesting the critics are sometimes not convincing often digressing into their own individual movie watching nostalgia ("It was like - wow!"). Furthermore, the German DVD bonus materials mostly consist of text barely readable. So, all in all, highly interesting and enlightening, but I could have done with some more minutes of interviews and some more film clips.
