The American Nightmare

You know, you really see movies differently when you hear the directors talking about what the movie meant to them or what they were trying to do with it. I really should watch more of those featurettes that come on the DVDs. I don't think I'll ever have the patience for audio commentaries, but the extra features on DVDs quite often have stuff like what you find in this outstanding documentary. Hearing the creators talk about their work really puts everything into a completely different perspective.

I was especially surprised to see how affected most of them were by the Vietnam war, like Tom Savini, who served in the war and now does horror movie makeup, witnessed horrible atrocities and awful, bloody deaths, and then went on to incorporate those things into his movies. Kind of morbid, really, to think that he was an American soldier who, by his own words, would see dead bodies and would just detach himself from the immediacy and finality of it, and instead think more about how he could recreate something like that in a movie. Until I saw this documentary, I never once considered the idea of trying to recreate war deaths, at least by a soldier who is standing right there.

Even directors who did not actually go to Vietnam were affected by the war, and it's amazing to see this powerful time in this country come across in what could easily be written off as just scary, gory horror movies. Good horror movies, but still nothing more than horror movies.

In some of the clips that were shown, such as scenes from one of Wes Craven's first films, The Last House on the Left, I was amazed at how intense the horror is. I've been watching a lot of horror movies lately, things like the Friday the 13th movies, Nightmare on Elm Streets, Halloween, Child's Play, Texas Chainsaw, etc, and have started to think that I had just outgrown that sick feeling of fear and almost nausea that I would get as a kid just from walking around in the horror section, like the real raw horror movies turned into campy gore-fests by the time I got to the age I am now, but man, I must be going to the wrong video stores.

There are some scenes shown in this movie that remind you what the real horror movies were like, back when they were meant to scare, not make tons of money. Back before the Japanese had to come in and show us how it's done, because we have obviously forgotten. Rob Zombie came out with House of 1000 Corpses last year, an underrated horror film that didn't set any box office records because it wasn't meant to. Like the directors in The American Nightmare, he is a lifelong horror fan and remembers what the real horror films were like. House of 1000 Corpses was his reminder to the world, now all these other directors are doing the same.

While I loved hearing the directors talk about their movies and I loved watching all of the clips from their films, all the while trying to compile a mental list of movies that I need to rent, I have to say that I found the legitimacy of these horror films in the context of the society in which they were created to be the most interesting part. You don't really think about horror movies having too much social value or meaning, but these movies, as they say, are clearly a product of their environment.

I found myself wondering at many points if we are going to see a new breed of horror directors eventually come home from Iraq

What a great look at the societal fears that inspired some of the great horror masterpieces of the modern age! A documentary like this needed to be made. It definitely shows that modern horror is rooted much more in contemporary fears than most people think. Although slightly weighted to the 'Dead' series (Night of, Dawn of), it runs the gamut through TX Chainsaw Massacre and Cronenberg films. I only wish that it was longer. I would love to see a multi-part series of this content along the lines of Ken Burns' Baseball or the such.

Although listed as a Canadian production, I think they got a lot of information and footage from Pittsburgh (George Romero, Tom Savini, and some new footage of the Monroeville Mall). Anyway, it's good information about some of my favorite films of all time. WATCH IT. It'll make you want to rent Night of the Living Dead, Dawn of the Dead, Shivers, Texas Chainsaw Massacre, and Halloween and watch them until your eyes bleed...

if your a horror fan (especially on in your mid to late 30s)and you wonder why... here's the answer.

as i sat here watching american nightmare, i nodded and nodded as i remembered my childhood and the constant nightmares and fear of the end of the world, death, and the catholic theories of a fire and brimstone afterlife. the constant threat of atomic wars, hidden under our schoolchairs as we had air-raid drills. even when it was vacation time at school, the automatic drills echoed in the background once a month. i lived within walking distance and would often go to the schoolyard during vacation times to play there with others.

the most frightening sound in the world is not the screams of michael myers' victims or the ripping of zombie flesh, but the eerie sound of an air-raid sirien going off in a virtualy empty playground mixed with the squeak of swings, the wind, and the "ting" of the empty flag pole.....

American horror movies of the 70s are well known for newly defining the genre and changing the borders of what was possible to show up to that point. Up to then there had been Hammer Productions with their usual suspects like Frankenstein, Dracula or there had been "gentleman" murderers like Dr. Phybes, who killed their victims out revenge, but still with a certain esprit of spirit. The "new" horror of the American movies was highly influenced by five movies the directors of which still have their say in today's horror industry: George Romero („Night of the Living Dead" 1968), Wes Craven („The Last House on the Left" 1972), Tobe Hooper („The Texas Chainsaw Massacre" 1974), David Cronenberg („The Parasite Murders" 1975) as well as John Carpenter („Halloween" 1978). The documentation "The American Nightmare" now sets out to connect interviews of the film makers, film critics and academics with excerpts of contemporary as well as fictional movies. The core thesis now is that the young generation of the 60s and 70s had a feeling of fundamental uncertainty that was taken up by young film makers and transformed into angry visions full of nightmares - American nightmares. Against that foil we learn about the connections between the Civil Rights Movement and "Night of the Living Dead", we see Tom Savini talking about turning his experiences in Vietnam into his landmark splatter effects, David Cronenberg referring to the sexual liberation with "The Parasite Murders" or Wes Craven saying that on seeing Napalm attacks in Vietnam he learned that also Americans could commit atrocities. - The documentation allows some very interesting insights into the immediate historical context of American horror movies of the 60s and 70s. Especially in the middle of the documentation it might be challenging to ask oneself whether is is actually the fictional horror that horrifies us most. … Yet, the documentary also wants to be a creepy and entertaining movie itself. There is too much atmospheric gewgaw (Stockhausen's score, for example). Altogether you get too little concrete information about what you see. Whereas the film makers' commentaries are very interesting the critics are sometimes not convincing often digressing into their own individual movie watching nostalgia ("It was like - wow!"). Furthermore, the German DVD bonus materials mostly consist of text barely readable. So, all in all, highly interesting and enlightening, but I could have done with some more minutes of interviews and some more film clips.

Finally, fans get to see the blueprint of how/why the classic horror films of the late '60s and early '70s revolutionized cinema. All thanks to America's turbulent times.

Since so much went down during this era, (The End of the Cold War,Civil Rights Movements,Kent State,Manson,Vietnam,political assassinations,Watergate,etc) It just seemed apparent to young filmmakers that "the world is gonna end, Let's just make this movie and go out with a bang"- type of mentality. As we would later know, It would all pay off, spawning a new type of horror film for a new generation.

Here in this documentary, you can learn the inspirations for:

Tom Savini's realistic make-up discoveries,Tobe Hooper's "boogeyman" thoughts for TEXAS CHAINSAW MASSACRE, David Cronenberg for using sex as a life-threatening weapon, and why Wes Craven's LAST HOUSE ON THE LEFT has a scene that looks similar to a disturbing sight involving a Saigon police chief and a Viet Cong suspect.

THE AMERICAN NIGHTMARE is not just recommended to fans of the genre. But to those who wonder where it all came from.