La Mémoire dans la peau

Matt Damon plays Jason Bourne, a highly trained, U.S. spy whose wounded body is found floating in an ocean by a fishing boat. With no memory of who he is and what happened to him, he has to piece together how he came to be shot in the back and left for dead; and most importantly, who and what he is. But Damon must do it fast, as time is running out and the ones he worked for are sending assassins to find him. "The Bourne Identity" is top-notch spy movie, filled with action, suspense, and a mystery that is slowly explained as the movie goes on. Matt Damon is well suited for the role, and with the help of fancy editing, he comes off as a martial arts expert who can quickly dispatch multiple foes in a few seconds. The movie moves along very fast, making the near two hour running time feel like it's thirty minutes shorter than it is. Fast pacing and a likable hero (Damon) are two big strengths of this movie that fans of spy/thriller/suspense movies should not miss. My most memorable, movie moment of "The Bourne Identity" is the scene when Damon evades the police with an original Mini car! Hey, it's not the car, it's the driver that counts.

Mannysmemorablemoviemoment

Next to Ronin, this is one of the best action / spy movies that I've ever seen. I heard a lot of good critics, but didn't know what to think about it. I only saw it 2 years after it first appeared and I'm a little disappointed that I didn't go watch it in the cinema.

I'm not too keen on movies like James Bond and other stuff in this genre, but this one is a lot better. Normally you see the "super hero" using all kinds of weird gadgets, driving extremely fast sports cars and sleeping with ladies who look more like prostitutes than being normal women.

Jason Bourne however doesn't have all this things, which makes this movie a lot more realistic. The fights are fast and very realistic but still entertaining. The action scenes are believable, no super-gadgets, no incredibly willing women sharing his bed... Our hero even shows definite signs of physical vulnerability despite a very high level of training and competence. In the meanwhile he has to deal with amnesia, while being hunted without knowing why. In the end this is still a man which you can identify yourself with.

I would say: Go watch it when you are a fan of movies like Ronin, don't watch it if you think James Bond is a person who you can bump into on the streets when going out. Personally I would award this movie with an 8/10.

Maybe its me, but it gives me a familiar feeling when I see a guy in a turtleneck sweater, an overcoat and a rifle. I know its a cliche, but why would this movie re-invent the medium anyway?

I also like car chases through foreign cities, passports and accents. So with all that intact, I liked 'The Bourne Identity' very much. It has all the elements of the genre. You know what you're getting and you get what you want.

There is no point in going over the plot. It gets confusing about 3/4 in but it does not matter that much. Its fun for two hours and that's it.

I have been a huge fan of Franka Potente since becoming mildly obsessed with 'Run Lola Run' and she does not disappoint. She has some real chemistry with Matt Damon and has a very sweet, inviting way about her. She is not traditional leading actress material, thank God, and I credit the producers for hiring her. Even more so when you realize that Julia Stiles has a small part in this movie. I am sure someone wanted a bigger 'name' to be Matt's female lead and it might have occured to more than one exec to switch Franka and Julia, but obviously I am glad that did not happen.

Clive Owen adds another strong performance to his resume. He has only one big scene, really, but makes the most of it. Chris Cooper and Brian Cox are known for their sturdy work and they also deliver here.

Excellent, summertime entertainment. 8/10.

I enjoyed this. It had been one of those movies I had heard about but had never gotten around to. There are times when it seems that Matt Damon is such a cold fish (ala The Good Shepherd), that one has trouble getting connected to him. In this film he is really believable as a man who has all the training of a killing machine, but a soft side that bears exploring. The character is put into situations he can't understand but can only react to. He has compassion but little understanding. What an interesting role. If there's a shortcoming, it's that the motivations of the bad folks aren't all that clear. It's still a delight to watch his relationship with his I-only- need-a-ride partner develop. There is a level of subtlety that most films of this type don't have. The car chases are spectacular but, for once, they backed down on the pyrotechnics. I appreciated this.

Not that there is any bias intended against the spy film genre, far from it. Nor with films that contain a good deal, or a lot, of action. There are some good, very good even, ones out there. There are also however ones that are too derivative, are basically style over substance (a few not even executing the style particularly well) and favour can-see-it-coming "thrills" and "twists" and bombastic action over telling a good story.

What a pleasant surprise that 'The Bourne Identity' turned out to be. Had heard next to nothing but good things about the Bourne films and had been meaning to check them out for a while, while worrying as to whether they'd be my cup of tea or not. 'The Bourne Identity' not only does what it set out to do very well, with lots of fun and intrigue, but it is also a film that has a brain and respects its audience. It clearly knew what it wanted to be and who to aim it at.

Sure, the basic story is not exactly original, occasionally there is a little routine-ness. This doesn't really matter all that much though, because 'The Bourne Identity' succeeded in giving the genre a considerable freshness on the whole. It does lose its way a little towards the end, when things do become a little too cliché and some things could have been explained better and felt less confused. While still doing a good job, Clive Owen did deserve more to do than what he got, a come and go character that disappears too quickly and early.

However, visually 'The Bourne Identity' is very slick and stylish, special effects very wisely kept at minimum. Am not always a fan of the camera technique used here but here it added to the intensity and didn't feel that excessive or abused, certainly didn't look amateurish either. A reasonably dynamic soundtrack and authentic sound quality helps too, as does astute direction that keeps everything moving along with confidence.

'The Bourne Identity' contains a sharp and well written script that provokes thought, with nothing being confused, rambling or cheesy. The story for much of the length is exciting and has a considerable freshness that is really refreshing. The pacing is relentless, while avoiding the traps of being too hectic or being dull, neither of which it ever is. The action is very well choreographed, confidently performed and keeps one on the edge of their seat.

Matt Damon carries the title role with ease, and Franka Potente provides gutsy support, their chemistry to me was believable. Chris Cooper is fun, and while a little too briefly utilised Clive Owen and Brian Cox both do very good jobs.

In summary, surprisingly good and entertaining and a very good start to the Bourne films. 8/10 Bethany Cox