La Mémoire dans la peau

Next to Ronin, this is one of the best action / spy movies that I've ever seen. I heard a lot of good critics, but didn't know what to think about it. I only saw it 2 years after it first appeared and I'm a little disappointed that I didn't go watch it in the cinema.

I'm not too keen on movies like James Bond and other stuff in this genre, but this one is a lot better. Normally you see the "super hero" using all kinds of weird gadgets, driving extremely fast sports cars and sleeping with ladies who look more like prostitutes than being normal women.

Jason Bourne however doesn't have all this things, which makes this movie a lot more realistic. The fights are fast and very realistic but still entertaining. The action scenes are believable, no super-gadgets, no incredibly willing women sharing his bed... Our hero even shows definite signs of physical vulnerability despite a very high level of training and competence. In the meanwhile he has to deal with amnesia, while being hunted without knowing why. In the end this is still a man which you can identify yourself with.

I would say: Go watch it when you are a fan of movies like Ronin, don't watch it if you think James Bond is a person who you can bump into on the streets when going out. Personally I would award this movie with an 8/10.

Not that there is any bias intended against the spy film genre, far from it. Nor with films that contain a good deal, or a lot, of action. There are some good, very good even, ones out there. There are also however ones that are too derivative, are basically style over substance (a few not even executing the style particularly well) and favour can-see-it-coming "thrills" and "twists" and bombastic action over telling a good story.

What a pleasant surprise that 'The Bourne Identity' turned out to be. Had heard next to nothing but good things about the Bourne films and had been meaning to check them out for a while, while worrying as to whether they'd be my cup of tea or not. 'The Bourne Identity' not only does what it set out to do very well, with lots of fun and intrigue, but it is also a film that has a brain and respects its audience. It clearly knew what it wanted to be and who to aim it at.

Sure, the basic story is not exactly original, occasionally there is a little routine-ness. This doesn't really matter all that much though, because 'The Bourne Identity' succeeded in giving the genre a considerable freshness on the whole. It does lose its way a little towards the end, when things do become a little too cliché and some things could have been explained better and felt less confused. While still doing a good job, Clive Owen did deserve more to do than what he got, a come and go character that disappears too quickly and early.

However, visually 'The Bourne Identity' is very slick and stylish, special effects very wisely kept at minimum. Am not always a fan of the camera technique used here but here it added to the intensity and didn't feel that excessive or abused, certainly didn't look amateurish either. A reasonably dynamic soundtrack and authentic sound quality helps too, as does astute direction that keeps everything moving along with confidence.

'The Bourne Identity' contains a sharp and well written script that provokes thought, with nothing being confused, rambling or cheesy. The story for much of the length is exciting and has a considerable freshness that is really refreshing. The pacing is relentless, while avoiding the traps of being too hectic or being dull, neither of which it ever is. The action is very well choreographed, confidently performed and keeps one on the edge of their seat.

Matt Damon carries the title role with ease, and Franka Potente provides gutsy support, their chemistry to me was believable. Chris Cooper is fun, and while a little too briefly utilised Clive Owen and Brian Cox both do very good jobs.

In summary, surprisingly good and entertaining and a very good start to the Bourne films. 8/10 Bethany Cox

James Bond and Ethan Hunt take notice. "The Bourne Identity" is my new standard for contemporary spy thrillers. Gone (or almost gone) are the special effects that James and Ethan rely on all too heavily. Hell, in those franchises the special effects have virtually replaced story and characters. "The Bourne Identity" has a very straightforward story to tell, a mystery that slowly unravels. Spycraft is not all about technical gizmos, but requires human brains and human brawn (and a fair amount of gunplay and car chases).

Set in various locales in Switzerland and France during the winter much of the visuals for "The Bourne Identity" are gray and damp. That's a plus, Monte Carlo and like locales can get boring. Mat Damon is great as Jason Bourne, fished from the Mediterranean mostly dead by gunshot wounds. A total amnesiac, he slowly realizes that he possesses the deadly skills of a well-trained assassin, and that someone is out to kill him. Franka Potente is equally good as the young woman swept up in his life and forced to run with him. Run or be killed.

I can't say enough good things about this movie. Doug Limon, thanks, you did a great job.

I can sympathize with reviewers who had read the book and were disappointed by this film and the liberties it apparently took with the story. I've had that happen with books I've enjoyed and it can spoil a film you might otherwise have liked. I never read the book, so I was able to appreciate this film on its own merits - slick, tough, fast-paced and refreshingly devoid of the kind of nonsense that has made the Bond films harder and harder to sit through.

I'm especially impressed by the fights, which, as other reviewers have pointed out, are among the most believable martial-arts-based fight scenes ever seen. No big grand gestures or Olympian kicks - just fast, nasty moves designed to inflict maximum damage with minimum effort.

The cast is uniformly good - even Damon, who is no fave of mine, comes across believably as a man who's trained to hold it all in, but isn't sure what it all is that he's holding in. Cooper, Cox and Owen shine in their all-too-brief screen time. Potente is attractive in a real person sort of way (sigh of relief for this genre) and possesses an inner strength that makes her character's actions and reactions ring truer than what we'd get from the traditional Hollywood eye-candy girlfriend these films normally feature.

From the gritty bowels of the trawler, where Damon awakens to his situation, to the field where he confronts his most deadly assailant, the locations are the antithesis of the travel poster hotspots that Bond so frequently visits. Despite its breakneck pace (handled so well by Liman and so poorly in the sequel by his protégé), the film manages to convey a sense of melancholy that lifts it a bit above the average action thriller. Sorry book fans - it may not be your cup of Ludlum, but it's still a damn fine little action flick.

I enjoyed this. It had been one of those movies I had heard about but had never gotten around to. There are times when it seems that Matt Damon is such a cold fish (ala The Good Shepherd), that one has trouble getting connected to him. In this film he is really believable as a man who has all the training of a killing machine, but a soft side that bears exploring. The character is put into situations he can't understand but can only react to. He has compassion but little understanding. What an interesting role. If there's a shortcoming, it's that the motivations of the bad folks aren't all that clear. It's still a delight to watch his relationship with his I-only- need-a-ride partner develop. There is a level of subtlety that most films of this type don't have. The car chases are spectacular but, for once, they backed down on the pyrotechnics. I appreciated this.