Monsieur Schmidt

I was dubious when my 65 year old father picked this DVD up from the shelf at Blockbuster. "Great choice dad!", secretly wondering why I let him pick 2 films out of the 3 in the special offer they had going. You see, my father has a penchant for Woody Allen and anybody who has a rather dry sense of humour, this includes Nicholson.

We sat down tonight, and the first thing that hit me was the way that the film was shot. It is shot using rather blue and green hues, so the film is rather subdued. Secondly, the music stands out. Instead of using a typical 'boohoo' orchestra, the film uses beautiful wandering piano and marimba sounds.

The characters, I could easily relate to. Helen, the faithful wife who is excited about getting to spend a new chapter of her life with her husband. The husband, who obeys his wife but secretly resents it. A sudden change which causes a rethink in everything he has done up until that point.

At first, this appeared to be a comedy, but it was soon revealed to be a beautifully poignant film. Throughout, it questions mortality, what you can achieve in life, and how to cope with loss, or change. I don't think I have ever cried as much in 2 hours as I did during this film, and yet at the same time laughed so hard that my sides were splitting.

I would thoroughly recommend anybody to watch this film. It will stay with you for a long time.

Of course we would hope that is not the case but watching a movie like this certainly puts the idea of life into question. This is a funny movie but looking back its probably not quite the kind of jokes you appreciate laughing at.

In the lead role as Warren Schmidt is none other then Jack Nicholson, with an already astute résumé, only further strengthens his long career with his subtle and charming performance. The charm never wears off with the audience as Schmidt's morals and interest for the most part stay in place in his heart and mind. Unfortunately in the tale of Schmidt in the film not only does his charm wear off but he is seen as a liability by those who he thought of as his loved ones. His life takes this crash when he retires from his career and an insurance agent. Soon after he realizes he may have wasted his entire life away. The downward spiral of his life and his sense of purpose hangs on the thread of a boy he has never even met.

As subtle as Nicholson's performance is, so is the writing. It is quietly very witty which almost inconspicuously gives off a whole lot of cynicism. Along with Alexander Payne writing the screenplay he directed the film as well. The movie is certainly not all style and why should it be when that could possibly be the only thing that could really hurt this film. The film is about humanity in a raw and complex way, sometimes the best method of showing this is through simplicity to the point where you are almost certain there is something else that lies behind the curtain of it all.

There is no doubt I would recommend this film but don't expect a pure comedy. Instead try and take a fresh and real look at the entire movie and the events that take place. Depending on who you are, you may find certain points of this movie to be either sorrowful and dejected or slightly uplifting and optimistic. Just don't make a heartless joke of it, because none of us want to think of our life as that; a joke.

About Schmidt is Forrest Gump through the lens of Sartre or Camus. Warren Schmidt has a handicap, but it's the same handicap most of the people standing on line at seven p.m. at your local Wendy's have. The real star (or anti-star) of About Schmidt is the mediocre architectural landscape of America. Every room or box Warren Schmidt enters in this movie is as devoid of caring and vitality as he is: the retirement banquet room, Warren's house, the tire store, the hired wedding reception room. Schmidt's director and production designer take care to place us in the same life-draining, cheap structures we inhabit and deal with everyday. No prettifying. This is the drab landscape of Fargo revisited, but without the irony. The steady doses of violence in Fargo allowed you an escape route. But there's nothing ironical about a wasted life and a 66 year old widower spinning his wheels in the same rut, now partnerless and foundering. The combination of Jack, this story and these settings is effective and compelling. The result would be, I think, inevitable. The tone and attitude is not consistently managed, even by Nicholsen, whose worn-out, mannered schtick pops up occasionally. Yet the final effect is impossible to fend off: mundane American hell with droll comedic diversion. We experience a downfall as poignant as the smell of bacon cooking in Denny's at eight a.m.

Like Forrest Gump, the film depends on extensive voice over narration, V.O'd by Nicholsen as letters to Schmidt's newly adopted six year old Tanzanian foster child. Through these ridiculous sharings of sextagenarian angst with an African boy, we register Schmidt's internal grievances - thoughts we would never know about otherwise without his commentary. The slow dragging score drains vitality from each transition, as if cinematic momentum would be antithetical to the point of the tale. Back and forth we rock from a single minor chord to a second one, getting nowhere. The mood, the landscape, the buildings, the people say it all: Schmidt's on the road, but he might as well be sitting home in his lay-z-boy. The cushy bucket seat of a 35 foot Winnebago makes a good substitute.

Casting Jack Nicholson may have been the only way this story could have come to the screen. I've racked my brain to think of one other actor who could have pulled Schmidt off. Tony Hopkins? Not with the same comedic finesse. Gene Hackman reprising his role in Coppola's The Conversation or doing his Tennenbaum hamming? Don't think so. Only Jack has the mix. He does some hilarious bits in this, but overall the mood is somber, glum, inert. Can this be how that other famous Warren from Nebransas - Mr. Buffet - lives?

I was confused, amused, depressed and wierdly disoriented by About Schmidt as I left the theater. I commented that it wasn't a film I'd go see again. Thinking about it a day later, I'd hold to that IF it meant returning to the theater and paying. BUT - were I to run across About Schmidt on cable, I doubt I could tear myself away from it any more than I could from a crack up at the Indy 500. And I think that chance encounter might happen more than once, maybe for years. After all, this is the America I know and mark time in myself. A recommended film going experience.

Jack Nicholson stars as a Warren Schmidt, a man who suffers several crises at once. First he goes into retirement, then his wife dies, and finally his daughter marries a no-hoper. Forced to abandon his usual comfortable routine, Schmidt goes on a personal journey of discovery and tries to make some sense of his life.

The beauty of About Schmidt is how well developed and interesting the characters are. They feel like real people struggling with real situations, which is a surprisingly difficult trick to pull off. This success can be attributed to the strength of the script and most importantly to the uniformly superb acting.

This film provides a showcase for Nicholson to display his talent, and he doesn't disappoint, delivering a superb and multi-layered turn, which is a world away from the smirking characters he often plays. He allows his face to droop, and adopts a world-weary expression, as Schmidt continually finds himself at the mercy of events.

One of Schmidt's first decisions when he determines to get out of the rut he finds himself in is to sponsor an African child. This doesn't have much to do with the rest of the plot, but provides an outlet for Schmidt's innermost thoughts, and is a brilliant and original way of allowing the audience inside the head of the central character.

About Schmidt succeeds in tackling the subject of old age, a topic not often addressed in mainstream Hollywood fare, and for that it should be applauded. This is a terrific film, which features Nicholson at his best.

This is an inspiring story. It teaches me so much about what is important in life. Jack Nicholson, with a great performance as Warren R. Schmidt is an example of an American middle class after retiring. For many years he has worked as an actuary at a big insurance company. After retiring, Jack at home, while watching television, he decides to sponsor a six years old boy (Ndugu) from Tanzania. Sending a check of US$ 22,00 every month, he is also required to write a letter to the boy. In the process of writing these letters, he vents out to the boy about his life frustrations, his lost dreams and the dilemma he is in. He is married for forty-two years with his wife Helen (June Squibb) and he has a daughter living in Denver, Jeannie Schmidt (Hope Davis) who will marry a looser pretty soon. He misses his daughter. A few days after his retirement, his wife dies, and Jack realizes how important the wife was in his life now even though he never appreciated her. The director of the movie, Alexander Payne takes the audiences with Jack on a trip in a trailer to visit specific places in America. He mainly makes Jack visit the places where he has been before physically but at the same time Jack was revisiting his own life inside. In this trip he realizes what really matters in life - friendship, family and sharing- then why it is important to appreciate them whenever you have a chance.

In 'Citizen Kane' (1941), the director Orson Welles portrays the same idea when creating Mr. Kane. The movie is more than the story of a tycoon's rise and fall; it is an account of what is ultimately important in a person's life. Even though Kane attains riches and prestige, he is far from happy. He ends with two failed marriages and few friends. At his dying bed, all he has left is his reminiscences - and something called "Rosebud." In 'About Schmidt' the director Alexander Payne uses voiceover to convey Jack's thoughts and memories throughout the movie. To be specific it is when Jack is writing a letter to the boy he sponsors - (Ndugu), at the same time Payne is informing the audience about Jack's regrets and pain concerning his wife and daughter while the movie is still rolling on. I think this is a great technique.I believe this has been a great adventure and wake up call to many Americans as to what is important in life and why we should cherish every moment of it.