En sång för Martin

(2001) A Song For Martin/ En sång för Martin (In Swedish with English subtitles) DRAMA

Co-written, co-produced and directed by Bille August with senior violinist, Barbara (Viveka Seldahl) and music composer/ conductor Martin choosing to leave their long time potential spouses to marry each other, and it isn't long "Martin" the title of the movie is referring to, begins to show some of the first signs of alzheimer's, forcing Barbara's hand to make adjustments.

"A Song for Martin" may be the first movie that addresses alzheimer's but it's not the best to address the problem as I thought "Away From Her" was far superior as it does not let the character who suffers from the disease continue to humiliate himself on front of people, for it's already bad enough that he suffers from it.

Caught this film late one night, cold Colorado winter night, and could not walk away to a warm bed.

Well done, cast and crew deserve to be proud of themselves, if this is the director's wish. Never knew much about Swedish foreign film.

Bergman, of course, but not this director. Echoes of Bergman were felt.

The actors who played the leads, Martin and Barabara were perfect and carried the story. I felt their love and pain.

The summer picnic conversation around Mozart's The Magic Flute, was the metaphysical key to the lock for me. Two questions are discussed, light overcomes darkness and even the departed, are still alive and above all love survives all.

Watching the different levels of old timers pull them down into its oblivion, we see the struggles of the two lovers grasping the threads of their love, against the winds of madness.

Nancy Reagen, remarked, "They know from their side, that they are being taken away, against their will, and the look of desperation is haunting. It is the worst stage of the disease." In the last scene, Barbara moves in to Kiss Martin, and he mistakes this movement, to mean food, and opens his mouth, like a bird....its poignant and sweet.

Would own this DVD, as it gave me something I want to keep. I want to know more about the director, and the two major actors now.

SARGE

While `A song for Martin' is a powerful movie, it is also a sort of impotent one. One of the hobbyhorses of my high school literature teacher was to make us understand the difference between what is tragic and dramatic. A car accident is tragic. A car going over a cliff driven by someone fulfilling his inescapable destiny is drama. Alzheimer's is a tragic disease, but it is not drama. Unavoidable is not a substitute for inescapable. You cannot have drama without participation while participation is the last thing you can expect from someone suffering from the disease. This is a very well made movie. Acting is superb; cinematography is fine. I learned from it everything I would ever care to know about Alzheimer's, but I still left the theatre with an empty feeling. The story is sad, the loss is painful and love conquers everything but I had no revelations. I received information, from which I only gained knowledge, not real gut wrenching understanding. I never cared much about acted documentaries and this film never really rose above that.

`A song for Martin' has a very promising start. Passionate love at the age of 50/60 is full of dramatic potential. For a while I thought that is what the movie will be about, but I was wrong. There are hints of dramatic conflict but they are never explored and from the moment Martin is diagnosed, the story turns purely didactic. Dealing with such a situation also has dramatic potentials but this movie choose to concentrate on the evolution of the illness. Is that bad? I don't know, but gaining this sort of knowledge is not what I expect from art.

Should you see this movie? I think so. You will learn a lot about the illness most of us fear the most. Just do not expect more. See it for what it is: an animated illustration of the disease. For that, it is perfect.

It is my understanding that when a man and a woman get married, it is because they love one another and promise to be loyal and faithful. Despite the fact that many marriages are no such thing, it is wonderful to see a film that convinces you that it is possible to love someone so much that no amount of adversity can destroy it.

That is the essence of this film. It is true that we learn a great deal about a horrible disease, but, more importantly, we learn what true love is. The drama in this film really takes place in the mind and the heart of Barbara, the wife. She must face the changes in her life from the joy of finding true love in her life after a difficult marriage to a life of dealing with a sick husband. We see her, painstakingly, deal with change after change and sometimes she breaks down because of the enormity of the challenge.

The second lesson we learn in this film is that love brings a real sense of perseverance. Caring for a sick husband is really no different than caring for a child. A mother normally does not lose her love for the child because he or she acts like a child, but, rather, she perseveres because of pure and simple love.

I do not have sufficient words to express the beauty of this film. It rings true.

This was a very real and harrowing film. I went with misgivings since I knew what the subject was about, but fell under the spell cast by director Bille August.

This story rings true from the beginning. The film is a lovely love story between Barbara and Martin, played superbly by Viveka Seldahl and Sven Wottter.

Barbara, obviously is dealt a blow when the Alzheimer is diagnosed but she proceeds to deal with it in her own terms. Little did she know that her marriage to Martin would turn into the nightmare it did. How do you stop loving and doing for that person you thought about spending the rest of your life with?

The Alzheimer turns Martin into a vegetable. His mind is gone. From the brilliant composer and director, he becomes another person completely different from the person we met at the beginning of the film.

Most critics in New York keep comparing this film with Iris. It is very unfair, because obviously all Alzheimers cases are different and don't have to reflect in this case, what went in Iris Murdoch's mind.

I have to give credit to the director, Mr. August, who has not taken the easy approach and documents the progress in a very dignified manner.

All the performances are on key. The extended families of these couple are very strong behind the parents, which is something very rare to find these days.