Une jeune femme qui s'est réinventée en tant que mondaine à New York doit rentrer chez elle en Alabama pour obtenir le divorce de son mari, après sept ans de séparation.Une jeune femme qui s'est réinventée en tant que mondaine à New York doit rentrer chez elle en Alabama pour obtenir le divorce de son mari, après sept ans de séparation.Une jeune femme qui s'est réinventée en tant que mondaine à New York doit rentrer chez elle en Alabama pour obtenir le divorce de son mari, après sept ans de séparation.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 3 victoires et 6 nominations au total
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I cannot envision anyone but Reese Witherspoon as Melanie, a snooty-but-lovable up-and-coming New York City fashion designer from Alabama who receives a marriage proposal from the prominent, well-bred son of the mayor of New York. Of course, this means that she must go back to the small town where she was raised to demand a divorce from Jake (Josh Lucas) - seven years after walking out on him.
Aside from being a love story, this film shows us that you cannot escape your past, no matter how hard you try. Everywhere she turns Reese's character is beset by the people and events of her youth. Old friends seem almost compelled to reminisce about their youthful escapades. She just cannot seem to get away from it. You really get a sense of how she must feel when you see her in the honky-tonk bar, surrounded by rednecks with no visible exit.
Witherspoon is right at home in the role as a smart, sassy young woman ala 'Legally Blonde'. However the real star of the show is Josh Lucas. His expressive face lends an authenticity to Jake that transcends the stereotypical former football star and produces a charismatic, likable guy who just wants to win back his girl. But if it is stereotypes that you want, they are there to be found. Most prominent is the mother of Reese's fiancé, played by Candice Bergen. She is one tough politician who is as cold as ice and predictably obsessed with her public image. Others include the independent, feminist girlfriend, the redneck buddies and a gay fashion designer.
Director Andy Tennant also likes to deal with some classic historical and societal conflicts in this movie, such as the North versus the South. In addition to numerous Yankee/redneck jokes, Witherspoon's dad (Fred Ward) is involved in the regular reenactment of a Civil War battle. Tennant also seems to be a fan of love's ability to prevail in the face of these conflicts. His film 'Ever After' has a similar theme it deals with the struggle between nobility and commoner during medieval times. Specifically, it is about a Prince who falls in love with a peasant girl. Despite the odds, their love overcomes this obstacle.
If you like romantic comedies, you should like this film. Despite its flaws this movie is upbeat, entertaining and it comes with a lesson about the futility of trying to escape your past that might prove invaluable to some audience members.
Aside from being a love story, this film shows us that you cannot escape your past, no matter how hard you try. Everywhere she turns Reese's character is beset by the people and events of her youth. Old friends seem almost compelled to reminisce about their youthful escapades. She just cannot seem to get away from it. You really get a sense of how she must feel when you see her in the honky-tonk bar, surrounded by rednecks with no visible exit.
Witherspoon is right at home in the role as a smart, sassy young woman ala 'Legally Blonde'. However the real star of the show is Josh Lucas. His expressive face lends an authenticity to Jake that transcends the stereotypical former football star and produces a charismatic, likable guy who just wants to win back his girl. But if it is stereotypes that you want, they are there to be found. Most prominent is the mother of Reese's fiancé, played by Candice Bergen. She is one tough politician who is as cold as ice and predictably obsessed with her public image. Others include the independent, feminist girlfriend, the redneck buddies and a gay fashion designer.
Director Andy Tennant also likes to deal with some classic historical and societal conflicts in this movie, such as the North versus the South. In addition to numerous Yankee/redneck jokes, Witherspoon's dad (Fred Ward) is involved in the regular reenactment of a Civil War battle. Tennant also seems to be a fan of love's ability to prevail in the face of these conflicts. His film 'Ever After' has a similar theme it deals with the struggle between nobility and commoner during medieval times. Specifically, it is about a Prince who falls in love with a peasant girl. Despite the odds, their love overcomes this obstacle.
If you like romantic comedies, you should like this film. Despite its flaws this movie is upbeat, entertaining and it comes with a lesson about the futility of trying to escape your past that might prove invaluable to some audience members.
I am glad I didn't listen to critics and watched this movie! It is a very good movie with charm, humor, sadness and most of all, genial acting! Reese Witherspoon and Josh Lucas are the two characters that you can relate to. Especially the dog part is very fun. I think what makes this movie good is that it is a story you can relate to, but made with humor. Yet there are a part sadness in the story.
It begins with that Melanie is asked by the son of the mayor if she wants to marry him. Then she says yes, but she has things to make up and decides to go down to her hometown in Alabama to get a divorce from her husband who she hasn't met for years, not after she lost her child and he was drunk on their wedding.
The concept and plot is very smart, when the tone is told with humour even in situations that are serious. In fact, if the movie hadn't humor, it had been falling apart. The humor is lifting the story to a little more than just good. It is so fun, so full of genial and amusing characters, excellent acting and an excellent ending. Maybe a movie that mostly girls like to watch, but anyway a good movie.
It begins with that Melanie is asked by the son of the mayor if she wants to marry him. Then she says yes, but she has things to make up and decides to go down to her hometown in Alabama to get a divorce from her husband who she hasn't met for years, not after she lost her child and he was drunk on their wedding.
The concept and plot is very smart, when the tone is told with humour even in situations that are serious. In fact, if the movie hadn't humor, it had been falling apart. The humor is lifting the story to a little more than just good. It is so fun, so full of genial and amusing characters, excellent acting and an excellent ending. Maybe a movie that mostly girls like to watch, but anyway a good movie.
Reese Witherspoon terrific heartfelt performance makes this movie work. I originally had my doubts about seeing this one but I bought the DVD and I highly enjoyed the movie. Reese Witherspoon has good chemistry with both Patrick Dempsey and Josh Lucas. The film although predictable is full of funny moments and a lot of heart.
Look, we all know that Sweet Home Alabama is just a Hallmark movie dressed up in a fancy skirt, but there's still something special about this romantic comedy that helps it stand apart from the rest. It could be Reese Witherspoon, who plays her part of Melanie, the Yankee-fied southern belle, perfectly. It could be Josh Lucas (Jake), who is a fantastic foil to Witherspoon's character. And it could also be Patrick Dempsey (Andrew), who is actually a good alternative to Jake and not a one-dimensional antagonist. This film is not without its flaws, but I always have a good ol' time whenever I watch it.
"Sweet Home Alabama" conceived as a simple "star vehicle" for Reese Witherspoon is advertised as a "romantic comedy". It's is quite formulaic, and surely no one entering the theater (or renting the video or DVD)has any doubt as to with whom Reese's Melanie Charmichael (Smooter) will end up with when the closing credits start to roll.
Herein lies the basic fault, however, with this interpretation of a tried and true plotline: by the end of the film it seems apparent that both of the two men in Melanie's life would be far better off without her. After accepting a proposal of marriage by the handsome and ambitious son of the May of New York City, Melanie proceeds back home to Alabama to finalize her divorce from her high school (and childhood) sweetheart, whom she abandoned seven years before, but has refused to sign the divorce papers. Upon returning to her modest roots (at variance with the more gentile upbringing she has led her New York friends and followers to believe) she insults her parents and old friends, becomes drunk (and mean) and vomits into her former husband's truck; let the hilarity ensue! In the meantime, in the part of the movie where the new fiancee is supposed to be revealed as boorish, vain and superficial, quite the opposite occurs, and the viewer is left with a very sympathetic view of the upperclass New York society man, who truly loves Melanie, and forgives her untruthfulness. Melanie's former husband, having set out to win Melanie back by making a success of himself in the intervening years discovers her to be the shallow superficial snob of the movie. Why then, would he want her back? Why did Melanie make up the story of a plantation upbringing anyway? She's just a conniving, lying, scheming, mean drunk.Where is the romance? Where is the comedy? Certainly not in Alabama.
Herein lies the basic fault, however, with this interpretation of a tried and true plotline: by the end of the film it seems apparent that both of the two men in Melanie's life would be far better off without her. After accepting a proposal of marriage by the handsome and ambitious son of the May of New York City, Melanie proceeds back home to Alabama to finalize her divorce from her high school (and childhood) sweetheart, whom she abandoned seven years before, but has refused to sign the divorce papers. Upon returning to her modest roots (at variance with the more gentile upbringing she has led her New York friends and followers to believe) she insults her parents and old friends, becomes drunk (and mean) and vomits into her former husband's truck; let the hilarity ensue! In the meantime, in the part of the movie where the new fiancee is supposed to be revealed as boorish, vain and superficial, quite the opposite occurs, and the viewer is left with a very sympathetic view of the upperclass New York society man, who truly loves Melanie, and forgives her untruthfulness. Melanie's former husband, having set out to win Melanie back by making a success of himself in the intervening years discovers her to be the shallow superficial snob of the movie. Why then, would he want her back? Why did Melanie make up the story of a plantation upbringing anyway? She's just a conniving, lying, scheming, mean drunk.Where is the romance? Where is the comedy? Certainly not in Alabama.
Le saviez-vous
- AnecdotesThis was first film to shoot in New York City after the September 11, 2001 attack on the World Trade Center. Specifically the second week of October 2001.
- GaffesAt the reception at the end of the movie, Mel's dress is clean and dry. On the beach just before, it was dirty and wet from the storm and sand.
- Citations
Melanie Carmichael: The truth is I gave my heart away a long time ago, my whole heart, and I never really got it back.
- Crédits fousDuring the end credits some photos are shown with the cast. In a sequence of them Melanie's parents are "scared" by a punk with a pierced tongue, Mel's co-worker from the beginning of the movie, who comments on her accent when she dreams.
- ConnexionsEdited from John Henry (2000)
- Bandes originalesBring on the Day
Written by Amy Powers and CJ Vanston
Produced by CJ Vanston
Performed by Charlotte Martin
Courtesy of The RCA Records Label
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- How long is Sweet Home Alabama?Alimenté par Alexa
Détails
Box-office
- Budget
- 30 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 127 223 418 $US
- Week-end de sortie aux États-Unis et au Canada
- 35 648 740 $US
- 29 sept. 2002
- Montant brut mondial
- 180 622 424 $US
- Durée
- 1h 48min(108 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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