Fashion victime

I cannot envision anyone but Reese Witherspoon as Melanie, a snooty-but-lovable up-and-coming New York City fashion designer from Alabama who receives a marriage proposal from the prominent, well-bred son of the mayor of New York. Of course, this means that she must go back to the small town where she was raised to demand a divorce from Jake (Josh Lucas) - seven years after walking out on him.

Aside from being a love story, this film shows us that you cannot escape your past, no matter how hard you try. Everywhere she turns Reese's character is beset by the people and events of her youth. Old friends seem almost compelled to reminisce about their youthful escapades. She just cannot seem to get away from it. You really get a sense of how she must feel when you see her in the honky-tonk bar, surrounded by rednecks with no visible exit.

Witherspoon is right at home in the role as a smart, sassy young woman ala 'Legally Blonde'. However the real star of the show is Josh Lucas. His expressive face lends an authenticity to Jake that transcends the stereotypical former football star and produces a charismatic, likable guy who just wants to win back his girl. But if it is stereotypes that you want, they are there to be found. Most prominent is the mother of Reese's fiancé, played by Candice Bergen. She is one tough politician who is as cold as ice and predictably obsessed with her public image. Others include the independent, feminist girlfriend, the redneck buddies and a gay fashion designer.

Director Andy Tennant also likes to deal with some classic historical and societal conflicts in this movie, such as the North versus the South. In addition to numerous Yankee/redneck jokes, Witherspoon's dad (Fred Ward) is involved in the regular reenactment of a Civil War battle. Tennant also seems to be a fan of love's ability to prevail in the face of these conflicts. His film 'Ever After' has a similar theme – it deals with the struggle between nobility and commoner during medieval times. Specifically, it is about a Prince who falls in love with a peasant girl. Despite the odds, their love overcomes this obstacle.

If you like romantic comedies, you should like this film. Despite its flaws this movie is upbeat, entertaining and it comes with a lesson about the futility of trying to escape your past that might prove invaluable to some audience members.

Reese Witherspoon terrific heartfelt performance makes this movie work. I originally had my doubts about seeing this one but I bought the DVD and I highly enjoyed the movie. Reese Witherspoon has good chemistry with both Patrick Dempsey and Josh Lucas. The film although predictable is full of funny moments and a lot of heart.

"Sweet Home Alabama" conceived as a simple "star vehicle" for Reese Witherspoon is advertised as a "romantic comedy". It's is quite formulaic, and surely no one entering the theater (or renting the video or DVD)has any doubt as to with whom Reese's Melanie Charmichael (Smooter) will end up with when the closing credits start to roll.

Herein lies the basic fault, however, with this interpretation of a tried and true plotline: by the end of the film it seems apparent that both of the two men in Melanie's life would be far better off without her. After accepting a proposal of marriage by the handsome and ambitious son of the May of New York City, Melanie proceeds back home to Alabama to finalize her divorce from her high school (and childhood) sweetheart, whom she abandoned seven years before, but has refused to sign the divorce papers. Upon returning to her modest roots (at variance with the more gentile upbringing she has led her New York friends and followers to believe) she insults her parents and old friends, becomes drunk (and mean) and vomits into her former husband's truck; let the hilarity ensue! In the meantime, in the part of the movie where the new fiancee is supposed to be revealed as boorish, vain and superficial, quite the opposite occurs, and the viewer is left with a very sympathetic view of the upperclass New York society man, who truly loves Melanie, and forgives her untruthfulness. Melanie's former husband, having set out to win Melanie back by making a success of himself in the intervening years discovers her to be the shallow superficial snob of the movie. Why then, would he want her back? Why did Melanie make up the story of a plantation upbringing anyway? She's just a conniving, lying, scheming, mean drunk.Where is the romance? Where is the comedy? Certainly not in Alabama.

Yes, the South is different. But isn't it sad that the song "Sweet Home Alabama," which was written in the first place to object to sweeping generalizations about demon-Southerners (all Southerners being white, of course, in this anti-Southern view) is now gracing a movie that cozies right up to Southern stereotypes? (And for those objecting to the sentiments of the song, perhaps you should learn a little bit more about Lynyrd Skynard and Neil Young, and what that song actually said about their attitudes--and how Young responded. What Skynard meant by the song and how SOME of their audience have interpreted it over the years are two different things, just like Springsteen's "Born in the USA" has been used for political purposes that are the opposite of the song's sentiments.)

For people who think every white Southerner's favorite evening wear is a white sheet with burning cross as accessory, they can gloat over the stupid hicks in this film. For people who want to fantasize that we can still live in Mayberry, they can groove on how pretty it all is. (Mostly.) People see what they expect to see. (Except black folks, who'd better not expect to see black folks living in the Alabama of THIS movie.) Reese Witherspoon herself, a well-bred Episcopalian débutante from Nashville, is a negation of Southern stereotypes, and an example of the Southerners we never see as characters in movies.

Meanwhile the movie itself is so innocuous that it dissolves while you're watching it. I've been sitting through the unending USA Network commercials for their showing of the flick, and getting the impression that the only reason they're showing it is to piggyback on the popularity of Dr. McDreamy.

I suppose there are worse ways to spend an evening. But don't imagine that you're seeing anything to do with the actual South. Or actual human beings.

Ever hear of the story of crying "wolf?" Most of the extra forceful reviews of "Sweet Home Alabama" are the professional and amateur reviewers that try to tell us, "stay away, this is a waste of your time, do not see it." Bull-dinkey! They are just crying "wolf" for some unknown reason. This is a fine, funny movie that relies more on an ensemble cast than just on Reese Witherspoon. The writing is smart and funny, the directing fits the comedic mood of the story, and the acting is just right. Although it is a quite different film from "Legally Blonde" and "Election", I enjoyed it just as much, and will enjoy it upon repeat viewings.

no SPOILERS here...

Critic Ebert has a good summary of the story so I won't repeat any of it here. For those who may see the film and wonder how much the small town life is exaggerated, let me tell you "not much!" I grew up in a very small southern town, and I go back on occasions for high school reunions. What is depicted in this film is pretty darned close to reality, with some license taken for making the story a bit more interesting. Pay special attention to the story with the cat, and its burned tail, and watch closely at the end. :-)

The DVD is fine but the picture is not "reference" quality. The sound is Dolby 5.1 but surround channels are not very dynamic. The "extras" has several deleted scenes, and also includes the original ending that was scrapped after comments from test screenings. They had to re-shoot and I think the eventual ending is very appropriate. The first and last scenes complement each other very well.

"Sweet Home Alabama" - a fine movie for those who enjoy a good comedy, and especially those who like Reese Witherspoon.