L'échine du diable

THE DEVIL'S BACKBONE is a Spanish language supernatural thriller. It consists of a haunted school for orphaned boys. Now, in an American film that would be all you get, a ghost running around scaring the young inhabitants of the gloomy building. That's it, and it would not be scary at all. It is to the credit that the makers of THE DEVIL'S BACKBONE present the actual ghost as the least frightening aspect of the film; he becomes, in fact, the moral center of a deeply complex story.

In Spain, the year is 1939 and Franco's army is advancing towards the small village where the most notable landmark is an impotent bomb jutting out of the ground in the center of the town. A child, Carlos (Fernando Tielve), his father's life taken in the bloody civil war, finds refuge with the Leftist caretakers of the school. Not a good place to be around at that time. He finds himself under the wing of Prof. Casares (Fererico Luppi), a strange intellectual who fears the oncoming dirge of Franco's forces. There is also some intrigue involving the caretaker Jacinto (Edvardo Noriega) and the revolution's small supply of gold. Oh, right and there is a troubled spirit of one of the dead children creeping through the bowls of the school, uttering ominous warnings to young Carlos ("Many of you will die.")...

It is one of the strongest elements of THE DEVIL'S BACKBONE that it does not become distracted by the ghost story, I mean what is one ghost compared to the very real fears of war, death, greed, abandonment, political persecution, abuse at the hands of adults, lust, and acceptance. A spirit cannot hurt us, it does not exist on the same plain of the living. His life has ended and he can no longer be troubled by the reality the characters face. A bullet or explosion wil not penetrate his flesh, he no longer feels pain. The boys who survive him are those who have to struggle for their small place on this earth.

The film paints in detailed strokes and does not cut corners when it comes to the emotions involved in the plot. The characters are not pawns to be startled periodically by cats or loud noises, they just happen to occupy the same space with a sad and restless dead boy.

The director, Guillermo Del Toro (CRONOS, MIMIC, the better-than-the-original-but-that-ain't-saying-much BLADE 2), handles the material very well, never losing sight of the story he has set out to tell. The metaphors he uses (the bomb, the pool, the contents of the jars) are rich and creative. Del Toro, along with his crew and actors, create moments of intense fear and unsettling action; the musical score, by Javier Navarette, is particularly effective. The film is dark and gloomy (perhaps overly so at times), but never succumbs to the easy answers in the shadows. As for the American films it will be compared to: THE OTHERS-not scary, THE RING-not scary, DARKNESS FALLS-not scary...THE DEVIL'S BACKBONE is scary, complex and ultimately memorable.

8/10.

A classy Hispanic horror movie finely written by Antonio Trashorras, David Muñoz, and Guillermo Del Toro himself. Set late Spanish Civil War,1936-1939, after his Republican dad dies in battle , 10-year-old Carlos : Fernando Tielve, is left at a desert orphanage. There he faces off a bully boy and suffers bullying and isolation. The orphanage formed by waif pupils is run by a crippled woman named Carmen : Marisa Paredes and a good doctor : Federico Luppi. Both of whom hope to protect their charges from advancing of the Francoist troops. Here is also a nasty, violent janitor : Eduardo Noriega, who mistreats and abuses the innocent childen . But rare happenings occur , as dangers and risks exist inside the brittle sanctuary . As there are chilling rumours around a little boy who was missing. Hence a creepy ghost mystery turns into a terrifying tale concerning opposing forces taking on themselves . At the end concealed passions eventually burst in unexpected and tragic consequences.

A superior psychological thriller with horror and fantastic elements . I filters the traumatic conflict of the Spanish Civil War, though it is partly comprehending eyes of a child. This is a pretty good picture whose methaphorical/poetic messsage glossing on historical and political realities. It contains an impressive and rousing denouement in which Del Toro builds a surprising result with explosive as well as deadly events. It displays vivid performances from the protagonists kiddies, as well as veteran Marisa Paredes giving top-notch acting as the crippled and bitter Principal, Federico Luppi as the kindly professor Casares and Eduardo Noriega as the self-serving and surly janitor. Other secondaries briefly appearing are as follows : Irene Visedo, Francisco Maestre, Berta Riaza and José Luis Lorenzo.

It packs a mysterious and thrilling musical score by Javier Navarrete. Evocative and adequate cinematography by Guillermo Navarro, Del Toro's regular. As well as polished, but subtle FX from Reyes Abades and DDT that also made Pan's labyrinth. This bloody and haunting ghost story was competently directed by Guillermo Del Toro, though direction sluggish, at times. Del Toro is a cinephile who usually shows on his movies , the deep knowledges about film history. He is a fine writer and director with special penchant for fantasy, horror and weird stories. As Guillermo has made successful films, such as Cronos, Pan's labyrinth, Mimic , Hellboy I and II, Blade II, Pacific rim, Crimson peak, The shape of the water, among others. Rating 7/10. Better than average.

The year is 1939. The Spanish Civil War is nearing its bloody end. Ten year old Carlos, the orphaned son of a slain Republican, is left by his tutor at an isolated orphanage for boys. The school is destitute, barely able to provide enough food for the children, but headmistress Carmen and Dr. Casares do the best they can. Carlos accepts his fate bravely, but there are still school bullies to contend with, an unexploded bomb sitting in the courtyard as a constant reminder of the war which still rages, and an abusive caretaker named Jacinto who has his own secret agenda. As if that were not enough, a ghost begins stalking Carlos, the ghost of a boy named Santi whose demise is shrouded in mystery and who solemnly warns Carlos that many will soon die. As the war begins closing in on the orphanage, violence erupts within and Santi's prediction comes sadly true. But the worst has not yet happened. The abandoned boys must band together if they hope to survive, and the dead will aid their cause if they are to be avenged.

This is a beautiful movie, absolutely gorgeous from start to finish. The dusty, isolated landscape is a ghost itself and the constant threat of violence - from the war, to the bullies and, of course, from the traitorous Jacinto - gives this film an unrelenting atmosphere of tension and dread. The acting is superb, from the children as well as the adults. Federico Luppi as Dr. Casares is superb, providing us with a true hero, a gentleman of class and compassion. Eduardo Noriega is perfectly cast as the despicable Jacinto, making you despise him more and more as the film progresses. This is not just a ghost story, though the figure of Santi is central and key to everything that happens. It is a tale of love and honor as well as horror and ruin. It is a coming of age story and an adult drama. It also manages to be scary as hell when it wants to be.

Guillermo del Toro has made a masterpiece with "The Devils Backbone." Ten stars for this hauntingly lovely epic.

...An instant of pain, perhaps. Something dead which still seems to be alive. An emotion suspended in time. Like a blurred photograph. Like an insect trapped in amber."

Often compared to "The Sixth Sense (1999)" and "The Others (2001)", "The Devil's Backbone" is even a better film, the ultimate ghost story that goes beyond the genre and very successfully mixes horror, suspense, and coming of age during the war time story. Written and directed by Guillermo del Toro, the film takes place during the Spanish Civil War in an isolated boarding school for the orphans of the War where a new boy, Carlos encounters the ghost of a murdered child Santi whose body was never found and who warns Carlos that "Many of you will die". How did Santi die? Why does not he leave the school's courtyard, what is the tragedy he is trying to prevent? It is up to Carlos to find the answers to these and many more questions as well as to stand up to the school's bully, Jaime and to find out what is behind the violent hostility of the orphanage's nasty caretaker, Jacinto who himself was and orphan and had been a pupil in the school as a child. The movie is not just beautifully directed – it is very well written and provides the deep insight into each character, including school headmistress named Carmen (Marisa Paredes), kind and brave Professor Casares, vicious bully Jaime who would turn a lonely and scared boy and even the embodiment of evil, Jacinto with his own heartbreaking story. Along with "The Spirit of the Beehive", "Devil's Backbone" is a harrowing exploration of the war and its affect on childhood. It also brings to mind such classic as Bunuel's "Los Olvidados" – and this is the best praise I have for any movie. Highly recommended.

This is not just an incredibly effective ghost story, but a cinematic masterpiece. Like his "Cronos," Del Toro has created a rich horror fable that is driven by 3-dimensional characters involved in a fascinating plot that leads to a wholly satisfying ending. With many developments along the way that shock, move, and thrill. And of course the political allegory and reality of the film, the Spanish Civil War, all the orphan boys of noble Loyalist fighters fighting their own war against a truly horrifying fascist villain, the young and handsome Jacinto, who is not without a sad ghost in his own past that feeds his destructiveness.

Del Toro is one of the most intelligent and humane directors working today, not something usually said about auteur in the horror genre. I have not seen "Hellboy" but think less of his US endeavors than these two Spanish masterworks...