Point Men

Point men is a low budget Action Thriller with Christopher Lambert as the lead & it's good fun. I usually always like Lambert movies but like all Actors he has done some terrible films & i know he is usually found in low budget straight to video type movies but hey that doesn't mean they are all bad. Lambert is very cool here in Point men & lifts the film up to a better level of quality by him starring in it & that is because Lambert brings a serious & tense tone to his performance's!!!! This is an action Thriller with bursts of bloody violence about a known terrorist who is believed to be dead but is not who has come back for revenge by killing off Lamberts team called The Foreign Legion & it's up to Lambert to start hunting him down in a game of cat & mouse in true double crossing spy style!!! It's obviously low budget but made well enough & with some really brutal & bloody scenes & a tense atmosphere & a really good performance by Christopher Lambert so yes a worth it watching or buying Thriller. The best Lambert has ever been is in the cult classic prison sci-fi thriller FORTRESS (1992) i don't think he has ever beaten his intense performance in that excellent movie but he is usually good most films such as ADRENALINE: FEAR THE RUSH (1996) another dark sci-fi action Thriller i think lambert is best in dark sci-fi action Thrillers but he's still a very cool & intense actor & he's very good here in The Point Men.

I have seen most of Christopher Lamberts movies. I have several favourites like "Highlander 1-3" (of course, Resurrection, Fortress and "The Hunted". I think that "Fortress 2" wasn´t that good, so I really was looking forward to this movie. Lambert plays the agent Tony from Israel(!), he is hunting a terrorist with his group. They kill a guy, who they think is the terrorist but Tony is sure that they have killed the wrong dude. One by one the terrorist (with his new plasticsurgery-face) kills Tonys groupmembers. It´s easy to understand what will happen next. The filming is like they have made the film with a handycam. It is very low-budget-style when they have their carchase in the beginning of the film. Lamberts performance is very solid and I really hope that he will find a better script, because the other film he has made this year also became a sad story for us Lambert-fans. We want you back in the parts that made you the one you are today. Like in "Knight moves", "The Hunted" or "resurrection". It doesnt have to be a fantastic story like in "Beowulf" or "Mortal Kombat" but something that you can understand and still is very exciting. I can not say other than that this movie was a cheap try to make a political thriller. 4 / 10

Some time after their botched operation to capture a known Palestinian terrorist named Amar Kamil (Vincent Regan) , a secret team suffers events go awry . After getting away an assassination's attempt in Luxembourg , a bunch of Israeli agents starts to get killed off one by one . Their leader (Christopher Lambert) must get to the bottom of things before the murderous plan to be completed as he takes one to kill one .

European co-production by UK|France|Luxembourg that contains action , intrigue , thrills , suspense ; however resulting to be some tiring and dull . It's a direct to video film made in low budget and failed at box-office . Based on the novel titled "The Heat of Ramadan" by Steven Hartov and screenplay by Ripley Highsmith , the film develops an intrigue about secret agents from Mossad and OLP . Regular performances from two main protagonists Christopher Lambert and his nemesis Vincent Regan . The best acting turns out Kerry Fox , a notorious British actress who has not achieved a great success. There appears in a pretty secondary role Maryam d'Abo who formerly was Bond-girl for John Glen in 'The Living daylights' . Functional cinematography by Alec Mills shot in Luxembourg , Israel and beach scenes in Nice, Alpes-Maritimes, France . Atmospheric musical score by Waltzing , including Arab and Israel sounds .

The film was produced by the Jewish Avi Nesher , being professionally made by John Glenn . John keeps this moving, though with no much originality and with some flaws and gaps . He has directed the most number of James Bond movies , totaling five . Glenn filmed various 007 outings , previously directed 2nd unit and edition on some early Bond movies . He directed several entries such as ¨Licence to kill¨, ¨A view to kill¨ , ¨For your eyes only¨ and ¨Octopussy¨ that are incredibly fast pace . The film will appeal to Christopher Lambert enthusiasts , but good for fans only . Rating : Mediocre .

I was interested in watching this film in part because it was directed by John Glen, who had directed several James Bond movies in the 1980s that I had liked. However, after watching this movie, all I could think was that Glen's status as a director had fallen greatly in the years between James Bond and this film. To be fair, Glen was working with a script that really needed a few more rewrites before filming - the opening is kind of vague, the chief villain character is kind of vague, and various plot details here and there are vague as well. Despite this inadequate script, the movie could still have been fun with some energetic direction. But the movie is slow-moving and the few action sequences really lack zip and punch. Though this may have been in part due to the low budget, which also results in the movie having a somewhat cheap look and feel that resembles low budget Canadian television shows from the 1990s. To date, this is the final movie that Glen has directed. Maybe that's for the best.

Rare are the authors that are able to create a vivid movie about the clashes of Israeli hitmen and Arab terrorists. 007 - veteran John Glen joined the legion of these greats with his latest feature THE POINT MEN. "Ripley Highsmith"`s script (based on Steve Hartov`s novel THE HEAT OF RAMADAN) served as an exceptional reason for the reunion of the reliable B - cast that doesn`t even warm the bench in the mainstream cinema these days. Action fans eventually got an opportunity to enjoy a pretty smart conception of heartwarming cliches from the , allegedly dead, MOSSAD - genre that was revived by an intelligent script, above average budget and Glen`s crafty direction of gunfights and car chases where bullets really hit the flesh and real cars get smashed up. No comment belongs out of this statement. There`s just home cinema for all those action buffs who craved for a good flip of an expensive Mercedes ever since McTiernan`s DIE HARD WITH A VENGEANCE.