Amour interdit

Although THE SLEEPING DICTIONARY is not that well known and never had a theatrical release, it is by far one of the best movies of 2002. My sister had to pursuade me to first rent, then watch this movie because the idea of a British colonial officer who falls in love with what is known as a Sleeping Dictionary...that is a native woman who sleeps with a man while teaching him the native language. Jessica Alba, who is most well known for her stint on "DARK ANGEL", deftly portrays Selima, the native sleeping dictionary for John Truscott. Hugh Dancy, who portrays John Truscott, is a young british actor who is on his way up. Dancy and Alba have chemistry, and you can hardly take your eyes off of them. The supporting cast is also excellent. Brenda Blethyn, Bob Hoskins, Emily Mortimer, Noah Taylor, Junix Inocian, and Eugene Salleh each portray their parts perfectly and add a unique flavor to the movie.

On a scale of 1 to 10 (1 being lowest, 10 highest), I rate THE SLEEPING DICTIONARY a 10.

This movie was breathtaking to me. I figured it went straight to video since I never saw any previews for it. Jessica Alba is a favorite of mine anyway, so I have a bias I suppose. The movie was beautifully shot and the music was in great taste. I had never heard of sleeping dictionaries, so it was an interesting lesson. At first, Jessica didn't seem to fit the look of the other natives, but it made sense when she was mixed and I could see where her complexion played in. Her accent was surprisingly believable. Hugh was adorable as the sheepish "leader" of the community. It made all the sense in the world that they would fall for each other. I liked the angle of the British hypocrisy. It was alright to sleep with the people the ruled or "civilized", but not good enough to marry them or acknowledge the children they had with these people. It resonated with me because the same thing happened with slavery in America. I thought that angle was well played out. I do agree with some other users that they fell in love too quickly and they weren't together enough for the audience to see that dynamic. They spent far too much of the movie apart for it to be so dramatic and "love at all costs" type of love. It was weird that he left his wife who was pregnant for Selima, but I guess Cecil knew he wouldn't be happy with their little "family". I identified with her struggle to please her husband and hold onto him. Imagine that many wives of the colonialism era probably felt that way when their husbands desired not just another woman, but a woman they felt was inferior. It was a great movie. Watch it.

While overseas, I had heard the concept of the movie and the fact the appealing Jessica Alba was featured but had little chance to check on the actual film. When I returned to the USA late last year, I found the film had gone directly to video with limited availability (couldn't get it at Blockbuster, for instance). I am glad that I wound up buying a copy (although I found a 'used' DVD for half the new asking price).

It is a shame the film never appeared in theaters as the visuals of Sarawak would have been great on the large screen and the audio and music are well done and would have benefited from a theatrical environment.

BELOW IS DISCUSSION OF PLOT ELEMENTS WHICH MIGHT SPOIL IT FOR THOSE WHO HAVEN'T SEEN THE FILM.

While overall the plot line was reasonable and avoided cliche, there were a number of disconnects as far as I was concerned.

Truscott's dilemma with Bullard after the miners' slaughter arrives too abruptly and presumes some sort of offscreen confession. Since it is a central conflict in the drama, it really deserves more explanation.

Similarly, the "one year later" leap to Truscott's marrying Cecil Bullard lacked sincerity. Why would Truscutt marry the daughter of those who wedged him away from his true love? While one can imagine various possibilities, the lack of on screen justification left me unfulfilled.

Finally, even after conversion by Sarawak and its people, Truscutt is still too much of a proper Englishman to credibly leave a pregnant wife. Some of the sympathy I'd built up for the forbidden lovers was undercut by the way this was handled. It would have been far better for Cecil to push a reluctant Truscutt away.

Still, these plot issues are relatively small in comparison to a film, cast and cinematography that rose well above the small budget and unheralded distribution. I rarely buy videos or DVDs because I find I seldom go back to play them, but this one I will enjoy owning.

In 1936, the expatriated young and naive just-graduated British John Truscott (Hugh Dancy) arrives to the Sarawak, a British colony, to work in the Iban society. The beautiful Selima (Jessica Alba) is assigned to be his "sleeping dictionary", to live and sleep with him and teach him the language and habits of the locals. The reluctant John and Selima fall in love for each other in a forbidden romance.

What a magnificent surprise "The Sleeping Dictionary" was for me, indeed a wonderful romance, with action and drama and an adorable story of difference of cultures, seduction and secrets. Jessica Alba and Hugh Dancy have stunning performances, showing a delightful chemistry. Brenda Blethyn and Bob Hoskins are excellent, as usual, and Noah Taylor, as the nasty Neville, Emily Mortimer, as the sweet Cecil and Eugene Salleh, as Belansai, are also fantastic. Certainly, Jessica Alba is better and better than Webster's and American Heritage Dictionaries. Definitely, "The Sleeping Dictionary" is a must-see movie for any sensitive audience. My vote is ten.

Title (Brazil): "Dicionário de Cama" ("Dictionary of Bed")

Liked this film a lot. A rework of the classic Romeo and Juliet impossible-love scenario, it managed to stand out from the crowd, not least because of the impressive cinematography (helped in no small part by the wonderful locales and the beautiful tribes people (The Iban). While never being earth-shattering, for a film to watch with a loved one (without being too girly) this is hard to top IMO. It shows the moral struggle of a man who has to choose between 'duty' and love. The arrogance and conditioning of British colonialism is dealt with well, as we struggled to impose our European values and God on peoples in far flung corners, and indeed it shows the irony that we struggled to retain it ourselves as the beauty of the place and people intoxicated our men (a few cads apart)

Watch it with wifey/girlfriend/prospective mate