La cité humaine de Sion se défend contre l'invasion massive des machines alors que Neo se bat pour mettre fin à la guerre sur un autre front tout en affrontant également l'Agent Smith dissid... Tout lireLa cité humaine de Sion se défend contre l'invasion massive des machines alors que Neo se bat pour mettre fin à la guerre sur un autre front tout en affrontant également l'Agent Smith dissident.La cité humaine de Sion se défend contre l'invasion massive des machines alors que Neo se bat pour mettre fin à la guerre sur un autre front tout en affrontant également l'Agent Smith dissident.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 36 nominations au total
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Once again you have the same problems: too much verbiage that you can't make sense of, and too much violence. Regarding all the techno-talk, what good is it if you audience doesn't understand what's going on and are lost most of the time?
After awhile, frankly, especially with the unlikable lead characters, I didn't care what happened. As I said in the second movie's review, they should have made just one tremendous Matrix movie, even if it were an hour longer. The sequels did nothing to enhance the legacy of that film.
The movie it self's focus more on the humans and the battles against the machines on the planet Zion, more than they are in the phone line of Matrix. I think this was a brilliant end to a brilliant trilogy. If you didn't understand what the matrix was by the end of the film, then you're never going to get it!
Many viewers preferred Revolutions to Reloaded, thinking it was a simpler, more straight-ahead action movie. Though it may have appeared that way, nothing could be further from the truth. Revolutions was a mind-blowing layered ending that honored and respected the plot threads and themes introduced in the first two movies. The character arcs were satisfying and true to the characters introduced in The Matrix. The creators continued to challenge our understanding of the Matrix and its purpose, avoiding the temptation to serve us a bunch of "their" answers on a platter. That, to us, would have been a sellout of the vision they've been constructing, and wouldn't have been fair to us. Nor would it have been true to the spirit of the previous movies - they've never told us what things meant, they've only shown us the door.
Everything that has a beginning has an end. In this explosive final chapter of the Matrix trilogy, Neo, Morpheus and Trinity battle to defend Zion, the last real-world city, against the onslaught of the machines that have enslaved the human race. And, now as Neo learns more about his heroic powers--including the ability to see the codes of things and the people, he faces the consequences of the choice made in The Matrix Reloaded. For Neo, that means going where no human has dared - into the heart of Machine City and into a cataclysmic showdown with the exponentially more powerful renegade program Smith. The revolution is now: The Matrix Revolutions.
I wish they made more films about the Matrix. The fighting, story and the conspiracy theories that emerged from these movies created a new world for millions of people out there. Some of the conspiracy theories even created a new "religion", the CGI was at the time freaking impressive, the fighting in slow-mo were even more epic and the story itself captured a lot of hearts. Just saying to all who think this movie (and/or the first two) sucked balls,- you are a minority. Movie is great, second one being the best in the trilogy. It is my second favorite film in the trilogy because it ends the story and answers what happened with Neo (Keanu Reeves), he saved Whole planet and defeat Smith (Hugo Weaving) on the end of the movie. This movie may not be the best in storyline, but hell it knows how to make action! That end fight and emotional ending leaving behind a plot for sequel ...Second really expanded the meaning of matrix and the whole idea so I don't understand the hate.
There is a lot of memorable moments the Smith vs Neo climax rain scene is one of my favorite movies scenes of all time. Anyway I love this movie it is not good as the greatest or the best movie or that good, but it is still a worthy sequel to watch and a good end to the trilogy. It is one of my personal Keanue Reeves favorite movies and I love this movie to death. I am giving this 9/10 and only because one of the characters dies in this movie not telling which one.
It seems the brothers must have cribbed the original story for the first Matrix, since the last 2 show none of the original's subtlety or interest, just rehashing and CGI multiplication.
One evil robot, two evil robots, many many evil robots. Wow, what an idea, what creativity!
Viewing the behind-the-scenes on DVD disc 2, you can see the reasons for the incoherence of story and scenes - the huge fractured design team, numerous 'senior this' 'senior that', all contributing to some corporate creation lacking any inspiration. Maybe the corporate cube-farm culture works for making cars, but it doesn't seem to work for films.
I would have liked to have seen another level of reality exposed behind the mindless machines, and why are they so mindlessly evil when they can think up such a subtle ruse to enslave the humans? It isn't consistent. Why not introduce an alien ET culture who is really the master culture enslaving the machine culture by some similar hallucinatory ruse. Or, have the humans escape by transcending their bodies, as in all the traditional gnostic spiritualities.
All in all, the Matrix is just a retread of the movie TRON. TRON at least had some insight into what the machine mindset and motivation for domination might be, e.g. tyrannical game addiction, much like the decadent Roman emperors. The Matrix, after the first film, gives no thought to any subtle motivations of the machine culture, preferring the tired cliché of 'alien villain = mindless unrelenting violence'.
Of the three films, 'Revolutions' is definitely the least imaginative and the least interesting. What separated the first two episodes in the series from most other action films was the willingness on the part of the filmmakers to bring some thematic depth and narrative complexity to a genre that, all too often, finds no room for such qualities. The previous two films didn't always succeed in their endeavor - often emerging as more hollow and pretentious than meaningful and profound - but they managed to remain intriguing even in their moments of failure. Unfortunately, the same cannot be said for 'Revolutions,' which spends so much time on repetitive action scenes and special effects that there is little time left over for storyline and theme. In a strange way, Neo himself ends up getting lost in this film, dropping off the radar screen for astonishingly long stretches of time, only to re-emerge periodically to remind us that there really is supposed to be a purpose buried somewhere beneath all this ear-splitting commotion (this could be re-titled 'Finding Neo'). The sad fact, though, is that, once we arrive at the climactic scene to which all three films have been building, the resolution turns out to be a ham-handed muddle, utterly lacking in clarity and coherence After an almost six-hour-long buildup over the course of the three films, the audience is left scratching its collective head wondering just what it was that happened before the closing credits started rolling by. Perhaps smarter people than I can figure all this out for, frankly, after the overall disappointment occasioned by this film, I couldn't muster either the desire or the effort to probe very deeply into the matter.
It goes without saying that the special effects in this film are spectacular - we would expect nothing less - but what we don't get from 'Revolutions' - which we did from the two previous 'Matrix' films - is that little something extra in the form of intelligence and sophistication that made them more than just the bland, over-produced, assembly-line products they easily could have become - and which 'Revolutions' very nearly is. Even the stolid earnestness of Keanu Reeves can't convince us this time around that there is anything hidden under all those cool gadgets and explosions worth our looking into.
Thus endeth the Matrix series, not with a bang but with a whimper - intellectually speaking that is.
Le saviez-vous
- AnecdotesThe street corner where Neo and Smith fight in the crater is the same corner from which Neo made his phone call at the end of Matrix (1999) - the corner of Pitt, Hunter, and O'Connell Streets in Sydney, Australia. You can see the phone booth to the right when they hit the ground.
- GaffesWhen Bane is talking to Neo while holding the knife to Trinity's throat, the blood appears and disappears on her throat.
- Citations
The Oracle: What about the others?
The Architect: ...What others?
The Oracle: The ones that want out.
The Architect: Obviously they will be freed.
The Oracle: I have your word?
The Architect: What do you think I am? Human?
- Crédits fousThe giant robotic head is listed in the credits as "Deus ex machina" Meaning "a god from a machine." In Greek and Roman drama, deus ex machina referred to a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation.
- Versions alternativesWhen the film was released in theaters, the waste disposal machine shown at the end had red eyes but on the DVD release the eyes were changed to green. The making of documentary on the DVD still shows the machine with red eyes, obviously the documentary used older footage.
- ConnexionsEdited into The Matrix: Path of Neo (2005)
- Bandes originalesThe Trainman Cometh
Written by Ben Watkins and Don Davis
Produced by Juno Reactor
Co-produced by Don Davis
Performed by Juno Reactor and Don Davis
Meilleurs choix
- How long is The Matrix Revolutions?Alimenté par Alexa
- What is "The Matrix: Revolutions" about?
- Is "Revolutions" based on a book?
- Why has the Oracle changed appearance between "Reloaded" and "Revolutions"?
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Matrix: Revoluciones
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 150 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 139 313 948 $US
- Week-end de sortie aux États-Unis et au Canada
- 48 475 154 $US
- 9 nov. 2003
- Montant brut mondial
- 427 344 325 $US
- Durée2 heures 9 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1