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5,5/10
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MA NOTE
Ajouter une intrigue dans votre langueIn the future, where it's faster to travel by exchanging bodies with someone at the destination, a man's body is hijacked by a ruthless terrorist.In the future, where it's faster to travel by exchanging bodies with someone at the destination, a man's body is hijacked by a ruthless terrorist.In the future, where it's faster to travel by exchanging bodies with someone at the destination, a man's body is hijacked by a ruthless terrorist.
- Réalisation
- Scénario
- Casting principal
Kyle MacLachlan
- Fisk
- (as Kyle Maclachlan)
- …
Charles Edwin Powell
- Quayle Scott
- (as Charles Powell)
Avis à la une
I'm usually not into Sci-Fi, but I like a good thriller. This movie is both - and at the same time none of the above. I think the story would benefit if it was set in a twisted present instead of the "not so distant future". The movie makers haven't put enough effort into making you believe this is the future. That said, the story has a faint touch of Orwell (author of the unreal and brilliant novel "1984", written in 1948, from which the expression "Big Brother" originate).
The main idea of body switching opens up so many fascinating possibilities, and the movie barely scratches the surface. It leaves you thinking "what if..."
The story isn't the best written one in the world, in fact it's rather thin at times. The acting is average with a few exceptions. The presentation isn't in any way high tech or extremely impressive. Still I think it was a good movie. It's the story beyond the movie that makes it great for me.
Definitely worthwhile, if you like a weird story.
The main idea of body switching opens up so many fascinating possibilities, and the movie barely scratches the surface. It leaves you thinking "what if..."
The story isn't the best written one in the world, in fact it's rather thin at times. The acting is average with a few exceptions. The presentation isn't in any way high tech or extremely impressive. Still I think it was a good movie. It's the story beyond the movie that makes it great for me.
Definitely worthwhile, if you like a weird story.
In the near future, corporate customers can save time on air travel by jumping into other bodies for short periods of time. Despite being unwilling, Toffler jumps into a body in order to attend a meeting in San Francisco. However, when it comes to returning to his old body he is told that his body has been stolen by the terrorist who had been in the body he jumped into. Toffler jumps into a clone in order to escape and, with a temporary body decomposing over 54 hours, he sets out to find Fisk and reclaim his body.
In the near future, body switching is possible for the rich, id badges tell everyone who you are, High Fidelity is playing at the cinema, but yet nobody has ever seen the film Face/Off. Yes - this is the future as seen in a low budget movie. Alarm bells rang for me when the credits revealed that this was, yes, a film who's main cast were Baldwin, MacLachlan and Coates! Happily though, it wasn't actually that bad, just rather unexciting and uninspiring. The plot has promise but it doesn't deliver it well enough. Face/Off had the same basic plot but it moved much quicker and slicker than this. The problem is that the plot feels too baggy and ill thought out with too much that isn't fully expanded on. This wouldn't be a major problem if the film moved slickly and with a lot of energy.
Sadly, it doesn't. The film has the odd exciting moment but generally it lacks tension and is a bit too slow and talky. Three times the film falls back on needless sex scenes in an attempt to give the audience what it came for. The conclusion of the film is obvious and, for that reason, lacks punch. It's a shame because, even with a low budget and less-than-perfect effects, the film could still have been exciting if the director had done a better job with the pacing of the film; as it is he delivers it too slowly.
The good ideas flicker up along the way - the best being near the end as Toffler's disregard for his cloned body becomes useful, but generally it is quite lacklustre. Even though the cast suggested worse, they were actually reasonably good. Coates is always watchable and, don't worry, after a brief spell as the good buy he soon changes to the bad guy role. MacLachlan seems to have taken the role just as a cameo and a chance to have a sex scene. Baldwin is slumming and it shows a bit too often. He is OK for the film but he didn't have that much in the way of charisma; sure he played more than one character, but he still wasn't all that hot.
Overall this is not as bad a film as I have maybe put across here. If you have rented it as a cheapy video or are watching it on a low rent cable station, then you probably know what's in store. As such, it works OK but it is still hard to overlook a plot that could have been tighter and a film that really needed a lot more in the way of tension and excitement to keep it going. Worth watching if you're in the mood.
In the near future, body switching is possible for the rich, id badges tell everyone who you are, High Fidelity is playing at the cinema, but yet nobody has ever seen the film Face/Off. Yes - this is the future as seen in a low budget movie. Alarm bells rang for me when the credits revealed that this was, yes, a film who's main cast were Baldwin, MacLachlan and Coates! Happily though, it wasn't actually that bad, just rather unexciting and uninspiring. The plot has promise but it doesn't deliver it well enough. Face/Off had the same basic plot but it moved much quicker and slicker than this. The problem is that the plot feels too baggy and ill thought out with too much that isn't fully expanded on. This wouldn't be a major problem if the film moved slickly and with a lot of energy.
Sadly, it doesn't. The film has the odd exciting moment but generally it lacks tension and is a bit too slow and talky. Three times the film falls back on needless sex scenes in an attempt to give the audience what it came for. The conclusion of the film is obvious and, for that reason, lacks punch. It's a shame because, even with a low budget and less-than-perfect effects, the film could still have been exciting if the director had done a better job with the pacing of the film; as it is he delivers it too slowly.
The good ideas flicker up along the way - the best being near the end as Toffler's disregard for his cloned body becomes useful, but generally it is quite lacklustre. Even though the cast suggested worse, they were actually reasonably good. Coates is always watchable and, don't worry, after a brief spell as the good buy he soon changes to the bad guy role. MacLachlan seems to have taken the role just as a cameo and a chance to have a sex scene. Baldwin is slumming and it shows a bit too often. He is OK for the film but he didn't have that much in the way of charisma; sure he played more than one character, but he still wasn't all that hot.
Overall this is not as bad a film as I have maybe put across here. If you have rented it as a cheapy video or are watching it on a low rent cable station, then you probably know what's in store. As such, it works OK but it is still hard to overlook a plot that could have been tighter and a film that really needed a lot more in the way of tension and excitement to keep it going. Worth watching if you're in the mood.
Don't listen to the other comments here. This is one science fiction movie that works. It manages to get all the things it's got going against it, work *for* it.
Take the male lead, for instance. Stephen Baldwin is not the sharpest knife in the drawer (and indeed, hasn't exactly starred in a lot of quality movies). So in this movie he's got no mind of his own. He's an assembly line clone, used as a host or worker body for the corporate jetset. That's putting a man of Stephen Baldwin's caliber to the best possible use!
The movie is about mind transfers. That's the plot, and the writer takes the utmost consequence of what this means. A plot that would be an insufferably silly stunt-of-the-week on an episode of Star Trek, Stargate or Farscape, manages here to be described disturbingly realistically and in a near-present day setting. Every possible twist that could possibly be imagined if this technology existed is commented on in one way or the other. No stone is left unturned. The sexual possibilities alone remain an important on-going sub-plot. This is highly unusual for a run-of-the-mill sci fi/action flick.
The SFX are fairly few, and integrated seamlessly and perfectly into the story. The one-molecule-thick cutting wire is really cool.
Like I said, it works. All of it. It is engaging, coherent, tasteful (all the four female main characters have topless scenes, and no, they are *not* gratuitous, but enhance the characterization), well-written, and goes out of its way to avoid clichés. For commercial flicks of any kind, this doesn't happen often. It's too bad the guy who wrote it hasn't done anything else.
I'm amazed to see that most of the commentators here have such a low opinion of this movie. Don't listen to them. This movie succeeds in everything it sets out to do. For a B movie, it is good. Surprisingly good. It will hold up for several viewings, if you're the type of person who can appreciate it. This is going to be a cult favorite.
8 out of 10.
Take the male lead, for instance. Stephen Baldwin is not the sharpest knife in the drawer (and indeed, hasn't exactly starred in a lot of quality movies). So in this movie he's got no mind of his own. He's an assembly line clone, used as a host or worker body for the corporate jetset. That's putting a man of Stephen Baldwin's caliber to the best possible use!
The movie is about mind transfers. That's the plot, and the writer takes the utmost consequence of what this means. A plot that would be an insufferably silly stunt-of-the-week on an episode of Star Trek, Stargate or Farscape, manages here to be described disturbingly realistically and in a near-present day setting. Every possible twist that could possibly be imagined if this technology existed is commented on in one way or the other. No stone is left unturned. The sexual possibilities alone remain an important on-going sub-plot. This is highly unusual for a run-of-the-mill sci fi/action flick.
The SFX are fairly few, and integrated seamlessly and perfectly into the story. The one-molecule-thick cutting wire is really cool.
Like I said, it works. All of it. It is engaging, coherent, tasteful (all the four female main characters have topless scenes, and no, they are *not* gratuitous, but enhance the characterization), well-written, and goes out of its way to avoid clichés. For commercial flicks of any kind, this doesn't happen often. It's too bad the guy who wrote it hasn't done anything else.
I'm amazed to see that most of the commentators here have such a low opinion of this movie. Don't listen to them. This movie succeeds in everything it sets out to do. For a B movie, it is good. Surprisingly good. It will hold up for several viewings, if you're the type of person who can appreciate it. This is going to be a cult favorite.
8 out of 10.
This is a completely trivial lightweight action flick, yet it succeeded in entertaining (at least me). Its science fiction setting is almost entirely window dressing, although a few valiant efforts have been made to illustrate the futuristic setting. Most of the time these gadgets and technological wonders look and seem familiar from other, more innovative movies, but here they've been done convincingly enough.
The actors all do decent work, maybe with the exception of Janet Kidder, whose on-the-verge-of-a-nervous-breakdown persona is a bit grating for my tastes. Neither am I plagued by an allergy of the Baldwin brothers, that some of the other reviewers here seem to be suffering from. Stephen seems to be doing just fine on the acting front, maybe even better than his more famous brothers :)
The tension in the plot is constant, if totally predictable. Yes, you have probably seen this done before a dozen times (at least), so don't see it if you're always craving for something brand new and original. But... it's done quite well, so it's a safe bet. Science fiction, it's not, though. Good show. A 5 out of 10 from me.
The actors all do decent work, maybe with the exception of Janet Kidder, whose on-the-verge-of-a-nervous-breakdown persona is a bit grating for my tastes. Neither am I plagued by an allergy of the Baldwin brothers, that some of the other reviewers here seem to be suffering from. Stephen seems to be doing just fine on the acting front, maybe even better than his more famous brothers :)
The tension in the plot is constant, if totally predictable. Yes, you have probably seen this done before a dozen times (at least), so don't see it if you're always craving for something brand new and original. But... it's done quite well, so it's a safe bet. Science fiction, it's not, though. Good show. A 5 out of 10 from me.
X Change is pretty standard B grade cable TV sci fi but the mostly gratuitous sex scenes make a point of showing bare breasts in an aesthetically pleasing manner. Oh and there are some thoughtful ideas in the story as well.
Le saviez-vous
- AnecdotesJanet Kidder's (Margot Kidder's neice) only nude scene.
- GaffesWhen Toffler and Madeline cut off Toffler's timer on his arm, in the long shot before the close-up on his arm, you can clearly see the removable patch on his arm that is cut off in the next close-up shot.
- Versions alternativesThe version shown on cable TV adds roughly 15-20 seconds of footage during the sex scene between Quayle Scott and Alison De Wasy, including additional dialogue about their secret plans, that is not included in the U.S. DVD release. However the missing footage is also included on the R2 UK DVD release.
- ConnexionsReferenced in American Dad!: Da Flippity Flop (2013)
- Bandes originalesAfrodiziak
Performed by Bran Van 3000
Written by E.P. Bergen, James Di Salvio (as J. Di Salvio), Steve 'Liquid' Hawley (as S. Hawley)
Published by Les Editions Kaligram (SOCAN/BMI)
Courtesy of Audiogram Records
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- How long is Xchange?Alimenté par Alexa
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