Arabesque: Le pacte de l'écrivain
Ajouter une intrigue dans votre langueJessica Fletcher (Dame Angela Lansbury) puts her sleuthing skills to work at a writers' conference after Russian author Yuri Malenkovich (Duncan Regehr) is found murdered.Jessica Fletcher (Dame Angela Lansbury) puts her sleuthing skills to work at a writers' conference after Russian author Yuri Malenkovich (Duncan Regehr) is found murdered.Jessica Fletcher (Dame Angela Lansbury) puts her sleuthing skills to work at a writers' conference after Russian author Yuri Malenkovich (Duncan Regehr) is found murdered.
- Réalisation
- Scénario
- Casting principal
- John Mendoza
- (as Santiago Douglas)
- Woman
- (as Eva Frajk)
Avis à la une
This second MSW movie is about a speakers conference, where writers and others are attending to learn about performing and making money at speaking engagements. The movie was not as good as the first one, but still classic Jessica Fletcher. A nasty ex-KGB director/writer is killed and his manuscript is stolen. Quite a few suspects, but I did guess who the killer was without trying.
At the end of the film, Jessica gives a long speech about why murderers should never be allowed to get away with murder, and why no one should resort to murder. Interesting, since with many MSW TV episodes, the viewer may feel the killer should get away with the killing. I guess this explains why all the MSH stories never lets anyone get an out-of-jail-free card.
I'm over the moon. Really, if this were part of the regular series I'd be saying this was my favorite episode block ever. We have Jessica at a writer's conference, people calling her on all her investigating and the publicity it's brought her books, questioning her motives. It's beautiful. While it still hovers just below painting a picture of a complex character it gives us a lot to like.
And the story is classic MSW. In fact, altogether I'd say this is back to basics. Great plot, more than just cardboard cutouts for characters, and a sleek production. While there wasn't a high body count, the main murder was bloody (considering it's MSW we're talking about.) Also, ASTDF features some of the best acting in supporting roles MSW had seen in a long time (after the late 90s cringe- inducing performances from young "up and comers.") And, this might be Angela's finest portrayal of Jessica Fletcher yet. Maybe because she's aged, but she seems more vulnerable than ever before (save Thursday's Child).
I only wish somehow Seth could've been involved, as with all the movies we don't even get a single mention of Cabot Cove (IIRC).
If you haven't seen it, and you're a fan, make every effort to do so. You won't be disappointed.
Angela, I love you. Jessica, I can't wait till they remake you and your world for a new audience -- which I'm sure they will.
So Regehr is murdered and at the more leisurely pace that a feature film offers Angela Lansbury solves it.
Regehr is the type that will leave few mourning for him. Still murder is murder. There is a final scene with Lansbury giving a speech and she's asked about the ethics of getting involved with so many real life murder cases. Her speech ought to be required viewing for all, it's that good.
Le saviez-vous
- AnecdotesThe Hollywood Roosevelt Hotel, located in Hollywood across from the original Grauman Chinese Theatre, was this movie's hotel lobby interiors. The hotel check-in desk was positioned in the West side of the lobby, opposite the Hotel's actual main desk check-in. Primarily to provide little interruption, unnecessary actual hotel guest activity during the filming process. Set Decorator Donald J. Remacle switched and added furniture, tables, lamps and plants to the existing lobby. The hotel rooms and corridors were built on-stage at Universal Studios.
- GaffesWhile Jessica is reading Yuri's manuscript, Warren knocks on her door and the pages in the book indicate that she is almost finished reading it. But when the camera changes to look over her shoulder, the pages in the book show that she is now back near the beginning.
- Citations
[last lines]
Jessica Fletcher: But because I am a romantic, I still believe that we have the potential to be nobler than we know and better than we think. That the darkness I've seen is only a *shadow* on the *potential* of the human heart. Warren, in his own way, was a romantic, made hard by the world around him, until he finally made a tragic mistake. He walked away from his own moral compass. So I urge you to keep your heart's compass on the true north of your dreams. Be free to be romantics, to reject cynicism, to believe that good will prevail and that those who do wrong will be punished, because, when the hour of the wolf comes, as it comes to all of us sooner or later, those are the things that sustain us. Thank you and goodnight.
[everyone in the conference room stands up and applauds]
- ConnexionsFollowed by Arabesque: L'heure de la justice (2001)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Murder, She Wrote: A Story to Die For
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro