Arabesque: Le pacte de l'écrivain

I gave up reading the Agatha Christies after I learned to spot the murderer, usually about a third of the way in, when he (or frequently she) was placed at the centre of an over-theatrical scene in front of a fairly large audience.

Although Angela Lansbury and her colleagues have always been at pains to distance themselves from Agatha Christie, the same principle is applied in this story, set in a conference of budding authors, who are each given their turn on the stage. And sure enough, the killer does manage to give away an important clue during his own well-received talk.

In her position as the famous crime-novelist, Jessica has been invited to preside over the conference, and gets a close-up view of a colourful mix of characters, some of them connected with the ex-head of the KGB, also at the conference, who has just been offered a fortune for his memoirs, exposing the secrets of the Soviet Union. When the inevitable murder takes place, Jessica warns more than one character - significantly - that too much willingness to help the police may be aimed at deflecting attention, and can point to the killer. When it comes to the final unmasking, there is another Christie touch, when it turns out that the murderer is not a thug or a psychopath, but a decent and responsible person, driven to extremes by circumstances with which one can sympathise.

Regular fans of Murder She Wrote will recognise a particular in-joke, when one character laments "Jessica Fletcher's here. There's been a murder. What are the odds?" A few years from now, viewers may need a few title-frames to explain the historical context, but when the film was released in 2000, the ending of the Cold War was recent enough to make a strong basis for the story.

A great movie starring one of the best actors of all time: Richard Crenna.I would suggest this movie to anyone who likes great actors!Crenna Also was "Luke McCoy" on the "real McCoys(1957)", and starred in "Rambo" movies.I hope everyone else enjoyed this movie as much as I did!

Jessica Fletcher attends a writers' conference. One of the new members, Russian author Yuri Malenkovich, causes a stir by announcing that his manuscript is set to rock the authorities of both Russia and the US. The night of his introduction, he's killed.

It's a good follow-up from South by Southwest; I'm glad they took their time and opted not to churn out TV movies. I think the previous movie was slightly better, but this is still a good second outing.

The storyline is a good one, and the ninety-plus-minute run time allows it to develop well. I didn't work out who the killer was. It's a good story with some interesting characters and a few nice scenes.

The series often had Russian spies and KGB agents, so it was fitting that we had a couple here. I wish they'd expanded a little on the athlete's story, that came to an abrupt end.

Daniel Dae Kim was rather good; this comes just before millions would get to know him in Lost. Richard Crenna was excellent as Warren, and Lansbury's performance was first-rate; she stepped back into Jessica's shoes so easily; she's fabulous here.

7/10.

Following in the footsteps of the TV show, this TV movie did not disappoint. The characters, most especially J.B. Fletcher were well thought out and the acting was good. It was nice to see the return of one of the greatest television shows of all time, and it came back with a story symbolizing what made Murder, She Wrote so good. The people involved didn't see a TV movie with a bigger budget as an opportunity to create more action and special effects, the true reasons for Murder, She Wrotes popularity: the characters and stories (involvement of the viewer in solving the crime) remained in the fore-ground. It truly was a story, an event, a show to die for. (In the literal sense, of course.)

This full length Murder She Wrote TV film has Jessica Fletcher at a writer's conference organized by Richard Crenna and while JB Fletcher is a noted celebrity the big fish at the conference is former KGB agent Duncan Regehr who has written one successful novel. Now Regehr is promising a tell all expose of his years at the KGB. As you can imagine a lot of people wouldn't want to see that in print.

So Regehr is murdered and at the more leisurely pace that a feature film offers Angela Lansbury solves it.

Regehr is the type that will leave few mourning for him. Still murder is murder. There is a final scene with Lansbury giving a speech and she's asked about the ethics of getting involved with so many real life murder cases. Her speech ought to be required viewing for all, it's that good.