Arabesque: Le pacte de l'écrivain

Jessica Fletcher becomes a speaker at Speakers' Incorporated attended by various authors. Russian author Uri Malenkovitch also attends to promote his book about the KGB. When he is killed, Jessica must help a struggling writer who is accused of his murder.

Angela Lansbury looks older yet shines as always, with her reassuring, matronly presence causing to make you forget about the world's ills for just a short while. She gives her character a human quality, which I feel is one of the reasons why MSW was so successful. Here, this TV movie isn't so different than the episode, except that it's longer, elaborating on characterisation and plot. The plot is quite engaging, and it's just all cosy fun that is so much fun.

Along with South By Southwest(the best of the TV movies), A Story to Die For is one of the better TV movies based off the TV show, which I am a fan of. There are one or two parts in the middle half that drag slightly, but A Story To Die For is strikingly filmed with interesting locations and photography, and the music is excellent. The script is fine as is the direction, and the story is gripping and intense, with an ending that even I never expected. The acting is also strong, Angela Lansbury is superb as Jessica, while Richard Crenna is brilliant here, very likable and the chemistry between him and Lansbury is magic. Overall, a wonderful TV movie. 9/10 Bethany Cox

I am a huge Murder, She Wrote fan (and Ellery Queen, Agatha Christie, and John Dickson Carr fan, including adaptations) but for the longest time I had never seen the MSW movies, except for Celtic Riddle (I had read that book before it became a movie actually.) I was feening them like an addict. I looked everywhere, couldn't find them. Finally, Hallmark aired the three movies a few years ago.

I'm over the moon. Really, if this were part of the regular series I'd be saying this was my favorite episode block ever. We have Jessica at a writer's conference, people calling her on all her investigating and the publicity it's brought her books, questioning her motives. It's beautiful. While it still hovers just below painting a picture of a complex character it gives us a lot to like. 

And the story is classic MSW. In fact, altogether I'd say this is back to basics. Great plot, more than just cardboard cutouts for characters, and a sleek production. While there wasn't a high body count, the main murder was bloody (considering it's MSW we're talking about.) Also, ASTDF features some of the best acting in supporting roles MSW had seen in a long time (after the late 90s cringe- inducing performances from young "up and comers.") And, this might be Angela's finest portrayal of Jessica Fletcher yet. Maybe because she's aged, but she seems more vulnerable than ever before (save Thursday's Child). 

I only wish somehow Seth could've been involved, as with all the movies we don't even get a single mention of Cabot Cove (IIRC). 

If you haven't seen it, and you're a fan, make every effort to do so. You won't be disappointed. 

Angela, I love you. Jessica, I can't wait till they remake you and your world for a new audience -- which I'm sure they will.

I gave up reading the Agatha Christies after I learned to spot the murderer, usually about a third of the way in, when he (or frequently she) was placed at the centre of an over-theatrical scene in front of a fairly large audience.

Although Angela Lansbury and her colleagues have always been at pains to distance themselves from Agatha Christie, the same principle is applied in this story, set in a conference of budding authors, who are each given their turn on the stage. And sure enough, the killer does manage to give away an important clue during his own well-received talk.

In her position as the famous crime-novelist, Jessica has been invited to preside over the conference, and gets a close-up view of a colourful mix of characters, some of them connected with the ex-head of the KGB, also at the conference, who has just been offered a fortune for his memoirs, exposing the secrets of the Soviet Union. When the inevitable murder takes place, Jessica warns more than one character - significantly - that too much willingness to help the police may be aimed at deflecting attention, and can point to the killer. When it comes to the final unmasking, there is another Christie touch, when it turns out that the murderer is not a thug or a psychopath, but a decent and responsible person, driven to extremes by circumstances with which one can sympathise.

Regular fans of Murder She Wrote will recognise a particular in-joke, when one character laments "Jessica Fletcher's here. There's been a murder. What are the odds?" A few years from now, viewers may need a few title-frames to explain the historical context, but when the film was released in 2000, the ending of the Cold War was recent enough to make a strong basis for the story.

Jessica Fletcher attends a writers' conference. One of the new members, Russian author Yuri Malenkovich, causes a stir by announcing that his manuscript is set to rock the authorities of both Russia and the US. The night of his introduction, he's killed.

It's a good follow-up from South by Southwest; I'm glad they took their time and opted not to churn out TV movies. I think the previous movie was slightly better, but this is still a good second outing.

The storyline is a good one, and the ninety-plus-minute run time allows it to develop well. I didn't work out who the killer was. It's a good story with some interesting characters and a few nice scenes.

The series often had Russian spies and KGB agents, so it was fitting that we had a couple here. I wish they'd expanded a little on the athlete's story, that came to an abrupt end.

Daniel Dae Kim was rather good; this comes just before millions would get to know him in Lost. Richard Crenna was excellent as Warren, and Lansbury's performance was first-rate; she stepped back into Jessica's shoes so easily; she's fabulous here.

7/10.