Harry Potter à l'école des sorciers
- 2001
- Tous publics
- 2h 32min
Ayant été gardé dans l'ignorance de son passé, Harry Potter rejoint la prestigieuse école de sorcellerie de Poudlard. Avec l'aide de Ron et Hermione, ils découvrent que le château renferme u... Tout lireAyant été gardé dans l'ignorance de son passé, Harry Potter rejoint la prestigieuse école de sorcellerie de Poudlard. Avec l'aide de Ron et Hermione, ils découvrent que le château renferme un terrible pouvoir prêt à être libéré.Ayant été gardé dans l'ignorance de son passé, Harry Potter rejoint la prestigieuse école de sorcellerie de Poudlard. Avec l'aide de Ron et Hermione, ils découvrent que le château renferme un terrible pouvoir prêt à être libéré.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 3 Oscars
- 20 victoires et 74 nominations au total
- Griphook
- (as Vern Troyer)
Résumé
Avis à la une
Without going into the story I would certainly say Chris Columbus churns out a perfect pot-pourri of emotions, suspense and magic, delivering something appealing to all ages.
Every character brought to life on screen has done justice and leave an impression on you. Particularly notable performances by Emma Watson and Alan Rickman.
CGI are in plenty and made good of. The Quedditch game is picturised amazingly. The wizard's chess is treat to eyes.
Let's hope that the forthcoming HP series carries the similar magical touch.
Each of Rowling's four Harry Potter books have been critically acclaimed worldwide best-sellers, turning a generation of video-game playing children into avid readers.
In translating Rowling's world of wizards and magic to the screen, the film makers claimed to be intensely aware of the fans' high expectations and had sworn to be faithful to the book.
"Harry Potter and the Sorceror's Stone" is indeed the most loyal film adaptation of a book that this fan has ever seen.
It's the story of an orphaned boy who discovers on his eleventh birthday that his parents were wizards and that he is in fact a famous and powerful wizard himself.
Released from the clutches of his desperately ordinary (and non-magical) Uncle Vernon and Aunt Petunia - and their deliciously obnoxious son Dudley - Harry takes his place in the wizarding world as a first year student at the venerated Hogwarts School of Witchcraft and Wizardry.
A great deal of "Harry Potter and the Sorceror's Stone" is an introduction to this fantastic and dangerous world and its richly drawn characters. There's not only a lot of plot to cover in this film, but an entire world to create.
At two and a half hours long (hit the restroom before it starts), the film includes the book's most memorable scenes, bringing many of them to life with pure cinematic wizardry.
The Quidditch match (a soccer/hockey/rugby thing played on broomsticks) is much more exciting on the screen than on the page, as is the bathroom battle with an enormous mountain troll and the larger-than-life game of wizard's chess.
The frightening aspects of the book are in full force in the film, and its PG rating (for some scary moments) should be taken seriously.
Screenwriter Steven Kloves ("Wonder Boys") has done a fine job of streamlining Rowling's tale while maintaining its spirit. Director Chris Columbus ("Home Alone") makes good on his promise to be faithful to the book. But at times the film is a bit too reverent; you want the actors to cut loose and have a bit more fun.
Columbus clearly understands that fantasy works best when it's played most real. Across the board, his fine ensemble of actors are so perfectly cast that they appear to have literally stepped out of Rowling's book.
In the title role, Daniel Radcliffe pulls off the very difficult task of playing an introverted hero who spends most of the movie reacting to the amazing sights and events around him. He beautifully captures the deep soul and untapped potential of Harry Potter. And when this kid smiles the screen lights up.
Rupert Grint is delightful as Harry's sardonic buddy Ron Weasley and Emma Watson nearly steals the film as their overachieving friend Hermione Granger. Three cheers to the film makers for giving three unknown child actors the top billing they deserve.
The strong cast of veteran actors includes Richard Harris as the wise Headmaster Dumbledore and Robbie Coltrane as the lovable giant Hagrid. Alan Rickman is wonderfully villainous as Professor Snape and Zoe Wanamaker has just the right touch of girls gym teacher as flying instructor Madame Hooch.
As the strict but just Professor McGonagall, Oscar winner Maggie Smith seems born to play the role - and is ready for another Oscar.
John Cleese (as Nearly Headless Nick) and Julie Walters (as Mrs. Weasley) have all-too-brief cameo roles, but if the next film "Harry Potter and the Chamber of Secrets" remains true to the book, we'll be seeing more of them.
In addition to being highly engaging, the film is a marvelous thing to look at. From the bustling wizard street Diagon Alley to the magnificently gothic Hogwarts School to the dark and misty Forbidden Forest, the film breaks new ground in imaginative production design.
To paraphrase the film's tagline, let the magic (and box office records) begin.
Two and a half hours is not long to explore a wonderful, magical world. Furthermore, the directors have bowed to the inevitable temptation to show us things that cannot be communicated so effectively in a book. The consequence is the feeling of a slightly breathless sprint in places.
It also means that the movie has to stay true to the spirit of the book rather than to the letter of it. There are omissions and there are changes. The changes that were made capture and maintain the spirit of the story really well; indeed, there are places where the story is more clearly and straightforwardly told in the movie than in the book. Some aspects of the story are fleshed out on screen and the additions are delightful, completely in keeping with the flavour of the world.
The humour of the movie is inevitably more visual than that of the book; no belly laughs, but a lot of smiles. Some punchlines have changed, but the reasons why the jokes are funny remain the same. Not knowing exactly what's coming next is a good thing! It's all kept tasteful, classy and above the belt; there's nothing to cringe about.
The voice acting is almost uniformly brilliant. However, there are occasions where some of the actors are required to convey high emotions and are only given a second or two of face shot, or head-and-shoulders shot, to do so. This isn't as much freedom as they need and they fall a little short. The blame here must fall on the decision to give the actors too much to do too quickly, not on the actors themselves.
Other than these rare jarring instances, the physical acting is frequently excellent and seldom less than completely adequate, judged against the highest of targets set by the book's clear emotion descriptions.
Dan Radcliffe has the look, the mannerisms and the charm of Harry down pat. His strongest expressions are the bemusement that must be inherent at entering a world where science does not rule alone and the bravery that Harry shows in his achievements. Emma Watson possibly slightly overplays Hermione, but does so in a fully endearing fashion. There's one scene which gives her too little chance to truly express panic; otherwise her performance needs no changes.
Rupert Grint has comic timing way beyond his years, hitting Ron's lines perfectly. Tom Felton makes a stylish Draco; Matt Lewis' Neville character suffers from the acceleration, so the finale does come as a slight characterisation shock.
The Phelps brothers' Fred and George are distinctively cheeky rather than proactive pranksters; Chris Rankin imbues Percy with genuine authority. Sean Biggerstaff shines; his Oliver Wood is likeable and an ideal Quidditch team captain.
Robbie Coltrane's Hagrid is the single dominant adult character, with maximum laughs extracted at every step. The movie changes strongly exaggerate one side of Hagrid's nature, though; probably inevitable considering how much plot exposition his character has.
David Bradley has a vicious Argus Filch; John Hurt's Ollivander is an eccentric treat, giving a wonderful introduction to the Wizarding World. The professors are uniformly excellent, though Richard Harris' Dumbledore comes off as disappointingly flat until the end.
The most ambitious point of the movie is the computer generated imagery. The stills are wonderful, but the fastest animation is restricted by the limitations of real-world technology. The book makes extremely stringent demands of the CGI; sometimes their overall effect in the movie is merely good rather than insanely great. Some of the magic spells and effects look awesome; others don't capture the imagination nearly so much.
The world cannot yet completely convincingly animate human beings doing inhuman things, which serves as a clear reminder that you need fictional magic to make the impossible possible. The Quidditch scene is the most demanding of them all; while the sequence is action-packed and good-looking, disappointingly, it's not a total success. Perhaps some of the scenes would have been better with more conventional special effects? (For instance, the lower-tech-looking Sorting Hat scene is one of the most delightful of them all.)
The set looks gorgeous. However, it may not stand up to detailed analysis. It's fairly obvious that things are shot in many disparate locations, rather than one big Hogwarts School near Hogsmeade.
The score is absolutely wonderful. The soundtrack may rely too heavily on The Famous Bit, but it's clear that the balance and mixture of things in the finished movie are exactly right.
The feel of the whole movie is everything fans could have hoped for. The dialogue is intensely measured, the colouring is suitably epic, the selection of what to leave in is really tightly considered. You get chills in your spine at the right places; you feel the triumphs as all-encompassing endorphin highs. It's clear that the production have thought long, hard and lovingly. They are true fans of the story, they are the right people for the job, it all bodes very well for the second film.
So it could never have been the film that the hyper-literalists were hoping for, then, but it is as good as the practicalities of the real world could possibly permit. Don't expect miracles and you'll love it. I look forward to watching it again and again.
8/10 at the very least. A really satisfactory film!
Le saviez-vous
- AnecdotesAlan Rickman was handpicked to play Snape by J.K. Rowling, and received special instructions from her about the character. Rowling even provided him with vital details of Snape's backstory, not revealed until the final novel.
- Gaffes(at around 1h 11 mins) When Harry is upside down with the troll holding him by his legs, his hair is pointing to the floor and his scar is no where to be seen on his forehead.
- Citations
[Harry sits in front of the Mirror of Erised, gazing thoughtfully into it; he doesn't realise that Dumbledore is standing a few yards behind him]
Albus Dumbledore: Back again, Harry?
[Harry turns around and stands up]
Albus Dumbledore: I see that you, like so many before you, have discovered the delights of the Mirror of Erised. I trust by now you realise what it does.
[slowly approaches]
Albus Dumbledore: Let me give you a clue.
[stands opposite of Harry in front of the mirror]
Albus Dumbledore: The happiest... man on earth would look into the mirror and see only himself exactly as he is.
Harry Potter: So then, it shows us what we want. *Whatever* we want.
Albus Dumbledore: Yes, and no. It shows us nothing more or less than the deepest and most desperate desires of our hearts. Now, *you*, Harry, who have never known your family, you see them... standing beside you. But remember this, Harry: This mirror... gives us neither... knowledge... or truth. Men have wasted away in front of it, even gone mad. That is why tomorrow it will be moved to a new home. And I must ask you... not to go looking for it again. It does not do to dwell on dreams, Harry, and forget to live.
- Crédits fousRichard Bremmer (the face and voice of Lord Voldemort) is credited as "He Who Must Not Be Named", Lord Voldemort's title.
- Versions alternativesThere is an extended cut of the film running about 159 minutes vs the theatrical version runs 152 minutes. It was first shown on TV networks (ABC in the US, several international broadcasts had the same extended showing) in 2004. The 2009 Ultimate Edition DVD/Blu-ray release includes this cut as well. The deleted scenes added back into the movie are:
- Dudley's Uniform: Aunt Petunia dyes Dudley's old uniform gray so Harry could use it as his school uniform (before Harry receives the letter from Hogwarts.)
- Cracking Eggs: Aunt Petunia opens egg cartons and cracks them, discovering rolled up letters from Hogwarts addressed to Harry.
- On the train: Hagrid and Harry take the train to London, and Hagrid reveals his love for dragons.
- Snape's Class: An extended version of Snape's potions class.
- Finding Flamel: Harry, Ron, and Hermione discover Nicholas Flamel's name in a wizard card while looking for a counter curse for Neville's leg locker curse.
- Harry's Meditation: Harry and Ron discuss the Mirror of Erised.
- ConnexionsEdited into 5 Second Movies: Harry Potter (2008)
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Harry Potter y la Piedra Filosofal
- Lieux de tournage
- Alnwick Castle, Alnwick, Northumberland, Angleterre, Royaume-Uni(broomstick flying lessons; Ron insults Hermione; Harry complaining that his scar keeps hurting)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 125 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 318 886 962 $US
- Week-end de sortie aux États-Unis et au Canada
- 90 294 621 $US
- 18 nov. 2001
- Montant brut mondial
- 1 026 517 806 $US
- Durée2 heures 32 minutes
- Mixage
- Rapport de forme
- 2.39 : 1