Ajouter une intrigue dans votre langueTraci is a devious teenage girl who befriends and kills anyone who comes between her and her mother, Dana, a failed movie actress who lies for and protects Traci.Traci is a devious teenage girl who befriends and kills anyone who comes between her and her mother, Dana, a failed movie actress who lies for and protects Traci.Traci is a devious teenage girl who befriends and kills anyone who comes between her and her mother, Dana, a failed movie actress who lies for and protects Traci.
- Réalisation
- Scénario
- Casting principal
Patrick J. Phillips
- Lawyer
- (as Patrick Phillips)
Martin Christopher
- Principal
- (non crédité)
Jennifer Anne Lee
- Hairstylist
- (non crédité)
Avis à la une
Wow what a flop. This movie wasn't a total waste of time. I was introduced to the newest member of my "fox" list: Mandy Schaffer. Her complete hotness is really the only reason I sat through it. No I'm not a perv. But it just goes to show a pretty face and killer body go a long way. As for the acting she pulled the psycho routine off well, but it was still too predictable. And the rest of the cast did the best they could with a weak screenplay. My recommendation: Watch this for the shear joy of seeing that gorgeous Mandy Schaffer.
A striking resemblance to poison ivy or more so the hand that rock's the cradle. Which in itself is a good mantle to be held. A good movie of sickness and seduction with the usual plays although it does it well.
This can't be Mandy Schaffer's last film. Somebody, do something! :-(
Argh.
What little life this one might have had, the directing finished off. Don't blame the cast; they did OK. Even the winemaker's younger brother was pretty well done, and he didn't even get into the movie until halfway through. And please, please put Mandy in some more movies! She's too beautiful to bury her career at such a young age. Ya' breakin' my haht, heah....
Two specific criticisms, in case anyone cares (apparently nobody liked this movie very much). First, the way Traci kept popping up at just the right melodramatic moment, in order to see whatever she was supposed to see, and never got seen in return, was very annoying. Hollywood: please stop giving villains perfect timing luck which runs out exactly when the climax arrives. It's dumb. Write better scripts so you won't have to use that lame plot device any more. If your script isn't good enough to stand up without that, then don't produce it.
Second, Carmen wouldn't have fallen for that fake injury trick that Traci pulled. She already had Traci fingered. More bad writing/directing there.
I could trash this movie further but mercy forbids it. Actually I didn't hate it as much as the others seem to have. It just didn't have much of a reason for being made, unless it was purely a vehicle to show off the lovely Mandy. Oh, and to whoever didn't think she was sexy... the character wasn't very well written, but how can you say she wasn't sexy?!? One or the other of us needs glasses, and I don't think it's me.
MORE MANDY. (Not to be confused with "Moore, Mandy" -- although I'd like to see her again too. ;-)
P.S. Did I mention I hope Mandy makes me more movies? <:-D
Argh.
What little life this one might have had, the directing finished off. Don't blame the cast; they did OK. Even the winemaker's younger brother was pretty well done, and he didn't even get into the movie until halfway through. And please, please put Mandy in some more movies! She's too beautiful to bury her career at such a young age. Ya' breakin' my haht, heah....
Two specific criticisms, in case anyone cares (apparently nobody liked this movie very much). First, the way Traci kept popping up at just the right melodramatic moment, in order to see whatever she was supposed to see, and never got seen in return, was very annoying. Hollywood: please stop giving villains perfect timing luck which runs out exactly when the climax arrives. It's dumb. Write better scripts so you won't have to use that lame plot device any more. If your script isn't good enough to stand up without that, then don't produce it.
Second, Carmen wouldn't have fallen for that fake injury trick that Traci pulled. She already had Traci fingered. More bad writing/directing there.
I could trash this movie further but mercy forbids it. Actually I didn't hate it as much as the others seem to have. It just didn't have much of a reason for being made, unless it was purely a vehicle to show off the lovely Mandy. Oh, and to whoever didn't think she was sexy... the character wasn't very well written, but how can you say she wasn't sexy?!? One or the other of us needs glasses, and I don't think it's me.
MORE MANDY. (Not to be confused with "Moore, Mandy" -- although I'd like to see her again too. ;-)
P.S. Did I mention I hope Mandy makes me more movies? <:-D
This movie is so bad, I knew how it ends right after this little girl killed the first person. Very bad acting very bad plot very bad movie
do yourself a favour and DON'T watch it 1/10
do yourself a favour and DON'T watch it 1/10
Here we have another psycho-girl-on-the-rampage movie, this time portrayed by Mandy Schaffer. She is a seventeen-year-old who is fixated on her mother (Rosanna Arquette) and is never happy when a man comes between them. This time the man (Thomas Kretschman) is the brother of Arquette's business partner (Jurgen Prochnow, in a nice change from his usual creepy bad guy roles). Of course, Schaffer is soon bumping off anybody who gets suspicious or just plain gets in her way. There really is nothing new here, but Arquette is watchable in just about anything, and there's nothing wrong with the occasional cheap thrill, of which this movie provides plenty.
Le saviez-vous
- AnecdotesWhen the vehicle goes off the pier and into the water, two white objects can be seen in the sky. At approximately 1 hour and 3 minutes in. Leading some to speculate that two UFOs had been caught on film.
- Citations
Carl Krieger: She's very attached to her mother.
Mary Collins: I think it goes beyond attachment. More like a fixation, really.
- Bandes originalesSee Me Smile
Composed by Peter Lutwyche, Jane Tilley, Melissa McCabe (SOCAN)
Courtesy of Perfume Tree
Performed by Perfume Tree
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