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Till Human Voices Wake Us

  • 2002
  • R
  • 1h 41min
NOTE IMDb
6,3/10
2,5 k
MA NOTE
Helena Bonham Carter and Guy Pearce in Till Human Voices Wake Us (2002)
Trailer
Lire trailer2:36
2 Videos
7 photos
DrameRomance

Ajouter une intrigue dans votre langueA man returns to Victoria, Australia, where he grew up, and encounters a mysterious woman who reminds him of someone he once knew.A man returns to Victoria, Australia, where he grew up, and encounters a mysterious woman who reminds him of someone he once knew.A man returns to Victoria, Australia, where he grew up, and encounters a mysterious woman who reminds him of someone he once knew.

  • Réalisation
    • Michael Petroni
  • Scénario
    • Michael Petroni
  • Casting principal
    • Guy Pearce
    • Helena Bonham Carter
    • Peter Curtin
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,3/10
    2,5 k
    MA NOTE
    • Réalisation
      • Michael Petroni
    • Scénario
      • Michael Petroni
    • Casting principal
      • Guy Pearce
      • Helena Bonham Carter
      • Peter Curtin
    • 49avis d'utilisateurs
    • 23avis des critiques
    • 39Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 nominations au total

    Vidéos2

    Till Human Voices Wake Us
    Trailer 2:36
    Till Human Voices Wake Us
    Till Human Voices Wake Us
    Trailer 2:28
    Till Human Voices Wake Us
    Till Human Voices Wake Us
    Trailer 2:28
    Till Human Voices Wake Us

    Photos6

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche
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    + 3
    Voir l'affiche

    Rôles principaux24

    Modifier
    Guy Pearce
    Guy Pearce
    • Dr. Sam Franks
    Helena Bonham Carter
    Helena Bonham Carter
    • Ruby
    Peter Curtin
    • Dr. David Franks
    Frank Gallacher
    • Maurie Lewis
    Lindley Joyner
    • Young Sam Franks
    Brooke Harman
    Brooke Harman
    • Silvy Lewis
    Margot Knight
    • Dorothy Lewis
    Anthony Martin
    • Russ
    Dawn Klingberg
    Dawn Klingberg
    • Mrs. Sarks
    David Ravenswood
    • Lawyer
    Stewart Faichney
    • Reverend Mortenbury
    Diana Greentree
    • Mrs. Pickford
    Ian Swan
    • Police Sergeant
    Mark Perren Jones
    • Police Constable
    Sally Plant
    • Student #1
    Andrea Swifte
    • Patient #1
    Fred Barker
    • Train Conductor
    Reville Smith
    • Undertaker
    • Réalisation
      • Michael Petroni
    • Scénario
      • Michael Petroni
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs49

    6,32.5K
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    Avis à la une

    snafu-4

    A film like no other

    i had no expectations before watching this movie. I've heard very little about it but what i have heard was it was just plain bad. I honestly just watched it because Guy Pearce was in it, but if there is one thing we've learnt from watching Pearce's films is that he takes the complex unoridinary films and this is no exception. Firstly lets start with the plot. From reading other reviews you already know Pearce is a doctor and his leading lady has amnesia, but the film is so much more then that. Pearce's character goes back to where he grew up to barry his father and goes on a journey to recover the past that he never dealt with. It's truley an amazing story about the tragedy one boy experiances in his youth and how it has affected his life thus. Don't take my word for it and don't listen to all of those who have said the movie was bad or made no sense, watch it for yourself and you will see this is another one of Pearce's masterpeices.
    HariElwingShaym

    A dream taking over a life

    I watched this movie on television while it was running several times one month. The first time I watched it, I got antsy and changed the channel back and forth. I wound up watching it in its entirety several times later on. It is a haunting, intriguing film. Guy Pearce, of course, is extraordinary and so is Helena BC. I see it as a portrayal of a tortured soul who is still in shock from a momentary incident which altered his existence forever. One moment he is an innocent boy and the next he is suppressing a nightmare he cannot come to terms with for half his adult life.

    Once he allows himself to live the entire scenario with all the memories and the what if's, when he allows the ghost to be free, the tortured soul is also released. A beautiful, poetic and memorable film.
    michlam

    A Beautiful, Beautiful Film

    I am not one to write comments on films on many occasions but I recently saw this movie and it touched me so much that I felt compelled to comment on the film.

    "Till Human Voices Wake Us" was beautiful in it's imagery and cinematography, music, acting and writing. It had so many themes which resonated with me on such a deep level. Themes such as look at how we deal with traumas in our life and how they impact on who we become as an adult. Themes about looking at the patterns of behaviour passed down from generation to generation and the huge difficulty in breaking those patterns. Perhaps most important to me was the message that you have to work through your past in a positive way so that you can be free to live your future.

    The characters were so beautifully created and the subtlety of the performances was just so moving. It's amazing how a glance or a breath can convey so many words and feelings.

    I thoroughly loved this film and its images, themes and lyrical beauty have come back to me again and again since seeing the film. Thank you to all involved for providing me with such a wonderful experience.
    sdluthier

    Remarkably insightful

    This is an absolutely marvelous film. Director Michael Petroni has given us a thickly layered story that begs a second watching, if only to appreciate the nuanced placement of clues to a possible interpretation of the main concept; and here is one of the ideas that makes the film so powerful. The best films cause in us a desire to find meaning and intent, and the very best ones allow the engaged viewer to do so through their own looking glass, coming out the other side somehow transfixed and urged to look at their own lives with new tools of understanding. Perhaps one has to have done some personal work with psychiatry or at least psychology to appreciate some of the concepts explored, but at the very least the film is a touching testimony to self-exploration.

    If you have not seen this movie, please don't read on. It's worth seeing without any precept. My take on the film is just that, and I hope perhaps it resonates with others. The lead character (Pearce) is a psychoanalyst who himself is troubled by a life yet unresolved, haunted by the repression of an event that changed his approach to life. There is so much to talk about here, but I will try and keep it simple. When the death of him father requires him to visit the town he spent his summers in during childhood (with his father), he is forced, or forces himself, to confront the aforementioned event involving his teen love, Sylvia. When floating in the river at night together, she somehow slips from his cluth and disappears. It's only later that her body is found. The character development leading up to the tragedy, and the moving between present and past is well executed.

    The telling of the teen romance, and the appearance of a woman in the town where he is burying his father, and their subsequent realationship, are interwoven in an engaging fashion. The interpretation of the woman's existance is I believe not a fixed one. I notice the reference to 'ghost' in other posts, but I believe he has conjured her essence, and proceeds to relive numerous events the two experienced together as children, but this time with her as a contemporary. The whole is an exercise and/or ritual to allow him to release her from his psyche, so that he might be healed from the guilt and confusion that has since colored his life. There as countless clues to all of this-the pulling of her from the river and bringing her back to life after she jumped from the bridge, the reply 'you brought me here' when she was asked by him 'how did you get here', the evening scene when they revisit the crazy old woman's place where her breath was visible and his was not, and many more too numerous to mention.

    There are also several other layers that are interesting and deliberate as plot concepts. In the opening of the film he is teaching a class and refers to three types of memory loss; amnesia, neurosis, and repression. He tells the class that that day they will be focusing on repression, and the story begins with that prologue, a story about revisiting the cause of his own repression and his endeavor to move through it. Another concept is the one of his father and their relationship. This is told sparingly yet adequately as a son with a father with whom he was not close. Even after the girl's drowning and disappearance the father can't hold his son, but can only shhhhhh him, modeling for him the precursors of repression. On the dock that the young Sam and Sylvia referred to as 'our place', young Sam removed his own name carved in the wood, not hers, after her death.

    The appearance and the reappearance of TS Elliot's 'The Love Song of J. Alfred Prufrock' is a fitting device. It's adds a mysterious element that reinforces the somewhat ethereal nature of Sam's journey through his own psyche.

    The acting was superb, and Guy Pearce inhabits his character with sublety and confidence. Helena Bonham Carter also delivers a convincing pallor-clad performance. But the more deserving of attention is the acting of the young couple. Lindley Joyner and Brooke Harmon are simply perfect as young adults in love. I belive a movie like this will succeed or fail for several reasons, one of which is the musical score. The music was appropriately atmospheric whithout being trite, and the pacing of the film was great. If you are used to, and expect, the sort of product coming out of Hollywood, you might be bored. But if a film with the potential for powerful insight and transformation interests you, this Australian movie will stay with you for days, if not longer. It is wonderfully nuanced. See it and discuss it.

    pdo
    7MattyGibbs

    A sad tale of lost love

    I am a big fan of both Guy Pearce and Australian cinema so I was pleased to chance upon this film recently. Pearce plays a psychologist Dr Sam Franks who is haunted by a tragic past. A chance meeting with a stranger changes his life.

    This a slow moving but engrossing story which flits back and forth from Sams childhood to the current day as we get to know what shaped him into a lonely and tortured soul. The film works equally well in both time periods as the pieces are put in place as it builds to an emotional ending.

    The acting is excellent from all parties. I'm not Helena Bonham Carters biggest fan but she does a good job in this. Also impressive are the younger actors especially Lindley Joiner as the young Sam.

    Till Human Voices Wake Us is a tragic tale of lost love and how this can deeply affect all of us. It won't appeal to everyone but for people who like well written drama this is well worth watching.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The title is taken from the last line of the 1917 poem 'The Love Song of J. Alfred Prufrock' by T.S. Eliot. It reads: "Till human voices wake us and we drown".
    • Gaffes
      As Sam slowly reaches over and closes his dead father's eyes, we can see his father's shirt rising and falling with his breathing
    • Citations

      Silvy Lewis: If moths are attracted to the light, why don't they come out in the day?

      Young Sam Franks: ...guess in the day, light comes to them.

    • Versions alternatives
      -Minor Spoilers* The film was dramatically reworked for the international version (ie. American release) due to pressure by its distributor who felt the stars needed to appear before their original appearance nearly 35 minutes into the film. Under supervision by the director Michael Petroni, the entire film structure has been altered using some unused footage (that doesn't otherwise appear in the original Australian cut) and trimming nearly 5 minutes of footage in order to introduce the adult Sam character (Guy Pearce) at the beginning of the film rather than a half and hour into it. Flashbacks are then implored from the original 35 minutes of the Australian cut for the Young Sam and Silvy scenes. Additionally, Dale Cornelius' original music score has almost entirely been replaced by an orchestral score written by Amotz Plessner. The results ultimately lead to two very different approached to the material with different tones. The original, director intended, version plays more like a romantic drama with a past/present connection whilst the international cut has been reworked to play more as a mystery with possible supernatural undertones.
      • End Spoilers *

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    FAQ

    • How long is Till Human Voices Wake Us?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 12 septembre 2002 (Australie)
    • Pays d’origine
      • Australie
    • Site officiel
      • Official site
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Пока не разбудят нас голоса живых
    • Lieux de tournage
      • Australie
    • Sociétés de production
      • Instinct Entertainment
      • Key Entertainment
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 120 601 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 7 968 $US
      • 23 févr. 2003
    • Montant brut mondial
      • 157 720 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 41 minutes
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.35 : 1

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