Ajouter une intrigue dans votre langueA Photographer has a single evening to find ten magical photographs or else he stands to lose everything that is important to him.A Photographer has a single evening to find ten magical photographs or else he stands to lose everything that is important to him.A Photographer has a single evening to find ten magical photographs or else he stands to lose everything that is important to him.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire et 1 nomination au total
Photos
Joseph Mosso
- Officer #1
- (as Joe Mosso)
Michael Shannon
- Maurice
- (as Mike Shannon)
Chris Bauer
- Paul
- (as Christopher Bauer)
Avis à la une
This movie is a dream-like parable of a pretentious N.Y. photographer who has learned that art must come deep from the heart and be authentic. He has lost his native ability in the glamour of the artistic "in-crowd" and finds his way with the help of underclass mentors. The importance of his pictures pale in comparision to the image of life he derives in his journey.
4=G=
"The Photographer" is one of those one man indies and it shows. The film is awful drivel...a pathetic attempt to piggy-back some dumbassed apocalyptic revelation into a Wizard of Oz'ish kind of thing with a bunch of weird people wandering around NYC looking for lost photos. Hey, you can't go a gallery show with 8x10's, OK! Jeeesh! This film sucked and was one huge waste of time.
From acting to visuals this film is a gem - a diamond in the rough. I was blown away by the performances headed up by the star, Reg Rogers, a master of his craft. This is Maggie G's first big role and it is a wonderful start to a now star studded career. Rob Campbell and Chris Bauer are fantastic. The writer/director, Jeremy Stein, has created a remarkable movie that not only is about something but is also vastly entertaining. It's films like this that make you believe that there is still hope for modern cinema. I can't wait to see the next film from this gifted filmmaker.
"The Photographer" is one of the most disappointing films that I've seen in a long time.
Nicely shot, but no other redeeming features for a pretentious piece of drivel.
One of the main characters is an aspiring writer racked with self-doubt to an extent that he can't bring himself to add a ribbon to his typewriter. We might have all been spared if only Jeremy Stein had possessed the same lack of confidence.
Something about pulling teeth and fun comes to mind. Save yourself from certain disappointment...give this one a miss.
Nicely shot, but no other redeeming features for a pretentious piece of drivel.
One of the main characters is an aspiring writer racked with self-doubt to an extent that he can't bring himself to add a ribbon to his typewriter. We might have all been spared if only Jeremy Stein had possessed the same lack of confidence.
Something about pulling teeth and fun comes to mind. Save yourself from certain disappointment...give this one a miss.
Jeremey Stein's maladroit "The Photographer" is one of those films that has an uneven balance of good and bad qualities where the bad outweigh the good. This is a film filled with some lyrical magic, but the direction is just so inept. "The Photographer" feels shallow, although the characters are relatively well-written and the story is thorough. When the film should draw you in, it turns you off with a constant feel of unintentional silliness. Stein should consider choosing a director for his scripts.
"The Photographer" is something of a modern day fairy tale about a, you guessed it, photographer who luckily finds success with a collection of beautiful stills that make him eminent. A year later, he looks through the art he has preserved for his follow-up and finds that it is all less than satisfactory. Later he goes to a bar only to find gorgeous photographs sitting next to him, belonging to a strange man he had been speaking with. Then he helps a man being mugged on the street, gets knocked unconcious, finds his pictures are gone as well as the parts of his car. He begins a late night journey to find the missing stills.
The problems arise when more and more and more unappealing characters join him on his quest. They are all ultimately annoying in their own ways, irritating, distracting and fatally pointless. For some it's the acting, but others just a bland feel of nothingness. Not even Maggie Gyllenhaal can save the dorkiest of characters.
The long night isn't terribly paced or aimless, it's just where it ends up. The film has an all too Hollywood conclusion not seen in many indie films these days. I liked some of the style used in this film, like cleverly placed clocks seen as the night goes on and a fun use of yellow, but the the bad qualities fastly eat away at a potentially good premise.
There are better films in this sub-genre. I would not reccomend watching "The Photographer" even if the premise is as intriguing to you as it was to me. I would recommend the other films, like John Shear's "Urbania" or Kubrick's "Eyes Wide Shut".
"The Photographer" is something of a modern day fairy tale about a, you guessed it, photographer who luckily finds success with a collection of beautiful stills that make him eminent. A year later, he looks through the art he has preserved for his follow-up and finds that it is all less than satisfactory. Later he goes to a bar only to find gorgeous photographs sitting next to him, belonging to a strange man he had been speaking with. Then he helps a man being mugged on the street, gets knocked unconcious, finds his pictures are gone as well as the parts of his car. He begins a late night journey to find the missing stills.
The problems arise when more and more and more unappealing characters join him on his quest. They are all ultimately annoying in their own ways, irritating, distracting and fatally pointless. For some it's the acting, but others just a bland feel of nothingness. Not even Maggie Gyllenhaal can save the dorkiest of characters.
The long night isn't terribly paced or aimless, it's just where it ends up. The film has an all too Hollywood conclusion not seen in many indie films these days. I liked some of the style used in this film, like cleverly placed clocks seen as the night goes on and a fun use of yellow, but the the bad qualities fastly eat away at a potentially good premise.
There are better films in this sub-genre. I would not reccomend watching "The Photographer" even if the premise is as intriguing to you as it was to me. I would recommend the other films, like John Shear's "Urbania" or Kubrick's "Eyes Wide Shut".
Le saviez-vous
- AnecdotesThe photographs seen in the movie are from the series "HOMELESS: Portraits of Americans in Hard Times". They were taken by Howard Schatz.
- Bandes originalesMidbar Sinai
Performed by Angel Tears
Written by Momi Ochion
Courtesy of LoveCat Music
Published by Big Tiger Music (BMI)
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Détails
Box-office
- Budget
- 500 000 $US (estimé)
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By what name was The Photographer (2000) officially released in Canada in English?
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