Frères du désert

This movie has got it all: an aussie hottie, love, honor and obey, different cultures and is well acted. I can't understand why this movie has blown the box office with so much, and why all the reviewers have slaughtered it.

Heath Ledger plays well (as always), and of course Kate Hudson is beautiful in it. If I would have anything to complain about in this picture, it would be that maybe the chemistry between Heath and Kate wasn't that great, but nobody is to blame here.

This is a fabulous movie with great and good looking actors, and if I should have guessed why the movie didn't sell, I would say that it was because they didn't promote this movie enough.

While watching the movie, you can go from crying to laughing at no time, and when a movie conquers that, it's just a blessing watching it.

Heath Ledger can really show what he has got to offer, since this movie is very different from his last "A Knight's Tale". Heath is clever by taking such different roles, just to show what he's got: "Two Hands" (black comedy),"The Patriot" (war, thriller), "Ned Kelly" (western, thriller), "The Order" (horror, mystery) and his most recently, not yet relished: "The Brothers Grimm" (adventure).

The director, Shekhar Kapur, did a good job on this one. He told the actors to make the sand in the desert to look like water and waves, and they did a good job doing just that. All in all, this movie should been a success, because it simply has it all. Too bad.

"Four Feathers" reminded me of "Dances With Wolves," a beautiful try at PC reinterpretation of a soldier's role in an imperialistic war.

While I haven't read the original novel or have seen any of the previous five filmed versions of the story and my knowledge of the history of this period is pretty much formed by movies and "Masterpiece Theatre," this is the first one done by someone born in a former British colony, director Shekhar Kapur, so I was curious to see how the natives were treated (well, more like the Pawnee than the Lakota in "Wolves").

This version also carries today's symbolic weight of Western soldiers against Muslim warriors, especially as the enemy is identified as the Mahdi -- who Osama Bin Lama proclaimed as the last glory of Islam that he aspired to replicate.

This new interpretation has Heath Ledger refusing to fight in the Sudan not because of the cowardice symbolized by the titular feathers but more in the spirit of Country Joe McDonald's view of the Viet Nam War.

I got lost a few times in the geography and rescue choreography and found Djimon Hounsou a noble African with no motivation or reason for being there whatsoever.

However, the cinematography is gorgeous and will all be lost in video. Particularly thrilling are the battle scenes, which rate up there with "Barry Lyndon." I was especially impressed that Kapur didn't keep repeating the same sight lines, as most show-off directors do about shots that must have taken hours to set up.

While crossing and re-crossing the sands didn't make a lot of sense with little explanation as to survival, the treks and fights there were lovely.

And heck, I'm a fan of the three leads, Ledger (who looks great even in a fright wig), Wes Bentley and Kate Hudson (who mostly gets to dress up and look pretty), so I just sat back and enjoyed an old-fashioned big-screen Hollywood adventure (despite the endless chatter from the row of old ladies behind me).

(originally written 9/21/2002)

I've always been a fan of historically inspired epic movies and although I'm not a fan of costume drama's, I don't really care about the time period these movies are set in. This one has been set at the end of the 19th century, a time period that comes close to the one that I like most in the movies (1914-1950), but even movies set in medieval, Greek and Roman times I can enjoy...

As I already said, this movie has been set at the end of the 19th century, in 1898 to be more precise. When a British officer is about to be sent to Sudan to fight a war he doesn't approve of, he is seen as a coward. He has to resign his post, right before his regiment ships out to battle the rebels, and to make things even worse for him, he receives four white feathers from his friends and his fiancée. These feathers symbolize how they feel about him, they see him as a coward, but what they don't know is that he plans to go to Sudan anyway, undercover, so he can save his friends from a certain death and redeem his honor...

The story certainly is interesting and offers an interesting approach to a story that has been told many times before. But what I liked even more than the story was the photography. Everything was portrayed in a very nice way, especially when they are in Sudan. I'm not saying that the part of the movie showing England isn't any good, but I'm not too much a fan of those Victorian costumes and habits. I prefer the dust and dirt from the desert and the battles in which good manors only come later and the true human nature gets the upper hand.

Even though many people seem to hate this movie, I can't join them in their opinion. All actors did a nice job and even though it is perhaps true that they could have found a better actress than Kate Hudson to play the role of Ethne, it never bothered me in such a way that it spoiled all the rest of my fun. And about the historical accuracy I can be brief as well. It looked good enough to me to be believable. Perhaps there were some minor details that weren't right, but since I'm not too familiar with the time period shown in this movie, I certainly didn't notice them. Anyway, I liked what I saw and even though many people gave it a bad review, I certainly liked it for what it was: A very decent movie about honor, freedom, friendship,... I know that these words are too often abused in many Hollywood movies, but this time it worked for me and that's why I give this movie a 7.5/10.

I felt the need to comment since I saw a lot of pretentious comments attempting to be the next Roger Ebert. If you go into this without comparing it to earlier adaptations and don't self righteously dwell so deeply on the supposed glorification of imperialism then you'll most likely enjoy this film.

It's well acted and has the staples of a classic a story; love, betrayal, heroism & honor. I watch A LOT of films and am quite critical of many films that I watch, but for the life of me I cannot understand how people could score this film at 1,2, or 3! Just relax & enjoy an entertaining piece of cinema!

This sixth rendition about known story by A.E.W. Mason concerns on a British young officer named Harry Faversham (Heath Ledger) . Resigning from Army , he's rejected by his father (Tim Pigott-Smith), branded as a coward and sent four white feathers by his friends (Wes Bentley, Michael Sheen) and his engaged fiancée (Kate Hudson) . Determined to save his honor he heads to Sudan against Derviches . There arrives the expedition of help commanded by General Wolsey and Kitchener for stifle the rebellious Sudan's tribes ruled by 'the Madhdi', the ¨expected one¨ (events narrated in ¨Khartoum¨ film -1966- with Charlton Heston and Laurence Olivier , directed by Basil Dearden). The Madhi along with Arab tribes had besieged Khartoum (1884) and vanquished General Gordon . Faversham disguised himself as a native will save his friends from certain death and he will retrieve the lost honors . He's only helped by a valiant African-Muslim native (Dijimon Honsou) . Then , there took place the major fight scene , the Battle of Abu Klea , on January 17, 1885 when British Desert Column of approximately 1,100 troops fought a Mahdist force of over 12,000 dervishes .

This spectacular adventure detailing the epic feats of a brave hero contains noisy action , idealism , romance , unlimited courage , breathtaking battles and impressive outdoors . Heath Ledger as a stubborn officer is cool , Wes Bentley as his best friend is convincingly played and Kate Hudson as his girlfriend is enjoyable . Special mention to Dijimon Honsou as the corpulent helper . Sensational battle scenes made by hundreds of extras and by means of computer generator . Evocative cinematography reflecting the late 1800's and spectacular African landscapes by cameraman Robert Richardson . Appropriate and atmospheric musical score by James Horner . The motion picture was professionally directed by Shekhar Kapur . He's a costumer/epic expert , as he proved in ¨Bandit queen ¨and ¨Elizabeth I¨ and its sequel . Other adaptations about this famous story are the followings : The classic rendition by Zoltan Korda (1939) with John Clemens , Ralph Richardson and Jane Duprez ; 'Storm over the sand' (1955) by Terence Young with Anthony Steel , James Robertson Justice , Mary Ure and Laurence Harvey ; and for TV (1978) By Don Sharp with Beau Bridges , Jane Seymour and Robert Powell.