Le centre du monde

I thought this movie was a very worthwhile rental. However, it is not for everyone. Here is what I enjoyed:

1. Extremely convincing acting; 2. Sophisticated scripting and edits; 3. Intelligent dialog; 4. Interesting use of digital video (think grainy "Blair Witch" shots); 5. Some hot sex scenes; 6. Characters that interested me; 7. Deals with very raw and real emotions for these characters; 8. Director doesn't spoon feed the viewer. Some things in the scenes are better left unsaid, and they are left implicit for the viewer to grasp. I enjoy being treated as intelligent; 9. I appreciate the take on the dark side of Internet wiz-kids; 10. The movie succeeded in getting me to feel the mood of the characters very well. The feelings you are left with after watching the film--the ambiguity, the desire, the bitter-sweet frustration, even the slight weariness--enhanced the impact of the film for me.

What you May Not Care For:

1. Was I able to relate to the main male character only because I am a male involved in high-tech field?

2. Very slow pace. This is about burning emotions, coy dialog, and appreciation of believable acting. It's very cerebral. Not a typical drama by any means.

3. If you want to see even more sex, then rent a porn film. The sex here is not just about sex, but about adult loneliness and other adult themes.

4. There is a lot of subtle symbolism and fragments of dialog that you have to pay attention to get the most out of the film.

5. Many people who did not groove with the director as a whole would think the beginning, middle and ending was too slow and not satisfying.

6. If you don't appreciate the challenge of shooting realistic looking digital video in poorly-lit situations you may think the photography sucked. I didn't, it worked for me, but it's not for everyone.

7. Confusing cross-cutting scenes forward and backward in time. I thought it was very appropriate, but it could annoy others looking for simpler fare.

8. Too many things left unsaid in the dialog to be totally clear what is going on. I liked this, thought if very appropriate for what the characters were experiencing, and it made it feel much more voyeuristic, even kinky. Again, not for everyone.

9. You may not be able to get beyond the fact you are supposed to feel sorry for an Internet Wiz Millionaire and a confused young stripper who gets paid a lot of money for one weekend in Vegas. On the hand, they are still just two human beens and that is, I think, the whole point...

10. If you are a horny person looking for naked woman with big boobs I think the film will leave you, well, kind of flat.

In short, an interesting film for a young guy involved in high-tech and likes to think...

"Center of the World" is a very well photographed drama and is highly worth a viewing, but has several flaws.

"Center of the World", an almost mirror image of "Leaving Las Vegas" (better film), is about a computer whiz named Richard's (Peter Sarsgaard) three day escape from his everyday life to Las Vegas with a stripper named Florence (the lovely Molly Parker), who he pays to go with him under the conditions they won't have sex.

But Richard's promise eventually gets the best of him and he begins to obsess about having the best sex of his life with Florence. Florence, meanwhile, holds Richard back with teases and a "Fire and Ice" (Don't ask me) routine off screen.

With each tease, the characters' chemistry builds up and we begin to wonder if Richard and Florence are actually falling in love.

"Center of the World" has beautiful cinematography. The entire film was shot on tape and a few scenes are in one of the best shades of black and white I've ever scene.

Peter Sarsgaard is very good as the naive but extremely polite computer whiz and Molly Parker (although very better in "Pure") pours herself into the tough role of Florence almost as good as Jennifer Connely portrayed Marion in "Requiem for a Dream".

The film does have several flaws though. It has far too many sex scenes (often gratuitous), the chemistry between the two characters blooms and dies at any given time and the surprise ending is almost ruined by two scenes directly after the surprise (you'll have to see for yourself).

"Center of the World" is a good film worth watching once.

To the best of my knowledge "The Center of the World" was shot on a digital camera. If this is the case, then that was a very wise choice for the material and tone of the same. "The Center of the World" is an intellectual adult's version of "Pretty Woman" (although, I couldn't help but notice a few similarities to Egoyam's "Exotica"). On the most basic level is where we leave "Pretty Woman", however. This film is definitely not for all tastes, but that would be a loss for those folks. "The Center of the World" has a lot to say about human sexuality, loneliness, and money and the simple link between them in this modern-age. It's about the loss of human contact and connection between people in the same room; it's about perception and misjudgment. Additionally, there's a very primal ritual running through the sex scenes in this film that speaks volumes about human evolution versus technological evolution. There's a lot here and I don't want to ruin it for anyone by continuing my rant.

...Wayne Wang's notorious, controversial and explicit "CENTER OF THE WORLD" (Artisan, $.. is a much more polished piece of work than "Romance." It also explores the bleak terrain of emotional isolation. This time the protagonist is a rich internet geek (Peter Sarsgaard) who literally contracts with a rock and roll drummer and part-time stripper (Molly (Parker) for a sexual get-away in Las Vegas. The phoniness of Vegas and the impersonal internet are more than metaphors for what amounts to virtual sex in real life. The basic elements are familiar in countless other love stories, but here the physicality of the two main characters dominates everything. In many ways we root for them to break out of their protective shells and actually connect with the hearts.

Sometimes the walls we build to keep out the bad cuts us off from life itself. This film, shot on high definition video, evokes a more personal and immediate response and is much more effective on DVD than it is projected in a theater. Longing for intimacy but in the grip of a fear of letting go leaves the main characters with only the option of exploring physical sensations as soulless.

An extremely articulate and well-observed film from Wayne Wang, about what it means to have power - financial power, sexual power - and how shallow this power truly is, especially when it's detached from anything resembling true involvement, genuine passion. Both characters are obsessed with The Game, and they are both very good at it. Peter Sarsgaard and Molly Parker are both superb, letting us see enough of their characters' inner workings to completely understand them without showing too much, losing the edge. Each has what the other thinks he/she needs, and the film is basically a discourse on negotiation - what you will give up to get what you desire? Issues of control are central to the theme, and the cool thing is, both characters know it and they get off on that more than the actual sex itself.