Le centre du monde

To the best of my knowledge "The Center of the World" was shot on a digital camera. If this is the case, then that was a very wise choice for the material and tone of the same. "The Center of the World" is an intellectual adult's version of "Pretty Woman" (although, I couldn't help but notice a few similarities to Egoyam's "Exotica"). On the most basic level is where we leave "Pretty Woman", however. This film is definitely not for all tastes, but that would be a loss for those folks. "The Center of the World" has a lot to say about human sexuality, loneliness, and money and the simple link between them in this modern-age. It's about the loss of human contact and connection between people in the same room; it's about perception and misjudgment. Additionally, there's a very primal ritual running through the sex scenes in this film that speaks volumes about human evolution versus technological evolution. There's a lot here and I don't want to ruin it for anyone by continuing my rant.

A digital camera does not a movie make but Wayne Wang didn't rely on avant-garde technique alone when he decided to revisit the basic boy-meets-girl story. He simplifies the problem by choosing two people with very little in common and then taking them out of their natural settings and putting them in the unreal world of Las Vegas. The man is a socially inept but financially successful engineer so typical of our times and his character is developed and portrayed very realistically by Peter Saarsgard in a role very different from what he played in Boys Don't Cry. He's got it down even to the careless dressing and awkward laugh. I know - I work in the Bay Area. Molly Parker is equally convincing as the drummer-by-day-stripper-by-night career woman who has such a cool and invincible air about her that it makes quite an impact in the few occasions when she does let her armor down.

It almost seems as if Wang has taken the Hollywood classic Pretty Woman and has decided to deHollywoodize it. And in that he has been quite successful. The graininess of the Blair Witch style digital camera coupled with innovative shots including unexpected close-ups follow no clichés. Equally cliché-free is the screenplay which follows a loosely linear narrative advanced primarily by the sexual encounters between a man and a woman who are placed in the near-equivalent situation of a desert island and come from different worlds. In this, one can discern shades of Last Tango in Paris, except that this movie is set in a more cynical time where love has been deconstructed and is not worth killing for. Sex becomes the center of their world but even as they escape into sex they cannot quite leave their personalities, their dreams, their insecurities behind and that is what ultimately saves them and their story from the mundaneness of a forgettable sexual encounter. Although they go into into the deal for purely selfish reasons - he desiring an escape from Internet porn and she looking for some extra cash - their encounter, like all good stories, becomes something of a journey of self-discovery.

Mention must be made of the attention to detail which makes the setting very believable. The soundtrack is eclectic and follows the local Californian club scene rather than big label network music. And the dialogue is very boy-girl-next-door rather than being made up of grand lines. However, this movie is not everybody's cup of tea. The lack of a discernable narrative in some of the scenes risks losing the viewer's attention. And there's no simple message or tying up of loose ends here. But those who can brave that and the graininess will be rewarded with a contemporary look at love in our times.

I thought this movie was a very worthwhile rental. However, it is not for everyone. Here is what I enjoyed:

1. Extremely convincing acting; 2. Sophisticated scripting and edits; 3. Intelligent dialog; 4. Interesting use of digital video (think grainy "Blair Witch" shots); 5. Some hot sex scenes; 6. Characters that interested me; 7. Deals with very raw and real emotions for these characters; 8. Director doesn't spoon feed the viewer. Some things in the scenes are better left unsaid, and they are left implicit for the viewer to grasp. I enjoy being treated as intelligent; 9. I appreciate the take on the dark side of Internet wiz-kids; 10. The movie succeeded in getting me to feel the mood of the characters very well. The feelings you are left with after watching the film--the ambiguity, the desire, the bitter-sweet frustration, even the slight weariness--enhanced the impact of the film for me.

What you May Not Care For:

1. Was I able to relate to the main male character only because I am a male involved in high-tech field?

2. Very slow pace. This is about burning emotions, coy dialog, and appreciation of believable acting. It's very cerebral. Not a typical drama by any means.

3. If you want to see even more sex, then rent a porn film. The sex here is not just about sex, but about adult loneliness and other adult themes.

4. There is a lot of subtle symbolism and fragments of dialog that you have to pay attention to get the most out of the film.

5. Many people who did not groove with the director as a whole would think the beginning, middle and ending was too slow and not satisfying.

6. If you don't appreciate the challenge of shooting realistic looking digital video in poorly-lit situations you may think the photography sucked. I didn't, it worked for me, but it's not for everyone.

7. Confusing cross-cutting scenes forward and backward in time. I thought it was very appropriate, but it could annoy others looking for simpler fare.

8. Too many things left unsaid in the dialog to be totally clear what is going on. I liked this, thought if very appropriate for what the characters were experiencing, and it made it feel much more voyeuristic, even kinky. Again, not for everyone.

9. You may not be able to get beyond the fact you are supposed to feel sorry for an Internet Wiz Millionaire and a confused young stripper who gets paid a lot of money for one weekend in Vegas. On the hand, they are still just two human beens and that is, I think, the whole point...

10. If you are a horny person looking for naked woman with big boobs I think the film will leave you, well, kind of flat.

In short, an interesting film for a young guy involved in high-tech and likes to think...

It's hard to find a truly erotic movie made in America. Most mainstream films have little sex/no nudity and a whole lot of violence. And what constitutes "erotic art" in films is made up horribly contrived, unbelievable Cinemax/Playboy movies. That lack any real heat and are amazingly unsexy and boring.

So a film like "Center of the World" is a rare gem. It actually is sensual, erotic and the participants in the sex scenes seem comfortable and actually engaged in what they are doing. The scenes do not come off as awkward or simulated. Which is the challenge for any film director. To make the audience believe what they are seeing is real.

What's special here is that a great actress who one would actually like to see do nudity/sexual material, has the lead female role. There's no body doubles here and Molly seems really comfortable with the nudity and explicit sex scenes. She looks absolutely gorgeous throughout the movie. And is not the traditional, cookie butter starlet that is churned out in a 1,001 Cinemax skin flicks.

Hollywood should make more of these films. Unfortunately, I think during this age of "sexual repression" in the arts, our natural human sexual needs will continue to be hidden from view on both the big and small screens.

An extremely articulate and well-observed film from Wayne Wang, about what it means to have power - financial power, sexual power - and how shallow this power truly is, especially when it's detached from anything resembling true involvement, genuine passion. Both characters are obsessed with The Game, and they are both very good at it. Peter Sarsgaard and Molly Parker are both superb, letting us see enough of their characters' inner workings to completely understand them without showing too much, losing the edge. Each has what the other thinks he/she needs, and the film is basically a discourse on negotiation - what you will give up to get what you desire? Issues of control are central to the theme, and the cool thing is, both characters know it and they get off on that more than the actual sex itself.