Tomie

Having been a huge fan of Junji Ito's works (Uzumaki, Tomie, Hellstar Remina) I will do my best to refrain from comparing the manga to the film. NOTE: if you enjoyed the movie, reading the Tomie manga is highly recommended!

Tomie is unlike your typical horror movie where a wraith is lurking down the corridor or the ominous creaking floorboards in a closed room. This one is more subtle and effective at setting an atmosphere where you just know something is not right. I enjoyed the performance by Tomorowo Taguchi as the detective who's agenda is also questionable in this whole affair. Tsukiko (played well by Mami Nakamura) is for the most part in the dark as to what's going on. As time progresses, she begins to come to terms with recent strange events and how they are linked to a shrouded unknown past.

One thing to note: the Tomie manga excels at setting a dark, frightening mood and facial expressions (especially Tomie's) convey strong emotions of pain, fear, anger, betrayal, and obsession; a credit to Ito's talent. Watching the film draws you into the phenomenon of Tomie and is accompanied by an eerie soundtrack sounding like ambient, psychedelic music done by Buffalo Daughter..great stuff!

I wonder about the Japanese sometimes. What motivates them to make a movie? In the case of this one, it appears they just wanted to have Tomie look like Sadako, the nice ghost from Ring. I really can't see any other reason for this movie to exist. It's just that good.

It starts with Tsukiko undergoing hypnotherapy to help recover her memories prior to a traumatic accident. What she has conveniently forgotten is that this accident was actually her witnessing the murder of a classmate named Tomie at the hands of her then-boyfriend. Turns out this isn't the first time this has happened to Tomie. In fact, she (or parts of her) has just moved in to the apartment below Tsukiko, gearing up for a little bit of payback.

Sound interesting? It isn't. It's a good idea: a perpetual murder victim who always comes back to settle the score. But this movie is so poorly directed and written that the story gets overcome by boredom. The filmmakers have even gone so far as to almost make the movie confusing beyond comprehension by inserting an ending that raises more questions than it answers (that and poor subtitling confused the hell out of me). Really not worth the time to watch, plus however long it takes you to figure out what's going on. Avoidable.

In my neverending quest to find new horror, Asia is where the current wealth seems to lie. But Tomie is one of the few I've seen that is rather worthless. It was boring and it had no payoff whatsoever. I hate it when I've been watching a film for an hour and 20 minutes and then nothing comes together in that last 10 or 15 minutes. It just didn't make any attempt to make sense in the very end. That's what kills me. The idea itself and the beginning of the film were very intriguing. It just completely falls apart in that final reel and I can't forgive it for that. The main thing I will remember about this flick is the incredibly eerie score. I really can't believe there are five of these films already. I guess Tomie really will not die.

Tomie is a teenager who has the power to corrupt any man with her looks, she has complete control over any man and makes total use of her control. When she is done, she tosses them aside and moves onto another man. The heartbroken man will generally kill her, but that is exactly what she wants. Tomie is based on a manga series from the late 80's and what sounds like a great idea on paper just doesn't really translate well onto the big screen.

This first film in the successful Tomie franchise is rather weak and confusing. First off, it seems like the director automatically assumes you are familiar with the characters and the manga and doesn't really explain what is going on until maybe thirty minutes in. It also doesn't help that many of the scenes don't particularly flow well or make much sense adding to an even more confusing experience.

The acting is fine, but Miho Kanno who plays Tomie never really comes off as seductive and instead just seems creepy all the time. No real thrills or suspense either unfortunately. The film does win points on it's creepy soundtrack though.

* & 1/2 out of ****

From the opening credits, I was hooked. There's a strange static and distorted voice over the black screen with simple white titles. Then we're taken to a noisy city street where a young man is digging through a white paper bag. Within a few seconds, what should be horrifying segues into one of the most beautiful moments of stillness I have ever seen in a film, Asian or otherwise. The music is at once haunting and peaceful. It's like those moments in a Miyazaki film that are so peaceful, with a tinge of Dario Argento's Goblin soundtrack.

It is very hard to find a decent review of this movie. The one positive review I found gave away the entire plot. It's one of those movies that is so metaphor-laden, it makes absolutely no sense if you just watch the images and hear the sounds. Still pretty amazing, but I don't think it would keep someone's attention if they weren't thinking while viewing. There is a lot more going on here than just a few murders.

Like many (too many?) Japanese movies, there is a lot left unsaid. Characters with strange quirks are introduced, and it never explains why they have those quirks. Transitions from one scene to the next sometimes feel awkward. It sometimes feels like you're reading a book by a first-time author, as it is not clear why some scenes are even included. This is not a polished high-quality cinematography type film either...not up to the standards of Ringu or Dark Water. It lies somewhere between the blockbusters and Evil Dead Trap.

Even as I make those criticisms, I could only bring myself to take one smoke break. As much as Tomie may look like Sadako (and every other female ghost), this is a truly engaging film that still has me thinking 24 hours after viewing it.