Tomie

Based on a manga, and spawning four sequels, this film is about a young lady named Tsukiko (Ms. Nakamura) who has enlisted the help of a psychiatrist (Ms. Doguchi)to try to remember the events of 3 years before, described as an "accident". You find that a fellow schoolgirl named Tomie (Ms. Kanno) was killed, but no one can find the body..because she won't die. This film is more psychological drama than horror film. In the apartment below Tsukiko lives a male student who seems to be raising some mutant strain of something in a box. Is this Tomie re-incarnated? The film moves slowly, and even drags a little at times, but for fans of the manga it is essential viewing. A much better film than it has to be, its watchable. All 5 films are available in a box set. For this film, the concept is intriguing if not wholly essential.

In my neverending quest to find new horror, Asia is where the current wealth seems to lie. But Tomie is one of the few I've seen that is rather worthless. It was boring and it had no payoff whatsoever. I hate it when I've been watching a film for an hour and 20 minutes and then nothing comes together in that last 10 or 15 minutes. It just didn't make any attempt to make sense in the very end. That's what kills me. The idea itself and the beginning of the film were very intriguing. It just completely falls apart in that final reel and I can't forgive it for that. The main thing I will remember about this flick is the incredibly eerie score. I really can't believe there are five of these films already. I guess Tomie really will not die.

Tomie is a teenager who has the power to corrupt any man with her looks, she has complete control over any man and makes total use of her control. When she is done, she tosses them aside and moves onto another man. The heartbroken man will generally kill her, but that is exactly what she wants. Tomie is based on a manga series from the late 80's and what sounds like a great idea on paper just doesn't really translate well onto the big screen.

This first film in the successful Tomie franchise is rather weak and confusing. First off, it seems like the director automatically assumes you are familiar with the characters and the manga and doesn't really explain what is going on until maybe thirty minutes in. It also doesn't help that many of the scenes don't particularly flow well or make much sense adding to an even more confusing experience.

The acting is fine, but Miho Kanno who plays Tomie never really comes off as seductive and instead just seems creepy all the time. No real thrills or suspense either unfortunately. The film does win points on it's creepy soundtrack though.

* & 1/2 out of ****

Hmm. I mean, aesthetically, it's pretty great. It looks good for something that's going for a grounded and low-key sort of visual thing. It's not quite digital horror, but it scratches the same sort of itch that other Japanese horror films from around this time definable as such do.

I also watched it right after a movie where the music was the worst part (The Place Promised in Our Early Days), so it's nice that the best part of Tomie was the music. I'd almost be surprised if the main theme didn't inspire the title track from Radiohead's Kid A; that song sounds so similar, and came out after this movie.

Unfortunately, it's also a mess narratively. I wasn't a huge fan of Junji Ito's Spiral when I read it last year, and Tomie gives me the impression his stuff is inferior still in the format of a film.

A slow-burning supernatural drama that's nothing like RING or THE GRUDGE for once. Instead, TOMIE is a comic-book adaptation about an otherwise ordinary schoolgirl who has one special talent: she always, without fail, comes back from the dead.

TOMIE is a weird movie. It's slow-moving and subtle for the most part, and the sometimes disjointed storyline never really visits many places. Horrifying it isn't. On the other hand, it's undoubtedly an atmospheric film full of off-kilter scenes and eerie moments (most of these involving a guy who finds himself 'growing' a new friend).

It's difficult to fault the efforts of cast and crew, and the highlight is the wonderfully weird piece of music that accompanies the titles in which a distorted, computerised voice proclaims an obsessive friendship. Many sequels, of varying quality, followed.