Foodfight!

Appalling, awful, tasteless and unfunny. CGI worse than a 1995 video game, combined with stunningly inappropriate and crass double-entendres make this an experience painful both to the eyes and the brain. Nazi- themed products take over a supermarket, complete with Eva Longoria's female Hitler character switching outfits between stripper schoolgirl and fetish Nazi. "One brand, one market" she shrieks to the minions gathered at a huge rally. Just vile.

I'm all for a bit of a bit of tasteless comedy, but it's got to be at least a little bit funny. And, please, not crass Nazism and innuendo in a movie aimed at 5 year olds. Oh, and even my kids thought it was lame. I hope the 'stars' got paid well - they should be doing pro-bono work for the next 5 years to make up for it.

Genuinely the worst movie I have seen in the last 10 years - avoid at all costs.

A true tragedy that will go down as one of, if not the, worst animation movies ever made!

Words cannot begin to express how awful this movie is. Have you ever seen Lawnmower Man? Remember those CGI scenes in which Jeff Fahey gets it on with the CHI woman? OK, now imagine someone watched that and thought "hey, there's a kids' movie here!! I just have to find some way of slapping a script together, hiring the guys who made these really cool graphics in the early 90s and I'll make literally thousands of dollars!"

It doesn't appeal to kids, or adults, or even the blind apparently (a blind guy walked out halfway through saying it stunk). I'm not sure who's left.

Foodfight! is a cynical, cheap, patronizing, lifeless, lazy, unfunny, tasteless, shoddy, disrespectful, offensive-to-anyone-with-a-brain piece of unmitigated garbage, sure, but it's much more than that.

Because it is meant to be entertainment aimed at children, and because its message amounts to nothing more than "BUY OUR BRANDS, OUR BRANDS LOVE YOU, YOU LOVE OUR BRANDS, EAT OUR FOOD, EAT, EAT, EAT, EAT, EAT..." Foodfight! is not just a bad movie.

Foodfight! is PURE EVIL.

So far, the movie has only made $73,000 on a (shocking) $65 million budget. I guess there is some justice in the world.

Ten years ago, when Threshold Entertainment's hard drives were stolen, writer/director/producer Lawrence Kasanoff called it an act of "industrial espionage." I salute the brave souls who actively hindered the production of this film. You fought for the brain cells of children everywhere. I think watching even fifteen minutes of this movie has made me stupider.

Don't just skip this movie. Burn it, then bury it in a desolate field somewhere. It deserves to die the worthless drop of despicable piddle it is.

Also, ƒ*¢% Larry Kasanoff.

Genre film producer and Vestron Pictures producer Lawrence Kasanoff tried to cash-in on the success of animated movies made by Pixar and Dreamworks in the mid 90's and early 2000's but he did it in the laziest possible way a kids film can turn out to be.

If it would have been released in 2003 as it was planned, it would probably be considered a bad, strange and awkward hack job but fate had different plans for this piece of garbage. It wasnt enough to be a bad product of its time, fate wanted it to be one of the worst films ever made by delaying the already flawed production for years and releasing this trash into the world.

When you mix a pandering producer who doesnt have much experience at directing, let alone animated features, with a bunch of annoyed underpaid animators, several production difficulties and straight up bad decisions you get... Foodfight.

The film was originally going to be animated to resemble a Looney Tunes cartoon but Kasanoff decided the film would use motion capture, a technique that clashes with the cartoony animation style he wanted. The result is the worst of both worlds. Characters are stiff with their movements but this is often interrupted with more flexible stretchy movements that arent executed properly because of the bad animation and feel completely out of place. Thats not taking into account the awful art direction, ugly 3D models, disgusting textures and generic designs.

When you try to make a project like this, you should at least be familiar with how the medium works, instead of making arbitrary decisions that will inevitably create troubles for you and your crew; there doesnt seem to be a consistent idea or vision for the film besides making it a commercial family picture for the lowest common denominator.