Un jeune homme innocent est le témoin d'un débordement de violence après que l'arrivée d'un cirque et de son attraction bizarre, une baleine géante et un homme mystérieux appelé « Le Prince ... Tout lireUn jeune homme innocent est le témoin d'un débordement de violence après que l'arrivée d'un cirque et de son attraction bizarre, une baleine géante et un homme mystérieux appelé « Le Prince », sème le chaos dans un village isolé.Un jeune homme innocent est le témoin d'un débordement de violence après que l'arrivée d'un cirque et de son attraction bizarre, une baleine géante et un homme mystérieux appelé « Le Prince », sème le chaos dans un village isolé.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 5 victoires et 2 nominations au total
- Man In Western Boots
- (as Djoko Rossich)
- Porter
- (as dr. Horváth Putyi)
- Aunt Piri
- (as Almási Albert Éva)
Avis à la une
Bela Tarr's direction is stunning. The lighting is brilliant throughout, but none more so than when the circus comes to town in the middle of the night. The care and patience with which scenes are built greatly enhances the intensity of the most violent moments. The scene, for example, when a mob march down a long street before attacking a hospital matches the greatest moments of black-&-white silent cinema.
The film retains a disturbing ambiguity throughout, right up to its powerful ending. What is the significance of the whale and its owners? And is Valuska (Lars Rudolph) as innocent as it seems on the surface? The result is a long (140 minutes), gripping and exciting film that leaves more questions than answers at the end.
Some might accuse the film--which centres on a rural town riven by the arrival of a "circus" consisting only of a dead white whale in a corrugated iron trailer and a character called "The Prince" whose nihilistic and inflammatory remarks incite riots--of veering very close to a parody of miserabilist cinema. Okay, so it's in black and white; there's a lot of mud, rubbish, smoke and wetness; there's not much dialogue between not very attractive people; every take lasts between five and ten minutes; and there are many scenes of people trudging through cold and bleak landscapes. (You'll never see so much trudging in a film.) Lars Rudolph, as the hero Janos, looks like a cross between a young Klaus Kinski and Frasier's brother, Niles, and spends most of the film wild-eyed and harried.
However, Tarr's distinctive style--exceptionally fluid and intricate tracking shots rendered in beautifully sharp monochrome--perfectly matches the grim story, which, as the director pointed out, explores the "boundaries between civilisation and barbarism". Any seemingly parodic moments are far outweighed by extremely powerful ones, notably the opening scene in a pub where the hero explains what an eclipse is using the sozzled bar clientele; the hero's deeply unsettling encounter with the "Prince"; and the mob's attack on a hospital.
Although the narrative falls apart a bit in its closing scenes, the film's images stay with the viewer in ways unmatched much recent cinema. This film demands your time and concentration, but rewards them; it has a unique and mesmerising rhythm. And the music, by Mihaly Vig, is simply beautiful.
The stark black-and-white camerawork is by Medvigy Gábor, and the melancholic music is composed by Víg Mihály. The most harrowing scene is the raid on the town hospital, the longest scene of the film, shot in complete silence. Frightening and senses-staggering, the picture of the naked old man burns into the soul. Highly recommended, a must-see for anyone who is interested in the recent history of Central-Eastern Europe and wants to understand it.
Le saviez-vous
- AnecdotesThe film is composed of 39 languidly paced tracking shots.
- Citations
János Valuska: You are the sun. The sun doesn't move, this is what it does. You are the Earth. The Earth is here for a start, and then the Earth moves around the sun. And now, we'll have an explanation that simple folks like us can also understand, about immortality. All I ask is that you step with me into the boundlessness, where constancy, quietude and peace, infinite emptiness reign. And just imagine, in this infinite sonorous silence, everywhere is an impenetrable darkness. Here, we only experience general motion, and at first, we don't notice the events that we are witnessing. The brilliant light of the sun always sheds its heat and light on that side of the Earth which is just then turned towards it. And we stand here in it's brilliance. This is the moon. The moon revolves around the Earth. What is happening? We suddenly see that the disc of the moon, the disc of the moon, on the Sun's flaming sphere, makes an indentation, and this indentation, the dark shadow, grows bigger... and bigger. And as it covers more and more, slowly only a narrow crescent of the sun remains, a dazzling crescent. And at the next moment, the next moment - say that it's around one in the afternoon - a most dramatic turn of event occurs. At that moment the air suddenly turns cold. Can you feel it? The sky darkens, then goes all dark. The dogs howl, rabbits hunch down, the deer run in panic, run, stampede in fright. And in this awful, incomprehensible dusk, even the birds... the birds too are confused and go to roost. And then... Complete Silence. Everything that lives is still. Are the hills going to march off? Will heaven fall upon us? Will the Earth open under us? We don't know. We don't know, for a total eclipse has come upon us... But... but no need to fear. It's not over. For across the sun's glowing sphere, slowly, the Moon swims away. And the sun once again bursts forth, and to the Earth slowly there comes again light, and warmth again floods the Earth. Deep emotion pierces everyone. They have escaped the weight of darkness
Mr. Hagelmayer: That's enough! Out of here, you tubs of beer!
János Valuska: But Mr. Hagelmayer. It's still not over.
- ConnexionsEdited into Gli ultimi giorni dell'umanità (2022)
- Bandes originalesBook 1 - Prelude No. 8 in E-flat minor (BWV 853)
from The Well-Tempered Clavier
composed by Johann Sebastian Bach
The "grating" recording that György listens to in his study. He has retuned his piano to a pure tuning, with which the Bach prelude is incommensurable, since it relies on the tempered tuning system.
Meilleurs choix
- How long is Werckmeister Harmonies?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Werckmeister Harmonies
- Lieux de tournage
- Baja, Hongrie(square)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 F (estimé)
- Montant brut aux États-Unis et au Canada
- 69 923 $US
- Week-end de sortie aux États-Unis et au Canada
- 4 852 $US
- 7 oct. 2001
- Montant brut mondial
- 69 923 $US
- Durée
- 2h 25min(145 min)
- Couleur
- Mixage
- Rapport de forme
- 1.66 : 1