Ajouter une intrigue dans votre langueThe sexual rivalries between a group of friends cause comic chaos during a stag night celebration.The sexual rivalries between a group of friends cause comic chaos during a stag night celebration.The sexual rivalries between a group of friends cause comic chaos during a stag night celebration.
- Réalisation
- Scénario
- Casting principal
Al Ashton
- Taxi Driver
- (as Al Hunter Ashton)
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This has been called one of the worst British comedies ever but the key to getting something out of it is to not think of it as a comedy at all. That way the one or two smiles in the movie come as a pleasant surprise.
The cast is excellent and the dialogue is OK but that isn't nearly enough to compensate for the inconsistent characters and poor plotting.
There is a line in the movie which says "you can't just change your mind just like that". It is said by a character who has a major change of mind for no possible reason, either explicit or implied. That is typical of the characterisation.
There is a plot device - the diary - which sets lots of things in motion. This isn't particularly convincingly set up but I went along with it. However, who was supposed to have written it and why? That is typical of the plotting.
I don't feel as ripped-off as I have done by other films but British films have simply got to stop rushing into production when the script isn't ready.
The cast is excellent and the dialogue is OK but that isn't nearly enough to compensate for the inconsistent characters and poor plotting.
There is a line in the movie which says "you can't just change your mind just like that". It is said by a character who has a major change of mind for no possible reason, either explicit or implied. That is typical of the characterisation.
There is a plot device - the diary - which sets lots of things in motion. This isn't particularly convincingly set up but I went along with it. However, who was supposed to have written it and why? That is typical of the plotting.
I don't feel as ripped-off as I have done by other films but British films have simply got to stop rushing into production when the script isn't ready.
People may question my taste if I admit to admiring Tony Slattery, and I'm quite aware that I'm in a rightfully tiny minority here. So, for me to then claim with complete conviction that he is far and away the best thing about this film, should prove to the majority what an absolutely atrocious waste of time this is.
Slattery is, in fact, the one member of the cast who puts any effort into creating a character. This character may be every bit as loathsome and unsympathetic as the others featured, but at least his gurning and gyrating proves that is trying to make the best of a very slim script. Everyone else just looks bored and pained to the point of contempt - contemptuous of themselves that they find themselves involved with this utterly unlikable feature, and contemptuous (it felt, watching it) with their audience, for paying to see it.
The plot has potential, but the farce is unravelled lazily and with no attention whatsoever. The character of Claudagh could have been pivotal, and the eventual conclusion seems designed to make it appear that she has been behind the pay-offs of at least two of the characters. However, it takes the viewer about a second to realise that none of this makes any sense whatsoever: the strands of the plot are not pulled up sharply, as in classic farce, but resolved clumsily and coincidentally.
The soundtrack too is abysmal - what on earth were they dancing to in that nightclub? Even the worst of recent British comedies have managed to create some semblance of contemporary British life. This was released in 2000, but feels every bit as dreary and uninspired as a damp November Tuesday evening in 1982.
Quite the worst film I've seen since... ooh, Carry On England. Poor Tony - he's worth so much more.
Slattery is, in fact, the one member of the cast who puts any effort into creating a character. This character may be every bit as loathsome and unsympathetic as the others featured, but at least his gurning and gyrating proves that is trying to make the best of a very slim script. Everyone else just looks bored and pained to the point of contempt - contemptuous of themselves that they find themselves involved with this utterly unlikable feature, and contemptuous (it felt, watching it) with their audience, for paying to see it.
The plot has potential, but the farce is unravelled lazily and with no attention whatsoever. The character of Claudagh could have been pivotal, and the eventual conclusion seems designed to make it appear that she has been behind the pay-offs of at least two of the characters. However, it takes the viewer about a second to realise that none of this makes any sense whatsoever: the strands of the plot are not pulled up sharply, as in classic farce, but resolved clumsily and coincidentally.
The soundtrack too is abysmal - what on earth were they dancing to in that nightclub? Even the worst of recent British comedies have managed to create some semblance of contemporary British life. This was released in 2000, but feels every bit as dreary and uninspired as a damp November Tuesday evening in 1982.
Quite the worst film I've seen since... ooh, Carry On England. Poor Tony - he's worth so much more.
I really enjoyed this film. It has a great British cast, a tubby Tony Slattery is very entertaining, and is packed full of really funny moments. Adrian Dunbar puts in his usual faultless performance as Mr. Mac and James Purefoy's Hal is the epitome of slippery smoothness. It's a really welcome change to find a good home-grown comedy. We should be encouraging more film-making in this vein rather than always knocking it following the dislike of one critic. I found the characters well written and engaging and well portrayed. The film is more of a black comedy than merely a light hearted canter. A must for those who like comedy with a bite. I certainly think this film stands heads above other supposed British romantic comedies like ' This Years love ' which I believe was hardly classified correctly as a romantic comedy- rather a poor drama. The Wedding Tackle is a highly enjoyable romp, one which deserves a visit. I cannot understand why this film has not been more highly rated it ticks all the boxes for films in this category and beats many others that have received more critical acclaim. Cold feet with a vicious streak as one critic says. A definite must see.
... to continually produce badly scripted movies ?
Make no mistake , the core problem with THE WEDDING TACKLE is the screenplay. Didn`t anyone notice before they started shooting that this film has no premise , no plot and is full of under developed characters ?
As soon as the movie started I thought I was going to be watching some sort of bitter/sweet rom-com , then I thought I was going to be watching a bawdy sex comedy , then I thought I was going to be watching a comedy thriller , then I thought I was going to be watching a farce and all these conclusions took place within the first 15 minutes of the movie , which incidentally feels like it was made by a bunch of under talented film students . If people in Britain can`t be bothered to develop a script for a cinematic release why should people flock to the cinema to see their movie ?
" Anything else you want to warn us about Theo ? "
Yes . You know the worst actor in Britain ? , the one from EASTENDERS who got shot by a bunch of daffodills in 1988 then returned to the show last year , you know the actor who`s so wooden he only gives a good performance as a forest . Well he plays the villain in THE WEDDING TACKLE which that alone is reason enough to give this thoroughly unentertaining movie a miss
" TAXI "
Make no mistake , the core problem with THE WEDDING TACKLE is the screenplay. Didn`t anyone notice before they started shooting that this film has no premise , no plot and is full of under developed characters ?
As soon as the movie started I thought I was going to be watching some sort of bitter/sweet rom-com , then I thought I was going to be watching a bawdy sex comedy , then I thought I was going to be watching a comedy thriller , then I thought I was going to be watching a farce and all these conclusions took place within the first 15 minutes of the movie , which incidentally feels like it was made by a bunch of under talented film students . If people in Britain can`t be bothered to develop a script for a cinematic release why should people flock to the cinema to see their movie ?
" Anything else you want to warn us about Theo ? "
Yes . You know the worst actor in Britain ? , the one from EASTENDERS who got shot by a bunch of daffodills in 1988 then returned to the show last year , you know the actor who`s so wooden he only gives a good performance as a forest . Well he plays the villain in THE WEDDING TACKLE which that alone is reason enough to give this thoroughly unentertaining movie a miss
" TAXI "
A group of friends go on a pub crawl to celebrate the wedding that's happening in a week. The problem is no one wants it to go ahead, a number of schemes are conducted to stop it. To start there is too many characters and the comedy is quite odd to begin with, only finding it's footing once the escapades start stacking up in the 2nd act. It's the situations the characters are placed in with a lot of backstabbing which lead to the laughs. Its rather like midsummer nights dream with lust and drugs forcing the characters onwards.
Le saviez-vous
- Bandes originalesI Close My Eyes and Count to Ten
Performed by Dusty Springfield
Recording Courtesy of Mercury Records Limited (London)
Licensed by kind permission from Polymedia Film & TV Licensing UK,
A Universal Music Company
Written by Clive Westlake © 1968 Carlin Music Corp.
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Détails
- Durée
- 1h 34min(94 min)
- Couleur
- Mixage
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