Ajouter une intrigue dans votre langueThe sexual rivalries between a group of friends cause comic chaos during a stag night celebration.The sexual rivalries between a group of friends cause comic chaos during a stag night celebration.The sexual rivalries between a group of friends cause comic chaos during a stag night celebration.
- Réalisation
- Scénario
- Casting principal
Al Ashton
- Taxi Driver
- (as Al Hunter Ashton)
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no wonder the British film industry is in such dire straights! The script has as much wit as the graffiti in the toilet of my local pub, the director could take lessons from a traffic warden, the actors flounder like fishes out of water, and the technical credits look like the crew never stopped their partying from the night before quite long enough to even consider caring about this stinking, rotten mess.
The story is dumb, the dialogue is wooden, the performances are perfunctory, and the attempts by the director to spice the tale up with frissons of kinky sex are unfortunately the only thing we're igven to laugh at - and this is unintentional! If this is the best the filmmakers can do, let's hope they all kept their day jobs - cos they ain't getting' no more money for movies from no-one!
The story is dumb, the dialogue is wooden, the performances are perfunctory, and the attempts by the director to spice the tale up with frissons of kinky sex are unfortunately the only thing we're igven to laugh at - and this is unintentional! If this is the best the filmmakers can do, let's hope they all kept their day jobs - cos they ain't getting' no more money for movies from no-one!
I really enjoyed this film. It has a great British cast, a tubby Tony Slattery is very entertaining, and is packed full of really funny moments. Adrian Dunbar puts in his usual faultless performance as Mr. Mac and James Purefoy's Hal is the epitome of slippery smoothness. It's a really welcome change to find a good home-grown comedy. We should be encouraging more film-making in this vein rather than always knocking it following the dislike of one critic. I found the characters well written and engaging and well portrayed. The film is more of a black comedy than merely a light hearted canter. A must for those who like comedy with a bite. I certainly think this film stands heads above other supposed British romantic comedies like ' This Years love ' which I believe was hardly classified correctly as a romantic comedy- rather a poor drama. The Wedding Tackle is a highly enjoyable romp, one which deserves a visit. I cannot understand why this film has not been more highly rated it ticks all the boxes for films in this category and beats many others that have received more critical acclaim. Cold feet with a vicious streak as one critic says. A definite must see.
A group of friends go on a pub crawl to celebrate the wedding that's happening in a week. The problem is no one wants it to go ahead, a number of schemes are conducted to stop it. To start there is too many characters and the comedy is quite odd to begin with, only finding it's footing once the escapades start stacking up in the 2nd act. It's the situations the characters are placed in with a lot of backstabbing which lead to the laughs. Its rather like midsummer nights dream with lust and drugs forcing the characters onwards.
I can only agree with the previous reviewer - a complete and utter waste of time and money. This film has the misfortune to be one of the worst I have ever seen - I only stayed 20 minutes, and that was around 19 minutes too long. The advert for the local curry house was like Gone with the Wind compared to this. Poor script, rubbish editing, some terrible acting and the use of some bizarre plot contrivances... what were the makers thinking of off? A 3 year could have done better than this.
Still, my curry was good
Still, my curry was good
This has been called one of the worst British comedies ever but the key to getting something out of it is to not think of it as a comedy at all. That way the one or two smiles in the movie come as a pleasant surprise.
The cast is excellent and the dialogue is OK but that isn't nearly enough to compensate for the inconsistent characters and poor plotting.
There is a line in the movie which says "you can't just change your mind just like that". It is said by a character who has a major change of mind for no possible reason, either explicit or implied. That is typical of the characterisation.
There is a plot device - the diary - which sets lots of things in motion. This isn't particularly convincingly set up but I went along with it. However, who was supposed to have written it and why? That is typical of the plotting.
I don't feel as ripped-off as I have done by other films but British films have simply got to stop rushing into production when the script isn't ready.
The cast is excellent and the dialogue is OK but that isn't nearly enough to compensate for the inconsistent characters and poor plotting.
There is a line in the movie which says "you can't just change your mind just like that". It is said by a character who has a major change of mind for no possible reason, either explicit or implied. That is typical of the characterisation.
There is a plot device - the diary - which sets lots of things in motion. This isn't particularly convincingly set up but I went along with it. However, who was supposed to have written it and why? That is typical of the plotting.
I don't feel as ripped-off as I have done by other films but British films have simply got to stop rushing into production when the script isn't ready.
Le saviez-vous
- Bandes originalesI Close My Eyes and Count to Ten
Performed by Dusty Springfield
Recording Courtesy of Mercury Records Limited (London)
Licensed by kind permission from Polymedia Film & TV Licensing UK,
A Universal Music Company
Written by Clive Westlake © 1968 Carlin Music Corp.
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Détails
- Durée1 heure 34 minutes
- Couleur
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