Hedwig and the Angry Inch
- 2001
- Tous publics
- 1h 35min
NOTE IMDb
7,7/10
39 k
MA NOTE
Une fille punk rock transsexuelle de Berlin-Est fait une tournée aux États-Unis avec son groupe, tout en racontant l'histoire de sa vie et en suivant l'ancien amant/membre du groupe qui a vo... Tout lireUne fille punk rock transsexuelle de Berlin-Est fait une tournée aux États-Unis avec son groupe, tout en racontant l'histoire de sa vie et en suivant l'ancien amant/membre du groupe qui a volé ses chansons.Une fille punk rock transsexuelle de Berlin-Est fait une tournée aux États-Unis avec son groupe, tout en racontant l'histoire de sa vie et en suivant l'ancien amant/membre du groupe qui a volé ses chansons.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 28 victoires et 33 nominations au total
Sook-Yin Lee
- Kwahng-Yi
- (as Sook Yin Lee)
Avis à la une
Tard to follow (at times) but fascinating story about a transsexual rock singer named Hedwig and her quest for fame, fortune and love. Impossible to describe, but a pleasure to watch. Never stops moving and extremely well-directed by John Cameron Mitchell (who also gives a wonderful performance as Hedwig). The songs are loud and good, performed with gusto and tons of energy. A rare Hollywood film that doesn't play it safe with its sexual content and doesn't wimp out at the end. A one of a kind film and well worth seeing.
This movie is insane. That's why I liked it so much. The plot and visuals are as twisted as the inch that Hedwig is left with after her botched sex-change. In contrast, the lyrics of the many songs in the this movie are beautiful and poetic. I'm going to search out the sound track for this movie, as the songs were brilliant and inspiring.
This movie shows that everything has two sides that some how merge together to form the truth, The beautiful woman with the ugly, scarred genitals. The everlasting love soured by betrayal and shame. The cravings for success marred by the fear of power.
The unusual story, and the wonderful music make this movie alone worth watching. The amazing acting, outrageous costumes, and fabulous wigs make it a cult classic.
Another success for producer Christine Vachon, and a definite recommend from me!!!
This movie shows that everything has two sides that some how merge together to form the truth, The beautiful woman with the ugly, scarred genitals. The everlasting love soured by betrayal and shame. The cravings for success marred by the fear of power.
The unusual story, and the wonderful music make this movie alone worth watching. The amazing acting, outrageous costumes, and fabulous wigs make it a cult classic.
Another success for producer Christine Vachon, and a definite recommend from me!!!
Without gushing, I think that this is the best film to come out of the US in several years. This is the type of movie which demands repeated viewing, and reveals itself a little each time. I'm surprised that the genius of this film didn't receive more accolades at the time, but I attribute that to the socially acceptable restraints of the mass culture.
Absolutely perfect production from top to bottom, makes you laugh out loud... then tears your heart out & puts it back in again. Multi layered & symbolic throughout.
Songwriting by Stephen Trask is sublime. But how the hell can a clown like Eminem get an Oscar & this guy was virtually ignored?! Sickening thought. Cameron Mitchell must have been born for this part... a brave & charismatic perf.
This movie achieves everything that "Velvet Goldmine" (yuck) could not... in a fraction of the time.
Anyway, anyone who's got a little freak in them will love this movie. And those who don't "get it" should be content watching the rest of American mass market trash cinema.
Absolutely perfect production from top to bottom, makes you laugh out loud... then tears your heart out & puts it back in again. Multi layered & symbolic throughout.
Songwriting by Stephen Trask is sublime. But how the hell can a clown like Eminem get an Oscar & this guy was virtually ignored?! Sickening thought. Cameron Mitchell must have been born for this part... a brave & charismatic perf.
This movie achieves everything that "Velvet Goldmine" (yuck) could not... in a fraction of the time.
Anyway, anyone who's got a little freak in them will love this movie. And those who don't "get it" should be content watching the rest of American mass market trash cinema.
Adapted from an off-Broadway show, "Hedwig and the Angry Inch" is the end result of 6 years of character and idea evolution by creator John Cameron Mitchell. Equal parts musical, mockumentary, and drama, the film pleases on all levels.
The film's musical numbers are brilliantly crafted and cross several different genres. A country-flavored number, "Sugar Daddy", appears smack-dab in the middle of all the punk and glam rock tunes, daring anyone to doubt the soundtrack's variety. The majority of the songs are catchy and great fun to listen to ("Wig in a Box" even has a karaoke sing-a-long during the second chorus), while staying true to the themes of the movie and Hedwig's life. John Cameron Mitchell (Hedwig) sings live vocals over a pre-recorded band mix, and this definitely lends more of a live concert feel than if he had simply lip-synched all the songs for the role. The majority of the cast is reunited from the original cast of the "Hedwig and the Angry Inch" play, so fans of the original play who have not seen the movie need not worry about "outsiders" ruining it in transition.
The film's mockumentary nature mainly results from how the songs, being "autobiographical", are preceded by scenes of commentary by Hedwig and a flashback from her life. While the transition from real time to flashback is usually made quite clear, some scenes (particularly the climax, which is a mess trying to piece together) are confusing as to what is real and what is flashback. The rest of the mockumentary comes between musical sequences, during Hedwig's interaction with her manager, band, and showing of mixed feelings towards Tommy Gnosis, an ex-lover who stole all her material for his own album and is now a popular teen idol. Her interactions with husband Yitzhak (who, due to an excellent make-up job and performance by original cast member Miriam Shor, I had no idea was played by a woman until I saw "Like It or Not", a documentary on the film included on the DVD) would have made the list as well, had a vital character-development scene with Yitzhak (the only non-Hedwig flashback in the entire movie) been left in the final cut; as it is, Yitzhak serves only as Hedwig's back-up singer and whipping boy, a much less important character. Most of the film's situations, however, are explained well, via flashback or dialogue, and have well-written gay and transsexual jokes.
Underneath all the humor and the music, however, is the serious theme of feeling spiritually "whole". Hedwig seems to interpret this (through the song "Origin of Love" and some interesting animated vignettes) as through finding love and one's soul-mate. Mitchell, who knows his character better than anyone, gives an amazing performance and is not only able to portray Hedwig's bitchy diva side, but also able to make the audience sympathize with why she acts that way (unlike real-life divas), and how deeply her inner feelings and her failures so far at "becoming whole" through a relationship trouble her.
Having not even the faintest idea of what the film was about other than that it was a musical, I was very pleasantly surprised at how much fun I had with Hedwig, and how at the same time it never strayed far from its serious theme. In its journey from a character, to a play, to a movie, "Hedwig and the Angry Inch" has won over audiences as well as taken home accolades at Sundance, but has not had much mainstream success (chalk this up to its "controversial" transsexual main character and the popularity of "Moulin Rouge!", an experiment in stylistic over-extravagance, which is bigger and flashier than "Hedwig" due to its grand budget but lacks the sense of "genuine" emotion in the plot). This is quite tragic, because in retrospect, "Hedwig and the Angry Inch" was definitely one of 2001's best films.
The film's musical numbers are brilliantly crafted and cross several different genres. A country-flavored number, "Sugar Daddy", appears smack-dab in the middle of all the punk and glam rock tunes, daring anyone to doubt the soundtrack's variety. The majority of the songs are catchy and great fun to listen to ("Wig in a Box" even has a karaoke sing-a-long during the second chorus), while staying true to the themes of the movie and Hedwig's life. John Cameron Mitchell (Hedwig) sings live vocals over a pre-recorded band mix, and this definitely lends more of a live concert feel than if he had simply lip-synched all the songs for the role. The majority of the cast is reunited from the original cast of the "Hedwig and the Angry Inch" play, so fans of the original play who have not seen the movie need not worry about "outsiders" ruining it in transition.
The film's mockumentary nature mainly results from how the songs, being "autobiographical", are preceded by scenes of commentary by Hedwig and a flashback from her life. While the transition from real time to flashback is usually made quite clear, some scenes (particularly the climax, which is a mess trying to piece together) are confusing as to what is real and what is flashback. The rest of the mockumentary comes between musical sequences, during Hedwig's interaction with her manager, band, and showing of mixed feelings towards Tommy Gnosis, an ex-lover who stole all her material for his own album and is now a popular teen idol. Her interactions with husband Yitzhak (who, due to an excellent make-up job and performance by original cast member Miriam Shor, I had no idea was played by a woman until I saw "Like It or Not", a documentary on the film included on the DVD) would have made the list as well, had a vital character-development scene with Yitzhak (the only non-Hedwig flashback in the entire movie) been left in the final cut; as it is, Yitzhak serves only as Hedwig's back-up singer and whipping boy, a much less important character. Most of the film's situations, however, are explained well, via flashback or dialogue, and have well-written gay and transsexual jokes.
Underneath all the humor and the music, however, is the serious theme of feeling spiritually "whole". Hedwig seems to interpret this (through the song "Origin of Love" and some interesting animated vignettes) as through finding love and one's soul-mate. Mitchell, who knows his character better than anyone, gives an amazing performance and is not only able to portray Hedwig's bitchy diva side, but also able to make the audience sympathize with why she acts that way (unlike real-life divas), and how deeply her inner feelings and her failures so far at "becoming whole" through a relationship trouble her.
Having not even the faintest idea of what the film was about other than that it was a musical, I was very pleasantly surprised at how much fun I had with Hedwig, and how at the same time it never strayed far from its serious theme. In its journey from a character, to a play, to a movie, "Hedwig and the Angry Inch" has won over audiences as well as taken home accolades at Sundance, but has not had much mainstream success (chalk this up to its "controversial" transsexual main character and the popularity of "Moulin Rouge!", an experiment in stylistic over-extravagance, which is bigger and flashier than "Hedwig" due to its grand budget but lacks the sense of "genuine" emotion in the plot). This is quite tragic, because in retrospect, "Hedwig and the Angry Inch" was definitely one of 2001's best films.
10rkeefe
A true Rock Opera! Not for the small minded. Every song is amazing and wonderful - Origin of Love - is one of the best songs of our time. The illustrated mini-movies through out the movie truly enhance it. Beautiful and tragic. Unlike anything else, Rocky Horror pales in comparison. Amazing performances! I loved this movie! Hedwig is a truly beautiful and twisted character. This movie explains how someone gets to a very unusual point in their life. This movie shows that human beings have faults, emotion, love, anger and strife, no matter what their sex is, or how unusual they seem. The costumes are amazing and the sets rock. All around magic.
Le saviez-vous
- AnecdotesThe story depicted in the song "Origin of Love" is from Plato's "Symposium," in which Aristophanes gives a speech about love being a product of the need to reunite with one's other half after being split into two, as punishment for conspiring to usurp the gods of Olympus.
- GaffesOn the poster advertising for auditions for a production of Rent (2005), the character of Collins is described as 'Young, Edgy, Black, Aspiring Musician.' However, Collins is actually a philosophy professor. The 'aspiring musician' of Rent is Roger.
- Bandes originalesTear Me Down
(Hedwig version)
Written and Produced by Stephen Trask
Performed by John Cameron Mitchell, Stephen Trask, Miriam Shor, Bob Mould,
Theodore Liscinski (as Ted Liscinski), Perry James (as Perry L. James), Alexis Fleisig and Eli Janney
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- How long is Hedwig and the Angry Inch?Alimenté par Alexa
- What is the dialogue in German between young Hansel and his mother, when he's watching a cartoon? She tells him off and mentions Hitler. There are a couple of other German bits too, I'd be interested to see a translation.
Détails
Box-office
- Budget
- 6 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 3 082 286 $US
- Week-end de sortie aux États-Unis et au Canada
- 156 724 $US
- 22 juil. 2001
- Montant brut mondial
- 3 660 081 $US
- Durée1 heure 35 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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What is the Italian language plot outline for Hedwig and the Angry Inch (2001)?
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