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IMDbPro

Zigoto garçon de théâtre

Titre original : The Show
  • 1922
  • Passed
  • 20min
NOTE IMDb
5,9/10
171
MA NOTE
Larry Semon in Zigoto garçon de théâtre (1922)
SlapstickComedyShort

Ajouter une intrigue dans votre langueA harried propman backstage at a theater must put up with malfunctioning wind machines, roosters that spit nitroglycerine, and a gang planning to rob the theater's payroll.A harried propman backstage at a theater must put up with malfunctioning wind machines, roosters that spit nitroglycerine, and a gang planning to rob the theater's payroll.A harried propman backstage at a theater must put up with malfunctioning wind machines, roosters that spit nitroglycerine, and a gang planning to rob the theater's payroll.

  • Réalisation
    • Larry Semon
    • Norman Taurog
  • Scénario
    • Larry Semon
    • Norman Taurog
  • Casting principal
    • Larry Semon
    • Oliver Hardy
    • Frank Alexander
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,9/10
    171
    MA NOTE
    • Réalisation
      • Larry Semon
      • Norman Taurog
    • Scénario
      • Larry Semon
      • Norman Taurog
    • Casting principal
      • Larry Semon
      • Oliver Hardy
      • Frank Alexander
    • 2avis d'utilisateurs
    • 4avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos5

    Voir l'affiche
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    Voir l'affiche
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    Voir l'affiche

    Rôles principaux15

    Modifier
    Larry Semon
    Larry Semon
    • The Prop Man…
    Oliver Hardy
    Oliver Hardy
    • Stage Manager
    • (as Babe Hardy)
    • …
    Frank Alexander
    • Ballet Dancer…
    Lucille Carlisle
    Lucille Carlisle
    • Leading Lady
    Betty Young
    • Dancer
    Alice Davenport
    Alice Davenport
    • Audience Member
    Al Thompson
    Al Thompson
    • Man Who Smuggles Family In
    Pete Gordon
    Pete Gordon
    • His Son
    Frank J. Coleman
    Frank J. Coleman
    • Audience Member…
    Jack Miller
    • Villain
    Grover Ligon
    • Bald Policeman
    William Hauber
    • Audience Member
    • (as Bill Hauber)
    Coy Watson
    Ernie Adams
    Ernie Adams
    • Magician
    • (non crédité)
    • …
    Madame Sul-Te-Wan
    Madame Sul-Te-Wan
    • Maid
    • (non crédité)
    • Réalisation
      • Larry Semon
      • Norman Taurog
    • Scénario
      • Larry Semon
      • Norman Taurog
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs2

    5,9171
    1
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    9
    10

    Avis à la une

    4boblipton

    No, it's the 33-year-old Semon

    Here is a Semon comedy that reveals most of the problems with his work: the gags are well executed, but without much flair and with no logic in their set-up.

    Semon works backstage in a theater where open jars of nitroglycerin are left sitting about for animals in a magician's acts to drink from; where open barrels of lamp black are stored so that wind machines, turned on for no particular reason, can spew their contents onto the audience, who continue to watch the show, unconcernedly wearing blackface; where stage managers carry about guns so they can rob performers of their jewels --which performers, of course, bring with them to the theater, seemingly for that very purpose.

    The whole thing develops into a fair but derivative Max Sennett cops-and-railroad chase in which excellent stuntwork is executed, until the train runs into a rail car full of dynamite, which is left standing, as rail cars full of dynamite always are, on the main track; and the whole thing is "explained" by reducing the chase to a dream sequence. Semon performs his pratfalls and daredevil feats competently, and Oliver Hardy is stuck with his usual thankless role of heavy. The movie, however, is not about Hardy, as its other reviewer would have us believe, but Semon.

    Oh. I said that this movie shows most of the problems with Semon's work. The other problem seems to be that he repeated the same gags from movie to movie. Not too awful an experience if you've never seen one before, but to an audience that sees the same gags executed by the same comic in the same sense-free environment every two months.... well, if you're seen one, you've seen 'em all, I suppose.
    4planktonrules

    some funny moments,...and pretty lame ones as well

    This is definitely a "lesser known" comedy short from the 1920s. The only reason I saw it was because it was on a DVD by Kino Films featuring non-Laurel and Hardy shorts featuring Ollie. They are interesting and historically important, but also generally average to below average for the style film. Compared to shorts by Chaplin, Keaton, Arbuckle and Lloyd, they are definitely a step below them in quality and humor. Also, the accompanying music was pretty poor by the standards of other silent DVDs. I ended up turning OFF the sound due to the inappropriateness of the music to set the proper mood. But, despite this, they are still worth seeing.

    This film is about a stage show and at times it can be pretty funny, while at others it's very contrived and dumb. You just have to suspend disbelief, otherwise you'll drive yourself crazy trying to understand and accept the impossible events. For example, in the theater, an obnoxious family has a picnic up in the balcony. They take out a giant pail labeled "Jam" (who brings giant buckets of jam to the theater AND who puts jam into a giant pail anyway). When this obvious prop falls on someone down below, it just is pretty dumb. Then, later a chicken runs around projectile vomiting on everyone (???). This same chicken then finds a pail of nitroglycerin sitting around the theater (huh,...Nitroglycerine in a theater??). It eats in and then projectile vomits onto things that in turn blow up. Talk about contrived!! However, if you ignore these really lousy bits, there are great scenes as well. The final minutes of the film are an obligatory chase sequence and WOW was it done well. It's incredibly choreographed, fast and has some amazing crashes. It's worth seeing the movie just for the last 8-10 minutes alone! So, if you find this short, try watching it if you want to see something different. If you are new to silent shorts, though, try something higher quality first!

    Histoire

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    Le saviez-vous

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    • Anecdotes
      In a filmed interview of George Lucas in 1994 while he was writing the second trilogy of Star Wars, George Lucas is watching on videotape the chase of this movie with the train. Asking to himself "How did they do that ?".
    • Versions alternatives
      "Anything for Laughs," a cut version with a sound track and narration by George O'Hanlon, was released in 1951 as a short subject shown before Warner Brothers features including STRANGERS ON A TRAIN.
    • Connexions
      Referenced in Stop, Look and Listen (1926)

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    Détails

    Modifier
    • Date de sortie
      • 8 mai 1994 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Aucun
    • Aussi connu sous le nom de
      • Slapstick: Die Show
    • Lieux de tournage
      • Vitagraph Studios - 4151 Prospect Avenue, Los Angeles, Californie, États-Unis
    • Sociétés de production
      • Larry Semon Productions
      • Vitagraph Company of America
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      20 minutes
    • Couleur
      • Black and White
    • Mixage
      • Silent
    • Rapport de forme
      • 1.33 : 1

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    Larry Semon in Zigoto garçon de théâtre (1922)
    Lacune principale
    By what name was Zigoto garçon de théâtre (1922) officially released in Canada in English?
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