Gumnaam

It's rather unusual seeing a Bollywood musical that features a thriller story in it. On the one hand it's also a real ridicules movies but it does work out in its own kind of way. It manages to create a likable, light, atmosphere, with a mystery story weaved into it, that keeps things going at all time.

I'm not even a big fan of 'normal' musical, let alone Bollywood musicals. However the songs in this movie are actually quite good to listen to and besides, some of them actually do serve a purpose for the movie its story.

It's a movie with a pretty good premise in it, that I'm sure some big Hollywood producers would had been jealous off. Thriller and mystery wise it really is a great concept, even though the movie really always doesn't put that much emphasize on its thriller and mystery elements.

Also in the end, the story itself really doesn't make much sense. It leaves far too many questions and the concept suddenly actually seems pretty far fetched. Besides, even though this is a mystery movie, I can't really say that the movie has lots of surprises in it. It was pretty obvious who the killer was from the start on, due to the incredible unconvincing 'disguise' that he is wearing. The only mystery of the movie is why the other characters in this didn't noticed this.

It's also quite ridicules how all of the characters aren't busy trying to find the killer, even though they know the are all going to get killed one by one, or try to find a way of the island. No. they are all just to busy swimming, eating, falling in love and singing and dancing to songs. But when you watch a Bollywood movie you know that you have to take all these things for granted. I did just that and was quite taken by the overall movie experience.

Once you surrender yourself to this movie, you'll find it a quite pleasant movie experience. Its basically a great mixture of some cheerful fun and a bit of a darker story. But did it really needed to be so long? None of these Bollywood movies should be so long really but that is what happens when you show a reaction shot of every character every time that something happened. And there are 9 main characters in this movies...

Yes, it really is a quite clumsily made movie at times, with its directing, camera-work and editing but also this does quite often add to the charm and movie experience of this movie. So even the bad things about this movie can work out as something positive, which says something about the effective this movie has on you while you are watching it. I think it's fair to say that you really don't have to be into Bollywood movies to watch and enjoy this one.

It's also a movie that uses some nice settings. It's in no way a cheap looking movie, with fake looking sets in it, even though the movie probably didn't cost an awful lot to make. It shows that is pays off to shoot your movie mostly on location, rather than somewhere on the back of a studio lot.

Despite of all my criticism, I really did surprisingly enjoy this movie!

8/10

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The movie starts out simple enough. A man stands at a balcony and smokes a cigarette while watching a drunk man (coming out of a nightclub/bar) getting run over with a car. This is all intentional. The man on the balcony goes inside, pays someone for the death of the man on the street and then proceeds to call a whole bunch of people to let them know the man has died. In the middle of the phone call to the dead man's niece, a strange man in a trench coat, hat and gloves comes in and shoots the man.

After this we get the most famous scene of this movie : the dance scene that was shown in Ghost World. Its a crazy 60's rock n' roll dance number, complete with a girl dressed in a gold dress with frills, male dancers dressed in black suits with white frill shirts, female backup dancers in pink dresses with frills and a lounge singer dressed in a white suit with black tie. They are all wearing black masks. The song is quite catchy and makes you wanna get up and dance (or if you prefer, dance in your seat).

After the dance number (for the silver anniversary of the club), seven people are "randomly" chosen to go on an exclusive holiday abroad. On the way to the location, the plane has to land for repairs (it lands in the middle of a field somewhere). When the plane unexpectedly leaves, the seven "castaways" (8 if you count the Ray Romano looking steward) look around. They discover a mansion in the middle of nowhere, where a butler/cook awaits their arrival (and knows all theirs names except for the steward).

I would classify this movie as a Bollywood version of an Agatha Christie type suspense mystery. In typical Bollywood fashion this would include several dance and musical numbers. This is a very enjoyable twist on the whole mystery genre. It is true that the music and dancing does distract one from the mystery and reduces the tension. At the same time, I was enjoying the dance/musical numbers too much too care. By far my favorite dance/musical number (other than the opening one) would be the drunken singing scene between Miss Kitty and Nanda. I also loved the product placement of the movie. It is quite evident how much "Hollywood" items are used as items of social stature in other cultures. For example, the Cool cigarettes and the Long John whiskey. It is also quite comical to witness the amount of tobacco smoked in this movie (several black lung's worth). This is a very enjoyable movie and the 180 minutes rush by. I highly recommend this movie.

-Celluloid Rehab

Basically an adaptation of Agatha Christie's "Ten Little Indians," this film is highlighted by one of the greatest, most euphoric rock 'n' roll dance sequences ever, which was featured in the opening credits of Terry Zwigoff's excellent "Ghost World."

Of course nothing can be taken seriously here, as the characters get murdered one by one, they still find the time to have a beach party and stage elaborate musical numbers. There are some terrific musical fantasy numbers, but of course the "Jan Pehechaan Ho" scene featured in "Ghost World" is by far the best.

HOW could anyone not love GUMNAAM? The most sensational dance number ever to open a serial killer movie "Jan Pennechaan Ho" and the fabulous Glomesh Ganesh in a gold Lame dress, Zorro boys and India's answer to Little Richard kick start GUMNAAM off to a musical start start unmatched in movie history. There even seems to be the wives and aunties of the producers as chorus girls, all out of step in their purple frilly dresses - and Zorro masks. Not even the superb 1955 plaster nightclub decor (made in 1965) or the (laughing bird) Kookaburra sounds (often heard in Tarzan films) clutter this most exuberant of nightclub dance numbers. The lead singer even throws himself on the floor and convulses - all in tune! The "Anything Goes" opening of INDIANA JONES TEMPLE OF DOOM can't even match this for 'out of your seat' shocko bizarro, because from then on GUMNAAM busies itself with a literally 'and then there were none' plot. There is a haunted mansion, ghosts and nooses from nowhere. The Mantan Moreland style kitchen hand Mamood, has the other major dance number, a tiki-himialyan Esther Williams inspired heavenly fantasy of meeting dancing virgins atop a spearmint plaster stairway held up with dancing plaster fish. All to tikka tikka boo bongo music Just beyond belief. What about the Two drunk girls who decide to sing about how funny it is to be drunk in a haunted house with a killer on the loose! Imagine THE GIRL CAN'T HELP IT meets 'TEN LITTLE INDIANS' via MURDER ON THE ORIENT-NILE-GANGES and you might get slightly close. Find GUMNAAM. Show it to all your friends. IF only Hollywood was this much fun. Well it was, once wasn't it. This gets a 10 out of 10 just for the two dance numbers alone. The other 145 minutes are a bonus.

About ten years ago, my brother and I were sick with the flu and surfing the endless satalite channels when we came across this movie and could not change the channel. We laughed all day and days to come: imitating the dance with the masked men and the lady in the obnoxious gold dress. And I was laughing again when I saw it again a few months ago in Ghost World. You think the abstract direction of the sixties was bazaare and silly- check out what was going on in India.