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Focus

  • 2001
  • PG-13
  • 1h 46min
NOTE IMDb
6,7/10
3,2 k
MA NOTE
William H. Macy in Focus (2001)
Theatrical Trailer from Paramount Classics
Lire trailer2:32
1 Video
16 photos
DrameRomance

Ajouter une intrigue dans votre langueIn late WWII, Brooklyn neighbors wrongly think a couple is Jewish. Facing anti-Semitic persecution, they join forces with a Jewish immigrant to survive and maintain their dignity.In late WWII, Brooklyn neighbors wrongly think a couple is Jewish. Facing anti-Semitic persecution, they join forces with a Jewish immigrant to survive and maintain their dignity.In late WWII, Brooklyn neighbors wrongly think a couple is Jewish. Facing anti-Semitic persecution, they join forces with a Jewish immigrant to survive and maintain their dignity.

  • Réalisation
    • Neal Slavin
  • Scénario
    • Arthur Miller
    • Kendrew Lascelles
  • Casting principal
    • William H. Macy
    • Laura Dern
    • David Paymer
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,7/10
    3,2 k
    MA NOTE
    • Réalisation
      • Neal Slavin
    • Scénario
      • Arthur Miller
      • Kendrew Lascelles
    • Casting principal
      • William H. Macy
      • Laura Dern
      • David Paymer
    • 61avis d'utilisateurs
    • 31avis des critiques
    • 53Métascore
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires et 4 nominations au total

    Vidéos1

    Focus (2001)
    Trailer 2:32
    Focus (2001)

    Photos16

    Voir l'affiche
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    Rôles principaux37

    Modifier
    William H. Macy
    William H. Macy
    • Lawrence Newman
    Laura Dern
    Laura Dern
    • Gertrude Hart
    David Paymer
    David Paymer
    • Mr. Finkelstein
    Meat Loaf
    Meat Loaf
    • Fred
    • (as Meat Loaf Aday)
    Kay Hawtrey
    Kay Hawtrey
    • Mrs. Newman
    Michael Copeman
    Michael Copeman
    • Carlson
    Kenneth Welsh
    Kenneth Welsh
    • Father Crighton
    Joseph Ziegler
    Joseph Ziegler
    • Mr. Gargan
    Arlene Meadows
    • Mrs. Dewitt
    Peter Oldring
    Peter Oldring
    • Willy Doyle
    Robert McCarrol
    • Meeting Hall Man
    • (as Robert Mccarrol)
    Shaun Austin-Olsen
    • Sullivan
    Kevin Jubinville
    Kevin Jubinville
    • Mr. Cole Stevens
    B.J. McQueen
    • Mel
    Conrad Bergschneider
    Conrad Bergschneider
    • Tough's Leader
    Brad Austin
    Brad Austin
    • First Tough
    David Blacker
    • Petey
    Beatriz Pizano
    • Rape Victim
    • (as Betariz Pizano)
    • Réalisation
      • Neal Slavin
    • Scénario
      • Arthur Miller
      • Kendrew Lascelles
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs61

    6,73.2K
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    Avis à la une

    8UniqueParticle

    "They are a gang of devils and they want this country"

    William H. Macy is incredible in this! There's a lot of discrimination and bigotry in this movie but it doesn't take away from a great movie about people in a neighborhood and businesses against Jews. I love that the director/writer wanted to do this project since college; I wish I was at least a famous writer or consultant of some kind. Not bad at all except I must say I can't stand Laura Durns acting!
    10osgrath

    Compelling and disturbing

    This movie packs a punch. There are a few every now and then that make me think deeply, and disturb me a lot. I could see myself in this same predicament - passively allowing things to happen around me, not standing up for the right and decent thing, just trying to avoid trouble. How often do we avoid making waves or sticking our necks out? How often does our inaction condone the evil actions of others. We would never join them, we tell ourselves, we recognize that what they are doing is bad, but do we do anything about it?

    Lawrence Newman (William H. Macey) is a low-key, nerdy office worker who has paid off his home in Brooklyn, NY in the waning days of World War II. He rarely gets engaged in what is going on around him, has never married, rarely socializes, just goes to work and cares for his invalid mother. Then a series of events in his very "white" little neighborhood pull him out of his complacent shell into a maelstrom of events. It starts as he witness from his bedroom window the rape of a Puerto Rican girl by the son of his neighbor. Soon after he gets glasses because of poor vision. As he is now better able to see, he becomes less able to deal with the circumstances of his life. The one bright spot is a new love in his life, and he marries, hoping to continue on in his normalcy. Then the virulent anti-semitism on that street catches him, despite his credentials as a Presbyterian WASP. As things spiral further out of control, he discovers he must make an important decision - does he take a stand or does he simply go away.

    I cannot how anybody can view this movie without being affected and having to think very much about themselves and what they really stand for. Post war anti-semitism is the setting here, but there is injustice at all times and in all places. It is for the individual to decide where he or she stands.
    7Quinoa1984

    Terrific Performances and a finely tuned story

    One of Arthur Miller's finest works, Focus, comes to the screen and while there was a lot to like about the movie, some of it seemed like it was almost unreal (though I'm not sure if that's in a good or bad way).

    William H. Macy, great as always, plays Lawrence Newman, average Joe and good guy in Brooklyn, NY in the early 1940's who finds he needs a new pair of specs. Unfortunately, his choice of glasses makes him appear to be, well, Jewish, as this seems to his mother from the start. Lawrence tries to ignore the ignorance and bigotry in his neighborhood against the Jewish people, but with a string of events involving his neighbors (Meat Loaf, David Paymer), and a new girlfriend (Laura Dern in one of her best performances) who knows what trouble Lawrence is in, push him into the conflict of his life.

    Often, Focus, delivers a poignant, startling and smart story in showing a character with so much at stake it is making him insane. Macy and the rest of the cast are so close to perfect and if only for them make this a must see. Not to dissapoint the fans of Miller's book, I suppose, but if it does then that is just another flaw. B+
    TxMike

    Fine film of Arthur Miller novel.

    For many, perhaps Arthur Miller is most famous for his 4 1/2 years married to Marilyn Monroe. For me, it is his Death of a Salesman for which I did a lengthy report as a college assignment in the mid-60s. I had never heard of Focus, and it is a movie that few have seen. An interesting premise, well-executed. His WASP-ish everyman character in 1943 (during the war) comes under attack after he gets a pair of new eyeglasses, which apparently makes him "look Jewish." His Americanism is questioned, his garbage is overturned, is forced to quit his job, he gets thrown out of a union rally when he fails to stand up and clap, he and his wife get roughed up by thugs on the street at night. The film is an examination of our tolerance for prejudicial treatment of others, then our own reaction towards such treatment.

    The critic Ebert has a fine and complete review. William Macy, David Paymer, Laura Dern, and Meat Loaf Aday are all fine in their roles. A worthwhile 106 minutes of thought-provoking entertainment. The DVD, which was a free loan from my local library, has a sharp picture and good use of DD 5.1 sound. There is a very interesting extra which includes Arthur Miller discussing his book and the movie.
    10jotix100

    What a difference a pair of eyeglasses make...

    Most people attending this film will have no idea of the great novel by Arthur Miller that is the basis of it. It's a novel that should be read by more people to see how prejudice affects and alters peoples lives.

    At the beginning, Lawrence Newman is an ordinary man. The eyeglasses his boss makes him get change everything he has worked for and his whole world collapses around him, little by little. There couldn't have been an actor better suited to bring this intelligent performance to the screen than William H. Macy. Not only is he a talented stage and screen actor, but he projects honesty behind every character he plays. He is an everyday man caught in his own insecurities. His anxiety intensifies when he takes a stand and walks out of his job. Suddenly, he has to confront the issues he has tried to avoid all his middle class existence in the Brooklyn of the 40s. Is he Jewish, is he not? The cinematography in this brilliant and atmospheric film, directed with sure hand by Neil Slavin, kept reminding me of some Edward Hopper's paintings, especially a sequence at the beginning of the film when Newman steps outside a building and the night shot when he and his wife are being followed with long black shadows behind the couple, menacing and anticipating the confrontation with the bullies. Laura Dern, David Paymer, and especially Meat Loaf, who infuses incredible depth to the bully-next-door, are excellent, but they all pale in comparison with the stellar turn of William H. Macy (H must stand for HONEST..) If you haven't read the book, I would sincerely recommend it because no one has written more truly and convincingly than Arthur Miller has.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Trailers for the film correctly credit Meat Loaf as 'Michael Lee Aday.'
    • Gaffes
      About halfway through the movie, Larry and Gert are in an automobile. There is a vinyl "Sport Grip Steering Wheel Cover" laced around the steering wheel of the car. It is noticeable due to its distinctive pattern of perforations and cushioning. This item was not in existence in 1944, the year the movie is set in.
    • Citations

      Finkelstein: They are a gang of devils and they want this country!

    • Crédits fous
      Thanks to the residents of Campbell Avenue & Wallace Avenue, Toronto, Ontario.
    • Connexions
      Featured in Siskel & Ebert & the Movies: The Last Castle/Dancing at the Blue Iguana/Waking Life/Riding in Cars with Boys/Intimacy/Focus (2001)
    • Bandes originales
      Does Everyone Know About This
      (1945)

      Written by Arthur Altman and Charles Newman

      Performed by Martha Tilton with Paul Weston and His Orchestra

      Published by Southern Music Publishing Co. Inc. (ASCAP)

      Courtesy of Capitol Records

      Under license from EMI-Capitol Music Special Markets

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    FAQ18

    • How long is Focus?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 2 mai 2002 (Australie)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Фокус
    • Lieux de tournage
      • Ontario, Canada
    • Sociétés de production
      • Carros Pictures
      • Dog Pond Productions
      • Focus Productions Inc.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut aux États-Unis et au Canada
      • 645 418 $US
    • Week-end de sortie aux États-Unis et au Canada
      • 24 139 $US
      • 21 oct. 2001
    • Montant brut mondial
      • 645 418 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 46min(106 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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