D'Artagnan

Dártagnan (Justin Chambers) undergoes a revenge against the man dressed in black (Tim Roth) who murdered his father . Fourteen years later he goes out from Gascogne along with Planchet (Jean Pierre Castaldi) and confronting plunders and bandits on the trip to Paris . He meets for the first time worthless three musketeers , Athos (Kemp) , Porthos (Steve Speirs) and Aramis (Nick Moran) and get their swords crossed up . DÁrtagnan and the three Musketeers cross swords with the lackeys of scheming cardinal Richelieu (Stephen Rea) and first Mister Treville (Michael Byrne) , head of the Musketeers . They try to help king Louis XIII (Mesguich) who is negotiating a treatise with Duke of Buckinghan (Jeremy Clyde). Meanwhile , Queen Anna (Catherine Deneuve) and Francesca (Mena Suvari) are kidnapped by Febre and closed in his castle .

Mediocre version of the classic swashbuckler by Alexandre Dumas whose novel has been adapted a dozen times approximately . Attractive costumes , haunting french locations , fast paced and contains scrumptious action scenes with bounds and leaps in 'Matrix' style . This is primarily and middling made due to some blatant miscasting . Justin Chambers as Dártagnan and his co-star acting as the Queen's seamstress are never convincing as French citizens during the reign of Louis XIII . D'Artagnan did really exist , his name was Charles de Batz and was called D'Artagnan when he arrived in Paris probably because he was coming from the south-west of France where the movie was partly shot and where is the little city of Artagnan . Lively musical score by David Arnold , habitual in James Bond films . Dark photography by Peter Hyams , usually cameraman and filmmaker ; being filmed in south-west of France on location in Castle , Cassaigne, Gers, Castle Miramont-Latour, Gers, Midi-Pyrénées, and Auch, Gers, France . The motion picture was regularly directed by Peter Hyams . He's an irregular director with hits (Relic, Outland , Capricorn one , Timecop , Sudden death) and flops (Sound and thunder , End of days).

Other versions about this classic are the followings : 1921 mute rendition by Fred Niblo with Douglas Fairbanks ; 1935 adaptation by Rowland V Lee with Walter Abel and Paul Lukas ; 1948 the classic version by George Sidney with Gene Kelly , June Allyson , Van Heflin , Paul Lukas and Lana Turner ; 1973 amusing version by Richard Lester with Michael York , Oliver Reed and Raquel Welch ; 1993 modern adaptation by Stephen Herek with Charlie Shen, Kiefer Sutherland, Oliver Platt and Chris O'Donnell , among others .

I am far to be a fan o Alexandre Dumas. So, this version is far to be a surprise. Except the presence of few good actors in not the best roles, some admirable fight scenes, a story reduced at conventional sketch, Tim Roth looking for the decent way to save his character from not happy script and, sure, Catherine Deneuve in a role who surprise not entirely in good sense . A film about nothing. This could be a virtue but , in this case, it remains bizarre. Because it is just a walk around characters, a poor script, fight scenes as fireworks. And this is all.

The star of the show is Justin Chambers and he gets incidental billing which is ridiculous despite his lack of acting skills. More good and bad news:

BAD - Having a weak lead actor is not the way to have box-office success. Stupid dialog doesn't help either, along with the Rambo action mentality in which the good guy doesn't get hit from close range.

GOOD - Some of the action scenes were spectacular, the best swordplay I've ever seen. The ones at the beginning and the end of the film were the best, with some incredible stunt work. This is beautifully photographed, too. Tim Roth was a good villain, as usual, and the heroes - even if they couldn't act - were fun to watch. The language is tame in here and the film should be rated PG, not PG- 13.

seems a well intended tribute to the original film , but lacked depth in my view. not enough time for depth i suppose when you are in the air slicing about with a sword every 3 minutes. if you like bruce willis style car chases shootem up films, then you'll like this, ( unless you are find it too "cultural" for yourself) :) Myself, i found my mind wandering during it to such things as " I wonder if my socks will match if i look down" and other more fascinating thoughts.

This is a movie that really doesn't know what it is. For one thing, it seems to try and hang on to some parts of the story by Dumas, and yet it also is an entirely different story. Seemingly, the only real similarities are the names of the characters. This movie would be much more effective if it was entirely its own story, and not using the names of the famous characters. The reason? This movie totally dashes the names of those characters.

The most unsettling part for me was the fact that the Three Musketeers are nothing like themselves. Porthos is not the least bit arrogant or over-the-top. Aramis isn't religious at all. And Athos does not even remotely resemble the character in the book. Sadly, Justin Chambers makes a better d'Artagnan than Chris O' Donnell, but only because he doesn't do any acting at all, which is better than the profuse overacting of O' Donnell. And Stephen Rea is a good actor, but his character isn't remotely as menacing as Richelieu should be.

With all of that said, if you just view it as a movie, and try to block the actual story out of your mind, it can be entertaining. The fight scenes are very well done, and the pacing keeps the viewer interested. Perhaps this movie could have been really good if it was about the story of a musketeer NOT named d'Artagnan, and his unique adventure. But since it tries to be an interpretation of Dumas, it falls miserably short. As a movie, it is so-so, but as far as an interpretation of the famous story, it is absolutely terrible.