Basé sur la bande dessinée du même nom, un moine tibétain devient le mentor d'un jeune punk de la rue et essaie de lui apprendre à protéger le parchemin du pouvoir ultime d'une organisation ... Tout lireBasé sur la bande dessinée du même nom, un moine tibétain devient le mentor d'un jeune punk de la rue et essaie de lui apprendre à protéger le parchemin du pouvoir ultime d'une organisation nazie secrète vouée à la domination du monde.Basé sur la bande dessinée du même nom, un moine tibétain devient le mentor d'un jeune punk de la rue et essaie de lui apprendre à protéger le parchemin du pouvoir ultime d'une organisation nazie secrète vouée à la domination du monde.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 nomination au total
- Sax
- (as Chris Collins)
Avis à la une
The movie starts with a bang, and ends with a boom, with plenty of pops and kabangs along the way.
You want a movie that's fun, with likable actors, good action, a light plot that moves right along, and more than a few genuine chuckles? This is one of those.
Watching Chow Yun Fat work is fun, whether he's giving life to a substantial, full orbed character such as in Crouching Tiger, or to a more stereotypical one as the Monk with No Name.
Don't confuse the movies, and you'll have fun. As for all the vitriolic, acidic critics... maybe some folks just need to take themselves just a tad less seriously.
Or a few tads.
I must admit that I did find the underground cavern and the mysterious mind-reading device to be rather over-the-top, but that was the only part of the movie I didn't like.
Please keep in mind that this movie _is_ based on a comic book. It's not meant to be Important, World-changing theatre. It's meant to be a fast-paced (it is), interesting (I thought so), fun-to-watch (yes) story.
But this film did not receive the hype that TMR did and, consequently, my expectations of it were lower. As a result, I was not disappointed in BPM as I was with TMR. Sure, its all silliness, but at least it has the humour to go along with that silliness. In short, it doesn't take itself too seriously, and neiither should the audience.
Chow-Yun Fat shows he can play non-serious roles and get away with it, and Sean William Scott shows he can do other parts away from American Pie and its teen comedy clones. But a particular joy to see in this film is the appearance of Mako, whom I haven't seen much of in recent years. He only has a small role in this film, but he steals the show whenever he's on screen.
The kung-fu isn't quite as wild as Crouching Tiger's flying escapades nor is the wire-work quite so obvious. All in all a fun movie that should be watched as it was intended, as sheer escapism.
There are a few bad points. Watch out for the villain at the end. He should get the "worst villain's hairstyle" award for his mullet. That, and the ludicrous torture machine are the lighter negative aspects in an otherwise entertaining movie, and even they somehow just add to the fun. The only really dire moment is "Mr Funktastic's" atrocious British accent/choice of language. There are some things Hollywood will NEVER get right!
The cast indeed was very charismatic and did not feel like just another set of interchangeable Hollywood cronies. I expected not to like Seann William Scott, but I ended up feeling he did a great job (and no, I didn't see the ridiculous American Pie movies, what're you, nuts!?). Despite what others may say, I thought his kung fu was convincing, and his character actually endearing. I've never been that big a fan of Chow Yun Fat, because he's more a gangster movie actor than a kung fu movie actor, and I have no fondness for Hong Kong (or, for that matter, Hollywood) gangster movies. But as in Crouching Tiger, Hidden Dragon (which I loved and have seen many, many times), he filled his role very nicely here. Note that his superhuman kung fu was explained by his possessing the power of the scrolls; it wasn't just gratuitous. As for Jamie King, she just wowed me totally. She radiated both toughness and beauty (and ultimately, tenderness), and seemed like a believable character. Her being the daughter of a Russian mafia boss made her fighting skills credible.
One of the things I appreciated most about this movie was its ending. I'm usually always disappointed with really badly written Hollywood endings, but I absolutely LOVED this one. For both of the young leads to share the power was a great idea (also serving to bond them in their relationship), and it could make for a superb superhero-like sequel, since their fighting skills were radically increased by the power of the scroll. Unfortunately, we'll probably never see it. *Sigh.*
Le saviez-vous
- AnecdotesJaime King broke her finger during filming, but not in any of the stunts - just while walking up the stairs talking on the phone.
- Gaffes(at around 55 mins) When Struker is reading the recipe for chicken soup, he is holding the scroll upside down.
- Citations
Kar: The reason hot dogs come in packages of ten but hot dog buns come in packages of just eight is so you'll always need more buns for your hot dogs. Because no matter how much you get, how much you achieve, how many times you win... You can never, ever let yourself feel like it's enough.
[Later on]
Kar: So, I figured it out. Why hot dogs come in packages of ten and hot dog buns come in packages of eight. See, the thing is, life doesn't always work out according to plan. So be happy with what you've got, because you can always get a hot dog.
- Versions alternativesGerman theatrical version was cut for violence (the torture of the monk) to secure a more commercial "Not under 12" rating. DVD release is uncut and has a "Not under 16" rating.
- ConnexionsFeatured in Troldspejlet: Épisode #29.7 (2003)
- Bandes originalesDiamonds and Guns
Written by Tim Armstrong, Rob Aston, Jason Vasquez
Performed by The Transplants
Courtesy of Hellcat Records
Meilleurs choix
- How long is Bulletproof Monk?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Bulletproof Monk
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 52 000 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 23 358 708 $US
- Week-end de sortie aux États-Unis et au Canada
- 8 653 542 $US
- 20 avr. 2003
- Montant brut mondial
- 37 713 879 $US
- Durée1 heure 44 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1