Le métier des armes

This is an absolute must for anybody interested in Olmi's work or in the Italian Renaissance. One of the best Italian productions in years.

As usual, Olmi concentrates on the grey landscapes of his native Padana plains, engulfed in a swirling fog dominating the human figures which move through it, in an atmosphere of timeless melancholiness. As in its masterpiece, "L'albero degli zoccoli", Olmi successfully tries to paint a picture of the characters' feelings and strivings through the pitfalls of a difficult existence, devoid of any intrinsec meaning.

Do not misunderstand me - this is none of the pacifist crap fashionable amongst trendy critics and intellectuals. Neither it is a convoluted attempt to convey "profound" sociological or psychoanalytical concepts. That's why it didn't win the prize it deserved at Cannes. The film is rather an attempt to represent the reality of human loneliness and meaninglessness within a particular historical setting: that of a time when soldiery was still a "mestiere", a job, a professional choice devoid of the religious overtones which national myths have impressed on it in later times.

The Generals of both armies are no heroes, but rather human beings endowed with very human needs - Giovanni writes his loving wife to send him underpants, and his far less loving uncle, the Pope, to send him some money to pay his men. These are poor and humiliated men, fighting in the pope's behalf, and receiving blessings (instead of money) in exchange. Their one solace through religion consists in the act of burning churches and crosses to warm themselves a little - "That's the Christ of us poor people, he will help us", they say finding a huge wooden crucifix, and the face of the Christ being burnt is a testimony to their grieves. But the leader of the German Landsknechten, famous von Freundsberg, is also an old man who, for all his vain ferocity, is forced to go back to Germany after his victory because of his old age and illnesses.

The peasants fleeing through the fog, or hung by the German troopers, are wistful - more than tragic - elements of an unmoving landscape, mute testimony to the eternal cycles of war, of suffering, of pathetic strives to win victories that will be forgotten one day or week or month later, as new puppets will "strut and fret their hours upon the stage, and then will be heard no more" (from the famous monologue of Macbeth).

A masterpiece from Ermanno Olmi. A film worth seeing wherever you live.

If you are looking for a relaxing and commercial film don't see this one. In my case it took me 20 minutes to get deeply involved in the plot and the film atmosphere. Is a nice biographic story of an arm maker in the Italian middle age. The countryside (shot in Romania and Bulgaria) is giantly underlined by Ermanno Olmi's hand and all the characters were completely well represented by the actors.

Either you like the plot or not but certainly you will notice the direction of still one of the MOST important Italian directors nowadays.

Rating: 7/10

In a single word - capolavoro ("masterpiece" in English). I saw a masterpiece tonight. Maestro Ermanno Olmi's 2001 film «Il mestiere delle armi.» We all praise Rossellini, Fellini, Antonioni, Risi, Pasolini, Visconti, Leone, De Sica, Scola, Rosi, Wertmüller, Bellocchio, or the Taviani brothers, but we often forget Olmi. I have only seen four titles of his extensive filmography, and they were satisfying experiences: the diptych about the working class, «Il posto» and «I fidanzati,» his film «Il arbero degli zoccholi» which won the Palme d'Or at the Cannes Film Festival, and now this wonderful film.

«Il mestiere delle armi» recounts the final days of Giovanni de' Medici (1498-1526), during his final campaign as captain of the Pope's army, against the German hordes approaching Rome to capture and sack it. Giovanni died at the age of 28, one of the first victims of modern artillery. In the film, he is played by Bulgarian actor Christo Jivkov, who, curiously, died at the age of 48 in 2023.

The story moves at a steady pace, marked by the protagonist's imminent death, which is announced from the first minutes. The film describes the intrigues among the various Italian nobles in the face of the advancing invaders, Giovanni's passionate love for a married woman, and the clashes between armies, with brilliant attention to weapons, armors, costumes, music, lighting (excellent photography by Fabio Olmi, the director's son), and 16th-century medical instruments.

The film won nine David di Donatello Awards (the Italian film industry's highest accolade) for best production in 2001: best film, director, screenwriter (Olmi), producer, director of photography, editor, musician, art director, and costume designer. A complete cinematic experience, which I recommend.

Beautiful, melancholy attempt to reconstitute the world of Renaissance Italy, focusing on a small battle which, it turns out, is of extreme strategic importance, as in winning it, the way was opened for the French to invade Italy and sack it mercilessly. We learn much about the early role of gunpowder warfare, but also of the fortunes and misfortunes of highly-placed personalities who, like their subjects, lived constantly vulnerable to illness, death and the misfortunes of others which could drag them down from the heights of power to the depths of misery and poverty. I recommend this also for teaching history!

It is not an "easy" film. If you are searching for an adventure film, or a "kolossal", you don't find it here. But this is a beautiful movie by the artistic side, you need to watch it with calm and patience, like you have to watch a picture of a famous painter. The plot is carried out like touches of brush, the characters are "painted" over a background of ethereal landscapes, nearly soft. So, why my vote is only a 7/10? This is just because the movie is not easy, perhaps too slow for a "normal" vision. After all when I watch a movie, often, specially when I'm tired at the end of a hard day, I need to relax myself, while this movie needs much attention. I don't think you can watch it without a little of concentration, at least the first time. Like you look at a painting.