Snakeskin

Kiwis have this really odd approach to our films. We automatically assume that if a film has come from the States, and if it's showing in Hoyts, then it's better than anything ever made in New Zealand, let alone the smelly ol' Mainland.

As Snakeskin aptly shows, this is damn wrong, and it's fitting that it uses the Kiwi appropriation (obsession) with the American Dream as its central theme. In fact, the characters know more about Elvis and Marrilyn ("The patron saints of America guiding us on our journey") than about the small plastic Tiki they have in their car.

It's a very clever, very well directed, *excellent* film. With a kicking soundtrack. This is very important.

As the film opens there is a song playing, the lyrics are something along the lines of "there's a dust cloud out there, and its bigger than Texas.." I have searched high and low for what this song is and who sings it on the internet but to no avail. If anyone has the slightest idea about it I would really appreciate it if you let me know. It plays just before Melanie Lynsky starts narrating and listing her heroes, various movie characters including Thelma and Louise. I think the lyrics in the song represent her desire for the adventure she has always lived for which is about to finally happen to her, though she doesn't yet know it. What is before her is elusive and hidden, behind a giant dust cloud. Lol even if you just liked the song as well I'd love to know i'm not alone and the song actually does exist!

I was not surprised when i saw the rating because i always viewed Snakeskin as a film that you have to watch multiple times in order to understand. The first time i watched it, i really liked how the story built up the characters in the first half of the movie, while the second half left me with a lot of question marks. Although, when i watched it for the third time, i really grasped the symbolism and profound thoughts presented in the third act.

Snakeskin starts off as a fun action film, but then it turns into a thriller with very suspenseful scenes in claustrophobical environments. I also liked how the director chose to have all the minor characters shown in previous scenes, reappear later on to show that everyone is heading in the same direction. The music is really well chosen, the landscapes shown in both day and night scenes are really beautiful, and the actors, especially Oliver Driver, give the film an even higher level. I definitely recommend watching it, but as i previously said, you need to watch it multiple times in order to understand it.

It's a bit stunning to watch a film made in New Zealand, by New Zealanders, and not want to cringe. This is a fantastic piece of work. Kudos to the production team - when I think "road movie" made with a measly NZ budget I shudder to think of the result, especially when shot in a lightning fast 28 days. Yet this film looks like it cost three or four times as much to make. The visuals are stunning, and its cinematography award was well deserved. The story takes a nice big swipe and New Zealanders and their obsession with the USA. It may look on the surface to be your average american road film, and therefore a bit of a typical, stolen idea... but in truth this story rings sound as a uniquely New Zealand piece of work. It immediately promises to get quite dark... and then does... slowly sliding its way into that grim genre that New Zealand has created for itself that Sam Neill dubbed the "Cinema of Unease". This is a great New Zealand film, but better still, it's just a great film full stop. Great work to Gillian and Vanessa and all their team.

I went to Snakeskin not expecting much, perhaps something along the lines of "Stickmen" a NZ version of a successful overseas production, with a focus on Kiwiana and gimmicky NZ references. Too a large degree I was not disappointed. Oliver Driver plays yet another weirdo (although this time a skin head speed freak) which he does well, however, his appearances are becoming a little too familiar. While the acting and actors are excusable the writing is not, the first half of the film is nothing particularly new but works, but, by the second half the writing is completely incoherent. At one point towards the end it seems as if too many characters have been introduced and writer/director Ashurst just gets rid of them, they walk off, get shot etc. etc.... More noticeable than their demise is the increasingly strange (dare I say quirky) mishmash of ideas thrown in to try to hold the script together as it winds down towards the end which is neither a surprise nor original. (In fact for all you B-grade film viewers, very "Tales from the crypt" type thing). The whole film is very New Zealand on the surface and should be praised for being true to "NZ", those of you who liked "Stickmen" will like this film, but for me it does not compare with "Goodbye pork pie". Go and see it if only for the landscape.